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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E83F80 it is the complementary color #17C07F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E83F80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E83F80 shade: #ED3F7B, #FE518E, #FF63A1, #FF75B4 and #FF87C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E83F80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E83F80 shade: #E83F80, #D72D6D, #C61B5A, #B50947 and #A40034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E83F80 shade: #E93F80, #E93F53 and #E93F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E83F80 shade: #E93F80, #E93FAE, #E93FDC, #C83FE9 and #9A3FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E83F80 shade matches the following richer shades: #E93F80 and #FA2E7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E83F80 shade: #E93F80, #D75184, #C66288, #B5738C and #A38590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E83F80 shade: #E93FDD, #E93FB0, #E93F83, #E93F56 and #E9563F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E83F80 shade: #BF1657, #E41B68, #E93F80, #ED6499 and #F189B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E83F80 shade: #E83F80, #E9C73F and #3FC7E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E83F80 shade: #E83F80, #83E93F and #3F83E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E83F80 shade: #E83F80, #E9C73F, #3FE9A5 and #3F61E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E83F80 shade: #E83F80, #D8E93F, #3FE9A5 and #503FE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 45 / 9

HEX #E83F80

RGB 232 63 128

HSL 336.92, 0.79%, 0.58%

LAB 54.31, 68.33, 2.69

 

Complementary color

CMYK 88 / 0 / 34 / 25

HEX #17C07F

RGB 23 192 127

HSL 156.92, 0.79%, 0.42%

LAB 69.05, -54.86, 21.81

 

CMYK 0 / 73 / 48 / 7

HEX #ED3F7B

RGB 237 63 123

HSL 339.31, 0.83%, 0.59%

LAB 55.06, 69.26, 6.87

 

CMYK 0 / 68 / 44 / 0

HEX #FE518E

RGB 254 81 142

HSL 338.84, 0.99%, 0.66%

LAB 60.7, 69.49, 4.15

 

CMYK 0 / 61 / 37 / 0

HEX #FF63A1

RGB 255 99 161

HSL 336.15, 1%, 0.69%

LAB 63.96, 64.62, -2.06

 

CMYK 0 / 54 / 29 / 0

HEX #FF75B4

RGB 255 117 180

HSL 332.61, 1%, 0.73%

LAB 67.48, 58.92, -7.67

 

CMYK 0 / 47 / 22 / 0

HEX #FF87C7

RGB 255 135 199

HSL 328, 1%, 0.76%

LAB 71.36, 52.88, -12.53

 

CMYK 0 / 73 / 45 / 9

HEX #E83F80

RGB 232 63 128

HSL 336.92, 0.79%, 0.58%

LAB 54.31, 68.33, 2.69

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

HEX #D72D6D

CMYK 0 / 86 / 55 / 22

HEX #C61B5A

RGB 198 27 90

HSL 337.89, 0.76%, 0.44%

LAB 43.55, 65.92, 9.69

HEX #C61B5A

CMYK 0 / 95 / 61 / 29

HEX #B50947

RGB 181 9 71

HSL 338.37, 0.91%, 0.37%

LAB 38.68, 63.14, 14.49

HEX #B50947

CMYK 0 / 100 / 68 / 36

HEX #A40034

RGB 164 0 52

HSL 340.98, 1%, 0.32%

LAB 34.27, 58.98, 20.3

HEX #A40034

CMYK 0 / 73 / 45 / 9

HEX #E93F80

RGB 233 63 128

HSL 337.06, 0.79%, 0.58%

LAB 54.49, 68.6, 2.97

 

CMYK 0 / 73 / 64 / 9

HEX #E93F53

RGB 233 63 83

HSL 352.94, 0.79%, 0.58%

LAB 53.5, 65.34, 28.44

 

CMYK 0 / 73 / 73 / 9

HEX #E93F3F

RGB 233 63 63

HSL 0, 0.79%, 0.58%

LAB 53.21, 64.38, 39.63

 

CMYK 0 / 73 / 45 / 9

HEX #E93F80

RGB 233 63 128

HSL 337.06, 0.79%, 0.58%

LAB 54.49, 68.6, 2.97

 

CMYK 0 / 73 / 25 / 9

HEX #E93FAE

RGB 233 63 174

HSL 320.82, 0.79%, 0.58%

LAB 56.02, 73.46, -21.87

 

CMYK 0 / 73 / 6 / 9

HEX #E93FDC

RGB 233 63 220

HSL 304.59, 0.79%, 0.58%

LAB 58.08, 79.69, -45.05

 

CMYK 14 / 73 / 0 / 9

HEX #C83FE9

RGB 200 63 233

HSL 288.35, 0.79%, 0.58%

LAB 53.73, 75.1, -59.62

 

CMYK 34 / 73 / 0 / 9

HEX #9A3FE9

RGB 154 63 233

HSL 272.12, 0.79%, 0.58%

LAB 47.38, 66.55, -70.19

 

CMYK 0 / 73 / 45 / 9

HEX #E93F80

RGB 233 63 128

HSL 337.06, 0.79%, 0.58%

LAB 54.49, 68.6, 2.97

 

CMYK 0 / 82 / 50 / 2

HEX #FA2E7C

RGB 250 46 124

HSL 337.06, 0.95%, 0.58%

LAB 55.82, 77.34, 7.67

 

CMYK 0 / 73 / 45 / 9

HEX #E93F80

RGB 233 63 128

HSL 337.06, 0.79%, 0.58%

LAB 54.49, 68.6, 2.97

 

CMYK 0 / 62 / 39 / 16

HEX #D75184

RGB 215 81 132

HSL 337.16, 0.63%, 0.58%

LAB 54.02, 57, -0.46

 

CMYK 0 / 51 / 31 / 22

HEX #C66288

RGB 198 98 136

HSL 337.2, 0.47%, 0.58%

LAB 54.57, 44, -2.32

 

CMYK 0 / 36 / 23 / 29

HEX #B5738C

RGB 181 115 140

HSL 337.27, 0.31%, 0.58%

LAB 56.07, 29.5, -2.72

 

CMYK 0 / 18 / 12 / 36

HEX #A38590

RGB 163 133 144

HSL 338, 0.14%, 0.58%

LAB 58.58, 13.3, -1.57

 

CMYK 0 / 73 / 5 / 9

HEX #E93FDD

RGB 233 63 221

HSL 304.24, 0.79%, 0.58%

LAB 58.13, 79.84, -45.53

 

CMYK 0 / 73 / 24 / 9

HEX #E93FB0

RGB 233 63 176

HSL 320.12, 0.79%, 0.58%

LAB 56.1, 73.7, -22.91

 

CMYK 0 / 73 / 44 / 9

HEX #E93F83

RGB 233 63 131

HSL 336, 0.79%, 0.58%

LAB 54.57, 68.87, 1.3

 

CMYK 0 / 73 / 63 / 9

HEX #E93F56

RGB 233 63 86

HSL 351.88, 0.79%, 0.58%

LAB 53.55, 65.51, 26.73

 

CMYK 0 / 63 / 73 / 9

HEX #E9563F

RGB 233 86 63

HSL 8.12, 0.79%, 0.58%

LAB 56.42, 55.61, 43.23

 

CMYK 0 / 88 / 54 / 25

HEX #BF1657

RGB 191 22 87

HSL 336.92, 0.79%, 0.42%

LAB 41.75, 64.87, 8.85

 

CMYK 0 / 88 / 54 / 11

HEX #E41B68

RGB 228 27 104

HSL 337.01, 0.79%, 0.5%

LAB 49.83, 74.24, 10.7

 

CMYK 0 / 73 / 45 / 9

HEX #E93F80

RGB 233 63 128

HSL 337.06, 0.79%, 0.58%

LAB 54.49, 68.6, 2.97

 

CMYK 0 / 58 / 35 / 7

HEX #ED6499

RGB 237 100 153

HSL 336.79, 0.79%, 0.66%

LAB 61.15, 57.83, -1.91

 

CMYK 0 / 43 / 27 / 5

HEX #F189B1

RGB 241 137 177

HSL 336.92, 0.79%, 0.74%

LAB 69.3, 44.27, -3.51

 

CMYK 0 / 73 / 45 / 9

HEX #E83F80

RGB 232 63 128

HSL 336.92, 0.79%, 0.58%

LAB 54.31, 68.33, 2.69

 

CMYK 0 / 15 / 73 / 9

HEX #E9C73F

RGB 233 199 63

HSL 48, 0.79%, 0.58%

LAB 81.03, -1.78, 68.55

 

CMYK 73 / 15 / 0 / 9

HEX #3FC7E9

RGB 63 199 233

HSL 192, 0.79%, 0.58%

LAB 74.69, -25.23, -27.33

 

CMYK 0 / 73 / 45 / 9

HEX #E83F80

RGB 232 63 128

HSL 336.92, 0.79%, 0.58%

LAB 54.31, 68.33, 2.69

 

CMYK 44 / 0 / 73 / 9

HEX #83E93F

RGB 131 233 63

HSL 96, 0.79%, 0.58%

LAB 83.68, -56.88, 68.86

 

CMYK 73 / 44 / 0 / 9

HEX #3F83E9

RGB 63 131 233

HSL 216, 0.79%, 0.58%

LAB 55.25, 12.71, -57.82

 

CMYK 0 / 73 / 45 / 9

HEX #E83F80

RGB 232 63 128

HSL 336.92, 0.79%, 0.58%

LAB 54.31, 68.33, 2.69

 

CMYK 0 / 15 / 73 / 9

HEX #E9C73F

RGB 233 199 63

HSL 48, 0.79%, 0.58%

LAB 81.03, -1.78, 68.55

 

CMYK 73 / 0 / 29 / 9

HEX #3FE9A5

RGB 63 233 165

HSL 156, 0.79%, 0.58%

LAB 82.94, -58.19, 20.98

 

CMYK 73 / 58 / 0 / 9

HEX #3F61E9

RGB 63 97 233

HSL 228, 0.79%, 0.58%

LAB 46.3, 33.9, -72.29

 

CMYK 0 / 73 / 45 / 9

HEX #E83F80

RGB 232 63 128

HSL 336.92, 0.79%, 0.58%

LAB 54.31, 68.33, 2.69

 

CMYK 7 / 0 / 73 / 9

HEX #D8E93F

RGB 216 233 63

HSL 66, 0.79%, 0.58%

LAB 88.56, -25.73, 75.26

 

CMYK 73 / 0 / 29 / 9

HEX #3FE9A5

RGB 63 233 165

HSL 156, 0.79%, 0.58%

LAB 82.94, -58.19, 20.98

 

CMYK 66 / 73 / 0 / 9

HEX #503FE9

RGB 80 63 233

HSL 246, 0.79%, 0.58%

LAB 39.82, 55.76, -82.86

 

Description

Color code: HEX #E83F80 | qconv.com Color code: HEX #E83F80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 63 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 63 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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