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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E82D30 it is the complementary color #17D2CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E82D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E82D30: #ED2D2B, #FE3F3E, #FF5151, #FF6364 and #FF7577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E82D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E82D30: #E82D30, #D71B1D, #C6090A, #B50000 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

Complementary color

CMYK 89 / 0 / 1 / 18

HEX #17D2CF

RGB 23 210 207

HSL 179.04, 0.8%, 0.46%

LAB 76.55, -41.68, -10.56

 

CMYK 0 / 81 / 82 / 7

HEX #ED2D2B

RGB 237 45 43

HSL 0.62, 0.84%, 0.55%

LAB 51.9, 70.09, 49.26

 

CMYK 0 / 75 / 76 / 0

HEX #FE3F3E

RGB 254 63 62

HSL 0.31, 0.99%, 0.62%

LAB 57.05, 70.51, 45.51

 

CMYK 0 / 68 / 68 / 0

HEX #FF5151

RGB 255 81 81

HSL 0, 1%, 0.66%

LAB 59.65, 65.53, 38.05

 

CMYK 0 / 61 / 61 / 0

HEX #FF6364

RGB 255 99 100

HSL 359.62, 1%, 0.69%

LAB 62.6, 59.41, 31.01

 

CMYK 0 / 54 / 53 / 0

HEX #FF7577

RGB 255 117 119

HSL 359.13, 1%, 0.73%

LAB 65.99, 52.7, 24.75

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 0 / 87 / 87 / 16

HEX #D71B1D

RGB 215 27 29

HSL 359.36, 0.78%, 0.47%

LAB 46.07, 67.66, 49.35

 

CMYK 0 / 95 / 95 / 22

HEX #C6090A

RGB 198 9 10

HSL 359.68, 0.91%, 0.41%

LAB 41.57, 65.42, 52.28

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 0 / 69 / 81 / 9

HEX #E7482B

RGB 231 72 43

HSL 9.26, 0.8%, 0.54%

LAB 53.81, 59.87, 50.65

 

CMYK 0 / 55 / 81 / 9

HEX #E7672B

RGB 231 103 43

HSL 19.15, 0.8%, 0.54%

LAB 58.85, 46.5, 55.32

 

CMYK 0 / 42 / 81 / 9

HEX #E7862B

RGB 231 134 43

HSL 29.04, 0.8%, 0.54%

LAB 65.13, 30.88, 61

 

CMYK 0 / 29 / 81 / 9

HEX #E7A52B

RGB 231 165 43

HSL 38.94, 0.8%, 0.54%

LAB 72.28, 14.45, 67.32

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 0 / 82 / 79 / 89

HEX #1C0506

RGB 28 5 6

HSL 357.39, 0.7%, 0.06%

LAB 3.33, 8.84, 2.68

 

CMYK 0 / 81 / 80 / 69

HEX #4F0F10

RGB 79 15 16

HSL 359.06, 0.68%, 0.18%

LAB 15.7, 29.52, 17.06

 

CMYK 0 / 81 / 79 / 49

HEX #82191B

RGB 130 25 27

HSL 358.86, 0.68%, 0.3%

LAB 28.17, 43.69, 27.28

 

CMYK 0 / 81 / 80 / 29

HEX #B52325

RGB 181 35 37

HSL 359.18, 0.68%, 0.42%

LAB 39.85, 56.63, 36.9

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72B

RGB 197 231 43

HSL 70.85, 0.8%, 0.54%

LAB 86.6, -33.21, 78.67

 

CMYK 81 / 47 / 0 / 9

HEX #2B7AE7

RGB 43 122 231

HSL 214.79, 0.8%, 0.54%

LAB 52.07, 15.37, -61.85

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 80 / 0 / 81 / 9

HEX #2EE72B

RGB 46 231 43

HSL 119.04, 0.8%, 0.54%

LAB 80.69, -75.8, 71.15

 

CMYK 81 / 80 / 0 / 9

HEX #2B2EE7

RGB 43 46 231

HSL 239.04, 0.8%, 0.54%

LAB 34.47, 60.79, -90.64

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72B

RGB 197 231 43

HSL 70.85, 0.8%, 0.54%

LAB 86.6, -33.21, 78.67

 

CMYK 81 / 0 / 1 / 9

HEX #2BE7E4

RGB 43 231 228

HSL 179.04, 0.8%, 0.54%

LAB 83.58, -43.69, -11.23

 

CMYK 66 / 81 / 0 / 9

HEX #4E2BE7

RGB 78 43 231

HSL 251.17, 0.8%, 0.54%

LAB 36.21, 64.36, -87.7

 

CMYK 0 / 81 / 79 / 9

HEX #E82D30

RGB 232 45 48

HSL 359.04, 0.8%, 0.54%

LAB 50.97, 68.85, 45.42

 

CMYK 39 / 0 / 81 / 9

HEX #8CE72B

RGB 140 231 43

HSL 89.04, 0.8%, 0.54%

LAB 83.39, -54.25, 74.61

 

CMYK 81 / 0 / 1 / 9

HEX #2BE7E4

RGB 43 231 228

HSL 179.04, 0.8%, 0.54%

LAB 83.58, -43.69, -11.23

 

CMYK 42 / 81 / 0 / 9

HEX #862BE7

RGB 134 43 231

HSL 269.04, 0.8%, 0.54%

LAB 42.1, 70.43, -77.78

 

Description

Color code: HEX #E82D30 | qconv.com Color code: HEX #E82D30 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 45 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 45 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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