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Color name
HEX #E7D147

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7D147 it is the complementary color #182EB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7D147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7D147 shade: #ECD142, #FDE355, #FFF568, #FFFF7B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7D147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7D147 shade: #E7D147, #D6BF34, #C5AD21, #B49B0E and #A38900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7D147 shade: #E7D146, #E7A546, #E77A46, #E74F46 and #E74646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7D147 shade: #E7D146, #D2E746, #A6E746, #7BE746 and #4FE746

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7D147 shade matches the following richer shades: #E7D146 and #F8DD35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7D147 shade: #E7D146, #D6C557, #C5B868, #B4AC79 and #A3A08A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7D147 shade: #E77946, #E7A446, #E7CF46, #D4E746 and #A9E746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7D147 shade: #C1AA19, #E2C821, #E7D146, #ECDA6A and #F0E38F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7D147 shade: #E7D147, #46E74E and #8E46E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7D147 shade: #E7D147, #46E7CF and #CF46E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7D147 shade: #E7D147, #46E74E, #465EE7 and #E746DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7D147 shade: #E7D147, #46E77E, #465EE7 and #E746AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 69 / 9

HEX #E7D147

RGB 231 209 71

HSL 51.75, 0.77%, 0.59%

LAB 83.47, -7.35, 67.9

 

Complementary color

CMYK 87 / 75 / 0 / 28

HEX #182EB8

RGB 24 46 184

HSL 231.75, 0.77%, 0.41%

LAB 28.4, 44.69, -73.41

 

CMYK 0 / 11 / 72 / 7

HEX #ECD142

RGB 236 209 66

HSL 50.47, 0.82%, 0.59%

LAB 83.88, -5.49, 70.31

 

CMYK 0 / 10 / 66 / 1

HEX #FDE355

RGB 253 227 85

HSL 50.71, 0.98%, 0.66%

LAB 90.08, -6.53, 69.8

 

CMYK 0 / 4 / 59 / 0

HEX #FFF568

RGB 255 245 104

HSL 56.03, 1%, 0.7%

LAB 94.98, -13.47, 67.3

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 10 / 69 / 9

HEX #E7D147

RGB 231 209 71

HSL 51.75, 0.77%, 0.59%

LAB 83.47, -7.35, 67.9

 

CMYK 0 / 11 / 76 / 16

HEX #D6BF34

RGB 214 191 52

HSL 51.48, 0.66%, 0.52%

LAB 77.16, -6.23, 68.13

 

CMYK 0 / 12 / 83 / 23

HEX #C5AD21

RGB 197 173 33

HSL 51.22, 0.71%, 0.45%

LAB 70.78, -4.92, 67.62

 

CMYK 0 / 14 / 92 / 29

HEX #B49B0E

RGB 180 155 14

HSL 50.96, 0.86%, 0.38%

LAB 64.3, -3.37, 65.87

 

CMYK 0 / 16 / 100 / 36

HEX #A38900

RGB 163 137 0

HSL 50.43, 1%, 0.32%

LAB 57.73, -1.55, 62.41

 

CMYK 0 / 10 / 70 / 9

HEX #E7D146

RGB 231 209 70

HSL 51.8, 0.77%, 0.59%

LAB 83.46, -7.4, 68.27

 

CMYK 0 / 29 / 70 / 9

HEX #E7A546

RGB 231 165 70

HSL 35.4, 0.77%, 0.59%

LAB 72.46, 15.55, 57.03

 

CMYK 0 / 47 / 70 / 9

HEX #E77A46

RGB 231 122 70

HSL 19.38, 0.77%, 0.59%

LAB 62.8, 38.19, 46.59

 

CMYK 0 / 66 / 70 / 9

HEX #E74F46

RGB 231 79 70

HSL 3.35, 0.77%, 0.59%

LAB 55.1, 58.16, 37.79

 

CMYK 0 / 70 / 70 / 9

HEX #E74646

RGB 231 70 70

HSL 0, 0.77%, 0.59%

LAB 53.83, 61.63, 36.3

 

CMYK 0 / 10 / 70 / 9

HEX #E7D146

RGB 231 209 70

HSL 51.8, 0.77%, 0.59%

LAB 83.46, -7.4, 68.27

 

CMYK 9 / 0 / 70 / 9

HEX #D2E746

RGB 210 231 70

HSL 67.83, 0.77%, 0.59%

LAB 87.63, -26.86, 71.85

 

CMYK 28 / 0 / 70 / 9

HEX #A6E746

RGB 166 231 70

HSL 84.22, 0.77%, 0.59%

LAB 84.84, -43.8, 68.15

 

CMYK 47 / 0 / 70 / 9

HEX #7BE746

RGB 123 231 70

HSL 100.25, 0.77%, 0.59%

LAB 82.81, -58.05, 65.42

 

CMYK 66 / 0 / 70 / 9

HEX #4FE746

RGB 79 231 70

HSL 116.65, 0.77%, 0.59%

LAB 81.43, -68.88, 63.56

 

CMYK 0 / 10 / 70 / 9

HEX #E7D146

RGB 231 209 70

HSL 51.8, 0.77%, 0.59%

LAB 83.46, -7.4, 68.27

 

CMYK 0 / 11 / 79 / 3

HEX #F8DD35

RGB 248 221 53

HSL 51.69, 0.93%, 0.59%

LAB 87.93, -7, 78.7

 

CMYK 0 / 10 / 70 / 9

HEX #E7D146

RGB 231 209 70

HSL 51.8, 0.77%, 0.59%

LAB 83.46, -7.4, 68.27

 

CMYK 0 / 8 / 59 / 16

HEX #D6C557

RGB 214 197 87

HSL 51.97, 0.61%, 0.59%

LAB 78.99, -7.4, 56.06

 

CMYK 0 / 7 / 47 / 23

HEX #C5B868

RGB 197 184 104

HSL 51.61, 0.44%, 0.59%

LAB 74.29, -6.33, 42.07

 

CMYK 0 / 4 / 33 / 29

HEX #B4AC79

RGB 180 172 121

HSL 51.86, 0.28%, 0.59%

LAB 69.89, -5.03, 27.31

 

CMYK 0 / 2 / 15 / 36

HEX #A3A08A

RGB 163 160 138

HSL 52.8, 0.12%, 0.59%

LAB 65.56, -2.78, 11.87

 

CMYK 0 / 48 / 70 / 9

HEX #E77946

RGB 231 121 70

HSL 19.01, 0.77%, 0.59%

LAB 62.6, 38.7, 46.36

 

CMYK 0 / 29 / 70 / 9

HEX #E7A446

RGB 231 164 70

HSL 35.03, 0.77%, 0.59%

LAB 72.22, 16.08, 56.77

 

CMYK 0 / 10 / 70 / 9

HEX #E7CF46

RGB 231 207 70

HSL 51.06, 0.77%, 0.59%

LAB 82.94, -6.39, 67.76

 

CMYK 8 / 0 / 70 / 9

HEX #D4E746

RGB 212 231 70

HSL 67.08, 0.77%, 0.59%

LAB 87.77, -26.06, 72.04

 

CMYK 27 / 0 / 70 / 9

HEX #A9E746

RGB 169 231 70

HSL 83.11, 0.77%, 0.59%

LAB 85.01, -42.71, 68.37

 

CMYK 0 / 12 / 87 / 24

HEX #C1AA19

RGB 193 170 25

HSL 51.79, 0.77%, 0.43%

LAB 69.58, -5.31, 68.42

 

CMYK 0 / 12 / 85 / 11

HEX #E2C821

RGB 226 200 33

HSL 51.92, 0.77%, 0.51%

LAB 80.51, -6.28, 76.77

 

CMYK 0 / 10 / 70 / 9

HEX #E7D146

RGB 231 209 70

HSL 51.8, 0.77%, 0.59%

LAB 83.46, -7.4, 68.27

 

CMYK 0 / 8 / 55 / 7

HEX #ECDA6A

RGB 236 218 106

HSL 51.69, 0.77%, 0.67%

LAB 86.51, -7.61, 56.48

 

CMYK 0 / 5 / 40 / 6

HEX #F0E38F

RGB 240 227 143

HSL 51.96, 0.76%, 0.75%

LAB 89.6, -7.2, 42.57

 

CMYK 0 / 10 / 69 / 9

HEX #E7D147

RGB 231 209 71

HSL 51.75, 0.77%, 0.59%

LAB 83.47, -7.35, 67.9

 

CMYK 70 / 0 / 66 / 9

HEX #46E74E

RGB 70 231 78

HSL 122.98, 0.77%, 0.59%

LAB 81.29, -69.82, 60.3

 

CMYK 39 / 70 / 0 / 9

HEX #8E46E7

RGB 142 70 231

HSL 266.83, 0.77%, 0.59%

LAB 46.84, 60.9, -69.99

 

CMYK 0 / 10 / 69 / 9

HEX #E7D147

RGB 231 209 71

HSL 51.75, 0.77%, 0.59%

LAB 83.47, -7.35, 67.9

 

CMYK 70 / 0 / 10 / 9

HEX #46E7CF

RGB 70 231 207

HSL 171.06, 0.77%, 0.59%

LAB 83.42, -46.6, -0.33

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 10 / 69 / 9

HEX #E7D147

RGB 231 209 71

HSL 51.75, 0.77%, 0.59%

LAB 83.47, -7.35, 67.9

 

CMYK 70 / 0 / 66 / 9

HEX #46E74E

RGB 70 231 78

HSL 122.98, 0.77%, 0.59%

LAB 81.29, -69.82, 60.3

 

CMYK 70 / 59 / 0 / 9

HEX #465EE7

RGB 70 94 231

HSL 231.06, 0.77%, 0.59%

LAB 45.74, 35.92, -72.05

 

CMYK 0 / 70 / 3 / 9

HEX #E746DF

RGB 231 70 223

HSL 302.98, 0.77%, 0.59%

LAB 58.69, 77.5, -45.79

 

CMYK 0 / 10 / 69 / 9

HEX #E7D147

RGB 231 209 71

HSL 51.75, 0.77%, 0.59%

LAB 83.47, -7.35, 67.9

 

CMYK 70 / 0 / 45 / 9

HEX #46E77E

RGB 70 231 126

HSL 140.87, 0.77%, 0.59%

LAB 81.82, -63.69, 39.27

 

CMYK 70 / 59 / 0 / 9

HEX #465EE7

RGB 70 94 231

HSL 231.06, 0.77%, 0.59%

LAB 45.74, 35.92, -72.05

 

CMYK 0 / 70 / 24 / 9

HEX #E746AF

RGB 231 70 175

HSL 320.87, 0.77%, 0.59%

LAB 56.55, 70.77, -21.67

 

Description

Color code: HEX #E7D147 | qconv.com Color code: HEX #E7D147 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 209 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 209 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 69% 9% C M Y K

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