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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF46E7 it is the complementary color #30B918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF46E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF46E7 shade: #D446E2, #E558F5, #F66AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF46E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF46E7 shade: #CF46E7, #BE34D4, #AD22C1, #9C10AE and #8B009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF46E7 shade: #CF46E7, #E746D4, #E746A8, #E7467D and #E74651

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF46E7 shade: #CF46E7, #A446E7, #7846E7, #4D46E7 and #4646E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF46E7 shade matches the following richer shades: #CF46E7 and #DB35F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF46E7 shade: #CF46E7, #C357D6, #B768C5, #AB79B4 and #9F8AA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF46E7 shade: #7946E7, #A446E7, #CF46E7, #E746D4 and #E746A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF46E7 shade: #A819C1, #C521E2, #CF46E7, #D86AEC and #E28FF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF46E7 shade: #CF46E7, #E74E46 and #46E78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF46E7 shade: #CF46E7, #E7CF46 and #46E7CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF46E7 shade: #CF46E7, #E74E46, #5EE746 and #46DFE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF46E7 shade: #CF46E7, #E77E46, #5EE746 and #46AFE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

Complementary color

CMYK 74 / 0 / 87 / 27

HEX #30B918

RGB 48 185 24

HSL 111.06, 0.77%, 0.41%

LAB 66.05, -62.7, 62.48

 

CMYK 6 / 69 / 0 / 11

HEX #D446E2

RGB 212 70 226

HSL 294.62, 0.73%, 0.58%

LAB 55.96, 73.89, -52.01

 

CMYK 7 / 64 / 0 / 4

HEX #E558F5

RGB 229 88 245

HSL 293.89, 0.89%, 0.65%

LAB 61.85, 74.11, -53.1

 

CMYK 4 / 58 / 0 / 0

HEX #F66AFF

RGB 246 106 255

HSL 296.38, 1%, 0.71%

LAB 67.37, 72.44, -49.72

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 10 / 75 / 0 / 17

HEX #BE34D4

RGB 190 52 212

HSL 291.75, 0.65%, 0.52%

LAB 49.69, 73.01, -54.27

 

CMYK 10 / 82 / 0 / 24

HEX #AD22C1

RGB 173 34 193

HSL 292.45, 0.7%, 0.45%

LAB 44.06, 71.55, -52.47

 

CMYK 10 / 91 / 0 / 32

HEX #9C10AE

RGB 156 16 174

HSL 293.16, 0.83%, 0.37%

LAB 38.72, 68.98, -50.01

 

CMYK 10 / 100 / 0 / 39

HEX #8B009B

RGB 139 0 155

HSL 293.81, 1%, 0.3%

LAB 33.68, 65.14, -46.83

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 70 / 8 / 9

HEX #E746D4

RGB 231 70 212

HSL 307.08, 0.77%, 0.59%

LAB 58.15, 75.84, -40.42

 

CMYK 0 / 70 / 27 / 9

HEX #E746A8

RGB 231 70 168

HSL 323.48, 0.77%, 0.59%

LAB 56.28, 69.91, -18

 

CMYK 0 / 70 / 46 / 9

HEX #E7467D

RGB 231 70 125

HSL 339.5, 0.77%, 0.59%

LAB 54.92, 65.38, 5.33

 

CMYK 0 / 70 / 65 / 9

HEX #E74651

RGB 231 70 81

HSL 355.9, 0.77%, 0.59%

LAB 53.99, 62.19, 30.15

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 29 / 70 / 0 / 9

HEX #A446E7

RGB 164 70 231

HSL 275.03, 0.77%, 0.59%

LAB 49.55, 65.03, -65.48

 

CMYK 48 / 70 / 0 / 9

HEX #7846E7

RGB 120 70 231

HSL 258.63, 0.77%, 0.59%

LAB 44.44, 57.1, -74.02

 

CMYK 67 / 70 / 0 / 9

HEX #4D46E7

RGB 77 70 231

HSL 242.61, 0.77%, 0.59%

LAB 40.78, 51.03, -80.16

 

CMYK 70 / 70 / 0 / 9

HEX #4646E7

RGB 70 70 231

HSL 240, 0.77%, 0.59%

LAB 40.33, 50.26, -80.91

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 12 / 79 / 0 / 3

HEX #DB35F8

RGB 219 53 248

HSL 291.08, 0.93%, 0.59%

LAB 56.47, 84.22, -63.45

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 9 / 59 / 0 / 16

HEX #C357D6

RGB 195 87 214

HSL 291.02, 0.61%, 0.59%

LAB 55.35, 60.95, -46.33

 

CMYK 7 / 47 / 0 / 23

HEX #B768C5

RGB 183 104 197

HSL 290.97, 0.44%, 0.59%

LAB 56.09, 46.14, -35.6

 

CMYK 5 / 33 / 0 / 29

HEX #AB79B4

RGB 171 121 180

HSL 290.85, 0.28%, 0.59%

LAB 57.68, 29.77, -23.52

 

CMYK 2 / 15 / 0 / 36

HEX #9F8AA3

RGB 159 138 163

HSL 290.4, 0.12%, 0.59%

LAB 60.06, 12.57, -10.3

 

CMYK 48 / 70 / 0 / 9

HEX #7946E7

RGB 121 70 231

HSL 259.01, 0.77%, 0.59%

LAB 44.54, 57.26, -73.85

 

CMYK 29 / 70 / 0 / 9

HEX #A446E7

RGB 164 70 231

HSL 275.03, 0.77%, 0.59%

LAB 49.55, 65.03, -65.48

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 70 / 8 / 9

HEX #E746D4

RGB 231 70 212

HSL 307.08, 0.77%, 0.59%

LAB 58.15, 75.84, -40.42

 

CMYK 0 / 70 / 27 / 9

HEX #E746A9

RGB 231 70 169

HSL 323.11, 0.77%, 0.59%

LAB 56.32, 70.03, -18.53

 

CMYK 13 / 87 / 0 / 24

HEX #A819C1

RGB 168 25 193

HSL 291.07, 0.77%, 0.43%

LAB 42.57, 72.64, -54.91

 

CMYK 13 / 85 / 0 / 11

HEX #C521E2

RGB 197 33 226

HSL 290.98, 0.77%, 0.51%

LAB 50.04, 81.42, -61.63

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 8 / 55 / 0 / 7

HEX #D86AEC

RGB 216 106 236

HSL 290.77, 0.77%, 0.67%

LAB 62.48, 61.6, -47.23

 

CMYK 6 / 40 / 0 / 6

HEX #E28FF0

RGB 226 143 240

HSL 291.34, 0.76%, 0.75%

LAB 70.94, 46.68, -36.09

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 66 / 70 / 9

HEX #E74E46

RGB 231 78 70

HSL 2.98, 0.77%, 0.59%

LAB 54.95, 58.56, 37.62

 

CMYK 70 / 0 / 39 / 9

HEX #46E78E

RGB 70 231 142

HSL 146.83, 0.77%, 0.59%

LAB 82.06, -60.96, 31.6

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 10 / 70 / 9

HEX #E7CF46

RGB 231 207 70

HSL 51.06, 0.77%, 0.59%

LAB 82.94, -6.39, 67.76

 

CMYK 70 / 0 / 10 / 9

HEX #46E7CF

RGB 70 231 207

HSL 171.06, 0.77%, 0.59%

LAB 83.42, -46.6, -0.33

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 66 / 70 / 9

HEX #E74E46

RGB 231 78 70

HSL 2.98, 0.77%, 0.59%

LAB 54.95, 58.56, 37.62

 

CMYK 59 / 0 / 70 / 9

HEX #5EE746

RGB 94 231 70

HSL 111.06, 0.77%, 0.59%

LAB 81.82, -65.69, 64.09

 

CMYK 70 / 3 / 0 / 9

HEX #46DFE7

RGB 70 223 231

HSL 182.98, 0.77%, 0.59%

LAB 81.75, -36.52, -15.52

 

CMYK 10 / 70 / 0 / 9

HEX #CF46E7

RGB 207 70 231

HSL 291.06, 0.77%, 0.59%

LAB 55.5, 73.7, -55.6

 

CMYK 0 / 45 / 70 / 9

HEX #E77E46

RGB 231 126 70

HSL 20.87, 0.77%, 0.59%

LAB 63.63, 36.14, 47.52

 

CMYK 59 / 0 / 70 / 9

HEX #5EE746

RGB 94 231 70

HSL 111.06, 0.77%, 0.59%

LAB 81.82, -65.69, 64.09

 

CMYK 70 / 24 / 0 / 9

HEX #46AFE7

RGB 70 175 231

HSL 200.87, 0.77%, 0.59%

LAB 67.82, -12.46, -36.83

 

Description

Color code: HEX #CF46E7 | qconv.com Color code: HEX #CF46E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 70 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 70 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 70 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 70% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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