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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7D028 it is the complementary color #182FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7D028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E7D028: #ECD023, #FDE236, #FFF449, #FFFF5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7D028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E7D028: #E7D028, #D6BE15, #C5AC02, #B49A00 and #A38800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

Complementary color

CMYK 89 / 78 / 0 / 16

HEX #182FD7

RGB 24 47 215

HSL 232.77, 0.8%, 0.47%

LAB 32.11, 54.53, -85.41

 

CMYK 0 / 12 / 85 / 7

HEX #ECD023

RGB 236 208 35

HSL 51.64, 0.84%, 0.53%

LAB 83.48, -6.02, 79.12

 

CMYK 0 / 11 / 79 / 1

HEX #FDE236

RGB 253 226 54

HSL 51.86, 0.98%, 0.6%

LAB 89.65, -7.37, 80.09

 

CMYK 0 / 4 / 71 / 0

HEX #FFF449

RGB 255 244 73

HSL 56.37, 1%, 0.64%

LAB 94.5, -14.69, 78.67

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 0 / 11 / 90 / 16

HEX #D6BE15

RGB 214 190 21

HSL 52.54, 0.82%, 0.46%

LAB 76.79, -6.58, 75.69

 

CMYK 0 / 13 / 99 / 23

HEX #C5AC02

RGB 197 172 2

HSL 52.31, 0.98%, 0.39%

LAB 70.44, -4.93, 72.71

 

CMYK 0 / 14 / 100 / 29

HEX #B49A00

RGB 180 154 0

HSL 51.33, 1%, 0.35%

LAB 64.01, -3.02, 67.63

 

CMYK 0 / 17 / 100 / 36

HEX #A38800

RGB 163 136 0

HSL 50.06, 1%, 0.32%

LAB 57.46, -1, 62.21

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 3 / 0 / 83 / 9

HEX #E0E727

RGB 224 231 39

HSL 62.19, 0.8%, 0.53%

LAB 88.52, -22.34, 81.99

 

CMYK 17 / 0 / 83 / 9

HEX #C0E727

RGB 192 231 39

HSL 72.19, 0.8%, 0.53%

LAB 86.26, -35.32, 79.18

 

CMYK 31 / 0 / 83 / 9

HEX #A0E727

RGB 160 231 39

HSL 82.19, 0.8%, 0.53%

LAB 84.37, -47.47, 76.8

 

CMYK 45 / 0 / 83 / 9

HEX #80E727

RGB 128 231 39

HSL 92.19, 0.8%, 0.53%

LAB 82.85, -58.25, 74.89

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 0 / 11 / 81 / 89

HEX #1B1805

RGB 27 24 5

HSL 51.82, 0.69%, 0.06%

LAB 8.1, -1.91, 10.05

 

CMYK 0 / 10 / 82 / 69

HEX #4E460E

RGB 78 70 14

HSL 52.5, 0.7%, 0.18%

LAB 29.49, -3.74, 32.79

 

CMYK 0 / 10 / 83 / 49

HEX #817416

RGB 129 116 22

HSL 52.71, 0.71%, 0.3%

LAB 48.53, -5.31, 49.11

 

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162 31

HSL 52.75, 0.71%, 0.41%

LAB 66.25, -6.71, 63.68

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 83 / 0 / 77 / 9

HEX #27E734

RGB 39 231 52

HSL 124.06, 0.8%, 0.53%

LAB 80.64, -76.02, 68.58

 

CMYK 45 / 83 / 0 / 9

HEX #8027E7

RGB 128 39 231

HSL 267.81, 0.8%, 0.53%

LAB 40.91, 70.94, -79.76

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 83 / 0 / 11 / 9

HEX #27E7CD

RGB 39 231 205

HSL 171.88, 0.8%, 0.53%

LAB 82.91, -50.29, -0.08

 

CMYK 11 / 83 / 0 / 9

HEX #CD27E7

RGB 205 39 231

HSL 291.88, 0.8%, 0.53%

LAB 52.06, 82.34, -61.13

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 83 / 0 / 77 / 9

HEX #27E734

RGB 39 231 52

HSL 124.06, 0.8%, 0.53%

LAB 80.64, -76.02, 68.58

 

CMYK 83 / 72 / 0 / 9

HEX #2740E7

RGB 39 64 231

HSL 232.19, 0.8%, 0.53%

LAB 37.6, 51.18, -85.46

 

CMYK 0 / 83 / 6 / 9

HEX #E727DA

RGB 231 39 218

HSL 304.06, 0.8%, 0.53%

LAB 55.59, 84.96, -47.89

 

CMYK 0 / 10 / 83 / 9

HEX #E7D028

RGB 231 208 40

HSL 52.77, 0.8%, 0.53%

LAB 83.05, -8.03, 77.41

 

CMYK 83 / 0 / 53 / 9

HEX #27E76D

RGB 39 231 109

HSL 141.88, 0.8%, 0.53%

LAB 81.12, -70.16, 46.47

 

CMYK 83 / 72 / 0 / 9

HEX #2740E7

RGB 39 64 231

HSL 232.19, 0.8%, 0.53%

LAB 37.6, 51.18, -85.46

 

CMYK 0 / 83 / 31 / 9

HEX #E727A0

RGB 231 39 160

HSL 322.19, 0.8%, 0.53%

LAB 52.93, 77.68, -18.42

 

Description

Color code: HEX #E7D028 | qconv.com Color code: HEX #E7D028 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 208 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 208 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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