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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7B903 it is the complementary color #1846FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7B903. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E7B903: #ECB900, #FDCB11, #FFDD24, #FFEF37 and #FFFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7B903. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E7B903: #E7B903, #D6A700, #C59500, #B48300 and #A37100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

Complementary color

CMYK 90 / 72 / 0 / 1

HEX #1846FC

RGB 24 70 252

HSL 227.89, 0.97%, 0.54%

LAB 40.58, 54.21, -92.4

 

CMYK 0 / 22 / 100 / 7

HEX #ECB900

RGB 236 185 0

HSL 47.03, 1%, 0.46%

LAB 77.6, 5.35, 79.75

 

CMYK 0 / 20 / 93 / 1

HEX #FDCB11

RGB 253 203 17

HSL 47.29, 0.98%, 0.53%

LAB 83.78, 3.48, 83.17

 

CMYK 0 / 13 / 86 / 0

HEX #FFDD24

RGB 255 221 36

HSL 50.68, 1%, 0.57%

LAB 88.5, -4.51, 83.68

 

CMYK 0 / 6 / 78 / 0

HEX #FFEF37

RGB 255 239 55

HSL 55.2, 1%, 0.61%

LAB 93.13, -12.93, 82.95

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 0 / 22 / 100 / 16

HEX #D6A700

RGB 214 167 0

HSL 46.82, 1%, 0.42%

LAB 70.83, 5.23, 74

 

CMYK 0 / 24 / 100 / 23

HEX #C59500

RGB 197 149 0

HSL 45.38, 1%, 0.39%

LAB 64.46, 7.35, 68.76

 

CMYK 0 / 27 / 100 / 29

HEX #B48300

RGB 180 131 0

HSL 43.67, 1%, 0.35%

LAB 57.98, 9.57, 63.44

 

CMYK 0 / 31 / 100 / 36

HEX #A37100

RGB 163 113 0

HSL 41.6, 1%, 0.32%

LAB 51.38, 11.89, 58.03

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 0 / 5 / 99 / 9

HEX #E7DB03

RGB 231 219 3

HSL 56.84, 0.97%, 0.46%

LAB 85.84, -14.11, 85.12

 

CMYK 12 / 0 / 99 / 9

HEX #CCE703

RGB 204 231 3

HSL 67.11, 0.97%, 0.46%

LAB 86.99, -31.12, 85.06

 

CMYK 28 / 0 / 99 / 9

HEX #A6E703

RGB 166 231 3

HSL 77.11, 0.97%, 0.46%

LAB 84.62, -45.99, 82.21

 

CMYK 45 / 0 / 99 / 9

HEX #80E703

RGB 128 231 3

HSL 87.11, 0.97%, 0.46%

LAB 82.78, -59.07, 79.99

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 0 / 19 / 100 / 89

HEX #1B1600

RGB 27 22 0

HSL 48.89, 1%, 0.05%

LAB 7.29, -1.15, 10.9

 

CMYK 0 / 21 / 99 / 69

HEX #4E3E01

RGB 78 62 1

HSL 47.53, 0.97%, 0.15%

LAB 26.93, 0.69, 35.69

 

CMYK 0 / 20 / 98 / 49

HEX #816702

RGB 129 103 2

HSL 47.72, 0.97%, 0.26%

LAB 44.76, 1.62, 51.14

 

CMYK 0 / 20 / 99 / 29

HEX #B49002

RGB 180 144 2

HSL 47.87, 0.98%, 0.36%

LAB 61.35, 2.43, 65.46

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 97 / 0 / 99 / 9

HEX #07E703

RGB 7 231 3

HSL 118.95, 0.97%, 0.46%

LAB 80.29, -79.7, 76.96

 

CMYK 61 / 99 / 0 / 9

HEX #5A03E7

RGB 90 3 231

HSL 262.89, 0.97%, 0.46%

LAB 34, 75.15, -91.33

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 99 / 0 / 22 / 9

HEX #03E7B5

RGB 3 231 181

HSL 166.84, 0.97%, 0.46%

LAB 82.11, -57.97, 11.39

 

CMYK 22 / 99 / 0 / 9

HEX #B503E7

RGB 181 3 231

HSL 286.84, 0.97%, 0.46%

LAB 46.52, 83.74, -70.28

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 97 / 0 / 99 / 9

HEX #07E703

RGB 7 231 3

HSL 118.95, 0.97%, 0.46%

LAB 80.29, -79.7, 76.96

 

CMYK 99 / 77 / 0 / 9

HEX #0334E7

RGB 3 52 231

HSL 227.11, 0.97%, 0.46%

LAB 34.49, 56.66, -90.65

 

CMYK 2 / 99 / 0 / 9

HEX #E303E7

RGB 227 3 231

HSL 298.95, 0.97%, 0.46%

LAB 54.2, 90.35, -57.49

 

CMYK 0 / 20 / 99 / 9

HEX #E7B903

RGB 231 185 3

HSL 47.89, 0.97%, 0.46%

LAB 77.1, 3.21, 78.85

 

CMYK 99 / 0 / 71 / 9

HEX #03E743

RGB 3 231 67

HSL 136.84, 0.97%, 0.46%

LAB 80.5, -76.95, 63.41

 

CMYK 99 / 77 / 0 / 9

HEX #0334E7

RGB 3 52 231

HSL 227.11, 0.97%, 0.46%

LAB 34.49, 56.66, -90.65

 

CMYK 0 / 99 / 28 / 9

HEX #E703A6

RGB 231 3 166

HSL 317.11, 0.97%, 0.46%

LAB 51.62, 82.83, -23.98

 

Description

Color code: HEX #E7B903 | qconv.com Color code: HEX #E7B903 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 185 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 185 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 99 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 99% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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