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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E79D94 it is the complementary color #18626B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E79D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E79D94 shade: #EC9D8F, #FDAFA2, #FFC1B5, #FFD3C8 and #FFE5DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E79D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E79D94 shade: #E79D94, #D68B81, #C5796E, #B4675B and #A35548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E79D94 shade: #E69C93 and #E69393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E79D94 shade: #E69C93, #E6B393, #E6C993, #E6E093 and #D7E693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E79D94 shade matches the following richer shades: #E69C93, #F19488 and #FC8B7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E79D94 shade: #E69C93, #DCA49E, #D1ADA8, #C6B5B3 and #BCBEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E79D94 shade: #E693B7, #E693A1, #E69B93, #E6B293 and #E6C893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E79D94 shade: #D75E50, #DF7D71, #E69C93, #EEBBB5 and #F6DAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E79D94 shade: #E79D94, #CDE693 and #93ACE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E79D94 shade: #E79D94, #93E69B and #9B93E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E79D94 shade: #E79D94, #CDE693, #93DEE6 and #AC93E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E79D94 shade: #E79D94, #B4E693, #93DEE6 and #C593E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 36 / 9

HEX #E79D94

RGB 231 157 148

HSL 6.51, 0.63%, 0.74%

LAB 71.72, 26.49, 15.94

 

Complementary color

CMYK 78 / 8 / 0 / 58

HEX #18626B

RGB 24 98 107

HSL 186.51, 0.63%, 0.26%

LAB 37.83, -18.53, -11.51

 

CMYK 0 / 33 / 39 / 7

HEX #EC9D8F

RGB 236 157 143

HSL 9.03, 0.71%, 0.74%

LAB 72.18, 27.81, 19.42

 

CMYK 0 / 31 / 36 / 1

HEX #FDAFA2

RGB 253 175 162

HSL 8.57, 0.96%, 0.81%

LAB 78.55, 26.93, 18.19

 

CMYK 0 / 24 / 29 / 0

HEX #FFC1B5

RGB 255 193 181

HSL 9.73, 1%, 0.85%

LAB 83.3, 20.58, 14.67

 

CMYK 0 / 17 / 22 / 0

HEX #FFD3C8

RGB 255 211 200

HSL 12, 1%, 0.89%

LAB 87.98, 13.78, 11.22

 

CMYK 0 / 10 / 14 / 0

HEX #FFE5DB

RGB 255 229 219

HSL 16.67, 1%, 0.93%

LAB 92.76, 7.3, 8.1

 

CMYK 0 / 32 / 36 / 9

HEX #E79D94

RGB 231 157 148

HSL 6.51, 0.63%, 0.74%

LAB 71.72, 26.49, 15.94

 

CMYK 0 / 35 / 40 / 16

HEX #D68B81

RGB 214 139 129

HSL 7.06, 0.51%, 0.67%

LAB 65.24, 27.41, 17.2

 

CMYK 0 / 39 / 44 / 23

HEX #C5796E

RGB 197 121 110

HSL 7.59, 0.43%, 0.6%

LAB 58.67, 28.43, 18.61

 

CMYK 0 / 43 / 49 / 29

HEX #B4675B

RGB 180 103 91

HSL 8.09, 0.37%, 0.53%

LAB 52.02, 29.56, 20.22

 

CMYK 0 / 48 / 56 / 36

HEX #A35548

RGB 163 85 72

HSL 8.57, 0.39%, 0.46%

LAB 45.29, 30.82, 22.09

 

CMYK 0 / 32 / 36 / 10

HEX #E69C93

RGB 230 156 147

HSL 6.51, 0.62%, 0.74%

LAB 71.36, 26.52, 15.97

 

CMYK 0 / 36 / 36 / 10

HEX #E69393

RGB 230 147 147

HSL 0, 0.62%, 0.74%

LAB 69.32, 31.31, 13.13

 

CMYK 0 / 32 / 36 / 10

HEX #E69C93

RGB 230 156 147

HSL 6.51, 0.62%, 0.74%

LAB 71.36, 26.52, 15.97

 

CMYK 0 / 22 / 36 / 10

HEX #E6B393

RGB 230 179 147

HSL 23.13, 0.62%, 0.74%

LAB 76.78, 14.24, 23.44

 

CMYK 0 / 13 / 36 / 10

HEX #E6C993

RGB 230 201 147

HSL 39.04, 0.62%, 0.74%

LAB 82.22, 2.65, 30.76

 

CMYK 0 / 3 / 36 / 10

HEX #E6E093

RGB 230 224 147

HSL 55.66, 0.62%, 0.74%

LAB 88.08, -9.13, 38.47

 

CMYK 7 / 0 / 36 / 10

HEX #D7E693

RGB 215 230 147

HSL 70.84, 0.62%, 0.74%

LAB 88.52, -17.84, 38.81

 

CMYK 0 / 32 / 36 / 10

HEX #E69C93

RGB 230 156 147

HSL 6.51, 0.62%, 0.74%

LAB 71.36, 26.52, 15.97

 

CMYK 0 / 39 / 44 / 5

HEX #F19488

RGB 241 148 136

HSL 6.86, 0.79%, 0.74%

LAB 70.63, 33.7, 21.24

 

CMYK 0 / 45 / 50 / 1

HEX #FC8B7D

RGB 252 139 125

HSL 6.61, 0.95%, 0.74%

LAB 69.92, 41.39, 26.58

 

CMYK 0 / 32 / 36 / 10

HEX #E69C93

RGB 230 156 147

HSL 6.51, 0.62%, 0.74%

LAB 71.36, 26.52, 15.97

 

CMYK 0 / 25 / 28 / 14

HEX #DCA49E

RGB 220 164 158

HSL 5.81, 0.47%, 0.74%

LAB 72.39, 19.84, 11.2

 

CMYK 0 / 17 / 20 / 18

HEX #D1ADA8

RGB 209 173 168

HSL 7.32, 0.31%, 0.74%

LAB 73.72, 12.29, 7.47

 

CMYK 0 / 9 / 10 / 22

HEX #C6B5B3

RGB 198 181 179

HSL 6.32, 0.14%, 0.74%

LAB 75.02, 5.71, 3.2

 

CMYK 1 / 0 / 0 / 25

HEX #BCBEBE

RGB 188 190 190

HSL 180, 0.02%, 0.74%

LAB 76.82, -0.69, -0.25

 

CMYK 0 / 36 / 20 / 10

HEX #E693B7

RGB 230 147 183

HSL 333.98, 0.62%, 0.74%

LAB 70.25, 36.15, -5.6

 

CMYK 0 / 36 / 30 / 10

HEX #E693A1

RGB 230 147 161

HSL 349.88, 0.62%, 0.74%

LAB 69.66, 33.07, 5.79

 

CMYK 0 / 33 / 36 / 10

HEX #E69B93

RGB 230 155 147

HSL 5.78, 0.62%, 0.74%

LAB 71.13, 27.06, 15.65

 

CMYK 0 / 23 / 36 / 10

HEX #E6B293

RGB 230 178 147

HSL 22.41, 0.62%, 0.74%

LAB 76.54, 14.78, 23.11

 

CMYK 0 / 13 / 36 / 10

HEX #E6C893

RGB 230 200 147

HSL 38.31, 0.62%, 0.74%

LAB 81.97, 3.17, 30.43

 

CMYK 0 / 56 / 63 / 16

HEX #D75E50

RGB 215 94 80

HSL 6.22, 0.63%, 0.58%

LAB 55.1, 46.61, 31.55

 

CMYK 0 / 44 / 49 / 13

HEX #DF7D71

RGB 223 125 113

HSL 6.55, 0.63%, 0.66%

LAB 62.97, 36.63, 23.29

 

CMYK 0 / 32 / 36 / 10

HEX #E69C93

RGB 230 156 147

HSL 6.51, 0.62%, 0.74%

LAB 71.36, 26.52, 15.97

 

CMYK 0 / 21 / 24 / 7

HEX #EEBBB5

RGB 238 187 181

HSL 6.32, 0.63%, 0.82%

LAB 80.21, 17.46, 10.06

 

CMYK 0 / 11 / 13 / 4

HEX #F6DAD6

RGB 246 218 214

HSL 7.5, 0.64%, 0.9%

LAB 89.2, 9.03, 5.5

 

CMYK 0 / 32 / 36 / 9

HEX #E79D94

RGB 231 157 148

HSL 6.51, 0.63%, 0.74%

LAB 71.72, 26.49, 15.94

 

CMYK 11 / 0 / 36 / 10

HEX #CDE693

RGB 205 230 147

HSL 78.07, 0.62%, 0.74%

LAB 87.81, -21.58, 37.76

 

CMYK 36 / 25 / 0 / 10

HEX #93ACE6

RGB 147 172 230

HSL 221.93, 0.62%, 0.74%

LAB 70.47, 5.28, -31.9

 

CMYK 0 / 32 / 36 / 9

HEX #E79D94

RGB 231 157 148

HSL 6.51, 0.63%, 0.74%

LAB 71.72, 26.49, 15.94

 

CMYK 36 / 0 / 33 / 10

HEX #93E69B

RGB 147 230 155

HSL 125.78, 0.62%, 0.74%

LAB 84.57, -40.22, 28.79

 

CMYK 33 / 36 / 0 / 10

HEX #9B93E6

RGB 155 147 230

HSL 245.78, 0.62%, 0.74%

LAB 64.6, 21.67, -40.99

 

CMYK 0 / 32 / 36 / 9

HEX #E79D94

RGB 231 157 148

HSL 6.51, 0.63%, 0.74%

LAB 71.72, 26.49, 15.94

 

CMYK 11 / 0 / 36 / 10

HEX #CDE693

RGB 205 230 147

HSL 78.07, 0.62%, 0.74%

LAB 87.81, -21.58, 37.76

 

CMYK 36 / 3 / 0 / 10

HEX #93DEE6

RGB 147 222 230

HSL 185.78, 0.62%, 0.74%

LAB 84.05, -21.16, -11.28

 

CMYK 25 / 36 / 0 / 10

HEX #AC93E6

RGB 172 147 230

HSL 258.07, 0.62%, 0.74%

LAB 66.02, 26.48, -38.67

 

CMYK 0 / 32 / 36 / 9

HEX #E79D94

RGB 231 157 148

HSL 6.51, 0.63%, 0.74%

LAB 71.72, 26.49, 15.94

 

CMYK 22 / 0 / 36 / 10

HEX #B4E693

RGB 180 230 147

HSL 96.14, 0.62%, 0.74%

LAB 86.21, -30.6, 35.35

 

CMYK 36 / 3 / 0 / 10

HEX #93DEE6

RGB 147 222 230

HSL 185.78, 0.62%, 0.74%

LAB 84.05, -21.16, -11.28

 

CMYK 14 / 36 / 0 / 10

HEX #C593E6

RGB 197 147 230

HSL 276.14, 0.62%, 0.74%

LAB 68.35, 33.87, -34.86

 

Description

Color code: HEX #E79D94 | qconv.com Color code: HEX #E79D94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 157 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 157 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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