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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E78287 it is the complementary color #187D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E78287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E78287: #EC8282, #FD9495, #FFA6A8, #FFB8BB and #FFCACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E78287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E78287: #E78287, #D67074, #C55E61, #B44C4E and #A33A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

Complementary color

CMYK 81 / 0 / 4 / 51

HEX #187D78

RGB 24 125 120

HSL 177.03, 0.68%, 0.29%

LAB 47.26, -28.26, -5.22

 

CMYK 0 / 45 / 45 / 7

HEX #EC8282

RGB 236 130 130

HSL 0, 0.74%, 0.72%

LAB 66.07, 40.54, 18.22

 

CMYK 0 / 42 / 41 / 1

HEX #FD9495

RGB 253 148 149

HSL 359.43, 0.96%, 0.79%

LAB 72.38, 39.5, 16.71

 

CMYK 0 / 35 / 34 / 0

HEX #FFA6A8

RGB 255 166 168

HSL 358.65, 1%, 0.83%

LAB 76.9, 33.09, 12.65

NCS® S0540-R

CMYK 0 / 28 / 27 / 0

HEX #FFB8BB

RGB 255 184 187

HSL 357.46, 1%, 0.86%

LAB 81.36, 26.1, 8.7

 

CMYK 0 / 21 / 19 / 0

HEX #FFCACE

RGB 255 202 206

HSL 355.47, 1%, 0.9%

LAB 85.99, 19.35, 5.19

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 0 / 48 / 46 / 16

HEX #D67074

RGB 214 112 116

HSL 357.65, 0.55%, 0.64%

LAB 59.11, 40.28, 16.13

 

CMYK 0 / 52 / 51 / 23

HEX #C55E61

RGB 197 94 97

HSL 358.25, 0.47%, 0.57%

LAB 52.66, 41.37, 17.98

 

CMYK 0 / 58 / 57 / 29

HEX #B44C4E

RGB 180 76 78

HSL 358.85, 0.41%, 0.5%

LAB 46.21, 42.46, 20.18

 

CMYK 0 / 64 / 64 / 36

HEX #A33A3B

RGB 163 58 59

HSL 359.43, 0.48%, 0.43%

LAB 39.8, 43.44, 22.86

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 0 / 39 / 44 / 9

HEX #E78E82

RGB 231 142 130

HSL 7.13, 0.68%, 0.71%

LAB 67.98, 32.44, 20.74

 

CMYK 0 / 31 / 44 / 9

HEX #E79F82

RGB 231 159 130

HSL 17.23, 0.68%, 0.71%

LAB 71.82, 23.41, 25.94

 

CMYK 0 / 24 / 44 / 9

HEX #E7B082

RGB 231 176 130

HSL 27.33, 0.68%, 0.71%

LAB 75.85, 14.34, 31.29

 

CMYK 0 / 17 / 44 / 9

HEX #E7C082

RGB 231 192 130

HSL 36.83, 0.68%, 0.71%

LAB 79.78, 5.89, 36.4

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 0 / 44 / 41 / 89

HEX #1B0F10

RGB 27 15 16

HSL 355, 0.29%, 0.08%

LAB 5.53, 5.51, 1.37

 

CMYK 0 / 44 / 41 / 69

HEX #4E2C2E

RGB 78 44 46

HSL 356.47, 0.28%, 0.24%

LAB 22.37, 15.98, 5.45

 

CMYK 0 / 43 / 42 / 49

HEX #81494B

RGB 129 73 75

HSL 357.86, 0.28%, 0.4%

LAB 37.73, 24.04, 9.21

 

CMYK 0 / 44 / 42 / 29

HEX #B46569

RGB 180 101 105

HSL 356.96, 0.34%, 0.55%

LAB 51.87, 32.13, 11.79

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 6 / 0 / 44 / 9

HEX #D8E782

RGB 216 231 130

HSL 68.91, 0.68%, 0.71%

LAB 88.62, -19.84, 47.31

 

CMYK 44 / 24 / 0 / 9

HEX #82B0E7

RGB 130 176 231

HSL 212.67, 0.68%, 0.71%

LAB 70.57, -1.11, -32.38

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 42 / 0 / 44 / 9

HEX #87E782

RGB 135 231 130

HSL 117.03, 0.68%, 0.71%

LAB 83.92, -48.06, 40.41

 

CMYK 44 / 42 / 0 / 9

HEX #8287E7

RGB 130 135 231

HSL 237.03, 0.68%, 0.71%

LAB 59.75, 22.4, -49.32

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 6 / 0 / 44 / 9

HEX #D8E782

RGB 216 231 130

HSL 68.91, 0.68%, 0.71%

LAB 88.62, -19.84, 47.31

 

CMYK 44 / 0 / 2 / 9

HEX #82E7E2

RGB 130 231 226

HSL 177.03, 0.68%, 0.71%

LAB 85.7, -30.71, -6.8

 

CMYK 37 / 44 / 0 / 9

HEX #9182E7

RGB 145 130 231

HSL 248.91, 0.68%, 0.71%

LAB 59.67, 29.08, -49.38

 

CMYK 0 / 44 / 42 / 9

HEX #E78287

RGB 231 130 135

HSL 357.03, 0.68%, 0.71%

LAB 65.52, 39.23, 14.54

 

CMYK 19 / 0 / 44 / 9

HEX #BAE782

RGB 186 231 130

HSL 86.73, 0.68%, 0.71%

LAB 86.6, -31.09, 44.36

 

CMYK 44 / 0 / 2 / 9

HEX #82E7E2

RGB 130 231 226

HSL 177.03, 0.68%, 0.71%

LAB 85.7, -30.71, -6.8

 

CMYK 24 / 44 / 0 / 9

HEX #B082E7

RGB 176 130 231

HSL 267.33, 0.68%, 0.71%

LAB 62.48, 37.4, -44.75

 

Description

Color code: HEX #E78287 | qconv.com Color code: HEX #E78287 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 130 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 130 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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