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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E777FB it is the complementary color #188804. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E777FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E777FB: #EC77F6, #FD89FF, #FF9BFF, #FFADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E777FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E777FB: #E777FB, #D665E8, #C553D5, #B441C2 and #A32FAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

Complementary color

CMYK 82 / 0 / 97 / 47

HEX #188804

RGB 24 136 4

HSL 110.91, 0.94%, 0.27%

LAB 49.27, -51.73, 51.67

 

CMYK 4 / 52 / 0 / 4

HEX #EC77F6

RGB 236 119 246

HSL 295.28, 0.88%, 0.72%

LAB 67.78, 62.53, -44.22

 

CMYK 1 / 46 / 0 / 0

HEX #FD89FF

RGB 253 137 255

HSL 298.98, 1%, 0.77%

LAB 73.54, 60.15, -39.98

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 8 / 56 / 0 / 9

HEX #D665E8

RGB 214 101 232

HSL 291.76, 0.74%, 0.65%

LAB 61.16, 62.67, -47.1

 

CMYK 8 / 61 / 0 / 16

HEX #C553D5

RGB 197 83 213

HSL 292.62, 0.61%, 0.58%

LAB 54.93, 63.03, -46.42

 

CMYK 7 / 66 / 0 / 24

HEX #B441C2

RGB 180 65 194

HSL 293.49, 0.51%, 0.51%

LAB 48.73, 63.1, -45.51

 

CMYK 7 / 73 / 0 / 31

HEX #A32FAF

RGB 163 47 175

HSL 294.38, 0.58%, 0.44%

LAB 42.63, 62.67, -44.25

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 0 / 52 / 0 / 2

HEX #FA79FA

RGB 250 121 250

HSL 300, 0.93%, 0.73%

LAB 70.11, 65.99, -42.64

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E5

RGB 250 121 229

HSL 309.77, 0.93%, 0.73%

LAB 69.22, 62.54, -32.47

 

CMYK 0 / 52 / 17 / 2

HEX #FA79CF

RGB 250 121 207

HSL 320, 0.93%, 0.73%

LAB 68.39, 59.18, -21.54

 

CMYK 0 / 52 / 26 / 2

HEX #FA79BA

RGB 250 121 186

HSL 329.77, 0.93%, 0.73%

LAB 67.68, 56.27, -10.83

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 9 / 53 / 0 / 82

HEX #2B162F

RGB 43 22 47

HSL 290.4, 0.36%, 0.14%

LAB 11.22, 15.84, -12.4

 

CMYK 8 / 53 / 0 / 62

HEX #5A2E62

RGB 90 46 98

HSL 290.77, 0.36%, 0.28%

LAB 26.76, 29.16, -22.51

 

CMYK 8 / 52 / 0 / 42

HEX #894795

RGB 137 71 149

HSL 290.77, 0.35%, 0.43%

LAB 41.21, 40.52, -31.22

 

CMYK 8 / 53 / 0 / 22

HEX #B85FC8

RGB 184 95 200

HSL 290.86, 0.49%, 0.58%

LAB 54.6, 51.61, -39.64

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 0 / 50 / 52 / 2

HEX #FA7D79

RGB 250 125 121

HSL 1.86, 0.93%, 0.73%

LAB 66.8, 47.28, 24.59

 

CMYK 52 / 0 / 29 / 2

HEX #79FAB1

RGB 121 250 177

HSL 146.05, 0.93%, 0.73%

LAB 89.68, -51.86, 24.33

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 0 / 8 / 52 / 2

HEX #FAE579

RGB 250 229 121

HSL 50.23, 0.93%, 0.73%

LAB 90.66, -6.3, 54.69

 

CMYK 52 / 0 / 8 / 2

HEX #79FAE5

RGB 121 250 229

HSL 170.23, 0.93%, 0.73%

LAB 90.82, -40.74, -0.87

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 0 / 50 / 52 / 2

HEX #FA7D79

RGB 250 125 121

HSL 1.86, 0.93%, 0.73%

LAB 66.8, 47.28, 24.59

 

CMYK 43 / 0 / 52 / 2

HEX #8FFA79

RGB 143 250 121

HSL 109.77, 0.93%, 0.73%

LAB 89.67, -54.65, 51.9

 

CMYK 52 / 2 / 0 / 2

HEX #79F6FA

RGB 121 246 250

HSL 181.86, 0.93%, 0.73%

LAB 90.27, -33.71, -12.62

 

CMYK 8 / 53 / 0 / 2

HEX #E777FB

RGB 231 119 251

HSL 290.91, 0.94%, 0.73%

LAB 67.39, 62.13, -47.63

 

CMYK 0 / 34 / 52 / 2

HEX #FAA479

RGB 250 164 121

HSL 20, 0.93%, 0.73%

LAB 74.99, 27.36, 35.32

 

CMYK 43 / 0 / 52 / 2

HEX #8FFA79

RGB 143 250 121

HSL 109.77, 0.93%, 0.73%

LAB 89.67, -54.65, 51.9

 

CMYK 52 / 17 / 0 / 2

HEX #79CFFA

RGB 121 207 250

HSL 200, 0.93%, 0.73%

LAB 79.38, -14.47, -29.09

 

Description

Color code: HEX #E777FB | qconv.com Color code: HEX #E777FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 119 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 119 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 53 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 53% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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