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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E76DF0 it is the complementary color #18920F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E76DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E76DF0 shade: #EC6DEB, #FD7FFE, #FF91FF, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E76DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E76DF0 shade: #E76DF0, #D65BDD, #C549CA, #B437B7 and #A325A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E76DF0 shade: #E66BEF, #EF6BD5, #EF6BB1, #EF6B8E and #EF6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E76DF0 shade: #E66BEF, #C36BEF, #9F6BEF, #7B6BEF and #6B6BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E76DF0 shade matches the following richer shades: #E66BEF and #F25EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E76DF0 shade: #E66BEF, #DB79E2, #D086D5, #C493C8 and #B9A0BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E76DF0 shade: #9E6BEF, #C16BEF, #E46BEF, #EF6BD7 and #EF6BB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E76DF0 shade: #DA21E8, #E046EC, #E66BEF, #ED91F3 and #F3B6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E76DF0 shade: #E76DF0, #EF7B6B and #6BEFB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E76DF0 shade: #E76DF0, #EFE46B and #6BEFE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E76DF0 shade: #E76DF0, #EF7B6B, #76EF6B and #6BE0EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E76DF0 shade: #E76DF0, #EFA26B, #76EF6B and #6BB8EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 55 / 0 / 6

HEX #E76DF0

RGB 231 109 240

HSL 295.88, 0.81%, 0.68%

LAB 65.13, 64.78, -45.12

 

Complementary color

CMYK 84 / 0 / 90 / 43

HEX #18920F

RGB 24 146 15

HSL 115.88, 0.81%, 0.32%

LAB 52.71, -54.44, 52.56

 

CMYK 0 / 54 / 0 / 7

HEX #EC6DEB

RGB 236 109 235

HSL 300.47, 0.77%, 0.68%

LAB 65.57, 65.21, -41.63

 

CMYK 0 / 50 / 0 / 0

HEX #FD7FFE

RGB 253 127 254

HSL 299.53, 0.98%, 0.75%

LAB 71.7, 64.71, -42.3

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 4 / 55 / 0 / 6

HEX #E76DF0

RGB 231 109 240

HSL 295.88, 0.81%, 0.68%

LAB 65.13, 64.78, -45.12

 

CMYK 3 / 59 / 0 / 13

HEX #D65BDD

RGB 214 91 221

HSL 296.77, 0.66%, 0.61%

LAB 58.97, 65.16, -44.39

 

CMYK 2 / 64 / 0 / 21

HEX #C549CA

RGB 197 73 202

HSL 297.67, 0.55%, 0.54%

LAB 52.84, 65.27, -43.45

 

CMYK 2 / 70 / 0 / 28

HEX #B437B7

RGB 180 55 183

HSL 298.59, 0.54%, 0.47%

LAB 46.78, 64.96, -42.2

 

CMYK 1 / 77 / 0 / 36

HEX #A325A4

RGB 163 37 164

HSL 299.53, 0.63%, 0.39%

LAB 40.88, 63.98, -40.5

 

CMYK 4 / 55 / 0 / 6

HEX #E66BEF

RGB 230 107 239

HSL 295.91, 0.8%, 0.68%

LAB 64.62, 65.26, -45.39

 

CMYK 0 / 55 / 11 / 6

HEX #EF6BD5

RGB 239 107 213

HSL 311.82, 0.8%, 0.68%

LAB 64.7, 63.35, -30.69

 

CMYK 0 / 55 / 26 / 6

HEX #EF6BB1

RGB 239 107 177

HSL 328.18, 0.8%, 0.68%

LAB 63.38, 58.21, -12.35

 

CMYK 0 / 55 / 41 / 6

HEX #EF6B8E

RGB 239 107 142

HSL 344.09, 0.8%, 0.68%

LAB 62.35, 54.08, 6.22

 

CMYK 0 / 55 / 55 / 6

HEX #EF6B6B

RGB 239 107 107

HSL 0, 0.8%, 0.68%

LAB 61.59, 50.9, 25.26

 

CMYK 4 / 55 / 0 / 6

HEX #E66BEF

RGB 230 107 239

HSL 295.91, 0.8%, 0.68%

LAB 64.62, 65.26, -45.39

 

CMYK 18 / 55 / 0 / 6

HEX #C36BEF

RGB 195 107 239

HSL 280, 0.8%, 0.68%

LAB 60.2, 56.39, -52.66

 

CMYK 33 / 55 / 0 / 6

HEX #9F6BEF

RGB 159 107 239

HSL 263.64, 0.8%, 0.68%

LAB 56.21, 47.61, -59.27

 

CMYK 49 / 55 / 0 / 6

HEX #7B6BEF

RGB 123 107 239

HSL 247.27, 0.8%, 0.68%

LAB 52.9, 39.63, -64.76

 

CMYK 55 / 55 / 0 / 6

HEX #6B6BEF

RGB 107 107 239

HSL 240, 0.8%, 0.68%

LAB 51.69, 36.5, -66.77

 

CMYK 4 / 55 / 0 / 6

HEX #E66BEF

RGB 230 107 239

HSL 295.91, 0.8%, 0.68%

LAB 64.62, 65.26, -45.39

 

CMYK 4 / 63 / 0 / 1

HEX #F25EFD

RGB 242 94 253

HSL 295.85, 0.98%, 0.68%

LAB 64.94, 76.06, -52.5

 

CMYK 4 / 55 / 0 / 6

HEX #E66BEF

RGB 230 107 239

HSL 295.91, 0.8%, 0.68%

LAB 64.62, 65.26, -45.39

 

CMYK 3 / 46 / 0 / 11

HEX #DB79E2

RGB 219 121 226

HSL 296, 0.64%, 0.68%

LAB 65.14, 53.28, -37.46

 

CMYK 2 / 37 / 0 / 16

HEX #D086D5

RGB 208 134 213

HSL 296.2, 0.48%, 0.68%

LAB 65.95, 40.87, -29.07

 

CMYK 2 / 27 / 0 / 22

HEX #C493C8

RGB 196 147 200

HSL 295.47, 0.33%, 0.68%

LAB 67.11, 27.47, -20.17

 

CMYK 1 / 14 / 0 / 27

HEX #B9A0BB

RGB 185 160 187

HSL 295.56, 0.17%, 0.68%

LAB 68.78, 14.02, -10.51

 

CMYK 34 / 55 / 0 / 6

HEX #9E6BEF

RGB 158 107 239

HSL 263.18, 0.8%, 0.68%

LAB 56.1, 47.38, -59.44

 

CMYK 19 / 55 / 0 / 6

HEX #C16BEF

RGB 193 107 239

HSL 279.09, 0.8%, 0.68%

LAB 59.97, 55.89, -53.05

 

CMYK 5 / 55 / 0 / 6

HEX #E46BEF

RGB 228 107 239

HSL 295, 0.8%, 0.68%

LAB 64.36, 64.75, -45.82

 

CMYK 0 / 55 / 10 / 6

HEX #EF6BD7

RGB 239 107 215

HSL 310.91, 0.8%, 0.68%

LAB 64.78, 63.66, -31.68

 

CMYK 0 / 55 / 25 / 6

HEX #EF6BB4

RGB 239 107 180

HSL 326.82, 0.8%, 0.68%

LAB 63.48, 58.6, -13.91

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E8

RGB 218 33 232

HSL 295.78, 0.81%, 0.52%

LAB 53.83, 85.84, -58.73

 

CMYK 5 / 70 / 0 / 7

HEX #E046EC

RGB 224 70 236

HSL 295.66, 0.81%, 0.6%

LAB 58.31, 78.09, -53.77

 

CMYK 4 / 55 / 0 / 6

HEX #E66BEF

RGB 230 107 239

HSL 295.91, 0.8%, 0.68%

LAB 64.62, 65.26, -45.39

 

CMYK 2 / 40 / 0 / 5

HEX #ED91F3

RGB 237 145 243

HSL 296.33, 0.8%, 0.76%

LAB 72.71, 49.45, -34.89

 

CMYK 2 / 26 / 0 / 3

HEX #F3B6F7

RGB 243 182 247

HSL 296.31, 0.8%, 0.84%

LAB 81.42, 32.67, -23.63

 

CMYK 4 / 55 / 0 / 6

HEX #E76DF0

RGB 231 109 240

HSL 295.88, 0.81%, 0.68%

LAB 65.13, 64.78, -45.12

 

CMYK 0 / 49 / 55 / 6

HEX #EF7B6B

RGB 239 123 107

HSL 7.27, 0.8%, 0.68%

LAB 64.63, 43.13, 29.24

 

CMYK 55 / 0 / 26 / 6

HEX #6BEFB0

RGB 107 239 176

HSL 151.36, 0.8%, 0.68%

LAB 86, -50.65, 19.7

 

CMYK 4 / 55 / 0 / 6

HEX #E76DF0

RGB 231 109 240

HSL 295.88, 0.81%, 0.68%

LAB 65.13, 64.78, -45.12

 

CMYK 0 / 5 / 55 / 6

HEX #EFE46B

RGB 239 228 107

HSL 55, 0.8%, 0.68%

LAB 89.35, -11.33, 59.34

 

CMYK 55 / 0 / 5 / 6

HEX #6BEFE4

RGB 107 239 228

HSL 175, 0.8%, 0.68%

LAB 87.22, -38.8, -5.69

 

CMYK 4 / 55 / 0 / 6

HEX #E76DF0

RGB 231 109 240

HSL 295.88, 0.81%, 0.68%

LAB 65.13, 64.78, -45.12

 

CMYK 0 / 49 / 55 / 6

HEX #EF7B6B

RGB 239 123 107

HSL 7.27, 0.8%, 0.68%

LAB 64.63, 43.13, 29.24

 

CMYK 51 / 0 / 55 / 6

HEX #76EF6B

RGB 118 239 107

HSL 115, 0.8%, 0.68%

LAB 85.32, -58.98, 52.86

 

CMYK 55 / 6 / 0 / 6

HEX #6BE0EF

RGB 107 224 239

HSL 186.82, 0.8%, 0.68%

LAB 83.27, -28.88, -17.38

 

CMYK 4 / 55 / 0 / 6

HEX #E76DF0

RGB 231 109 240

HSL 295.88, 0.81%, 0.68%

LAB 65.13, 64.78, -45.12

 

CMYK 0 / 32 / 55 / 6

HEX #EFA26B

RGB 239 162 107

HSL 25, 0.8%, 0.68%

LAB 73.06, 22.88, 39.96

 

CMYK 51 / 0 / 55 / 6

HEX #76EF6B

RGB 118 239 107

HSL 115, 0.8%, 0.68%

LAB 85.32, -58.98, 52.86

 

CMYK 55 / 23 / 0 / 6

HEX #6BB8EF

RGB 107 184 239

HSL 205, 0.8%, 0.68%

LAB 71.99, -8.39, -34.62

 

Description

Color code: HEX #E76DF0 | qconv.com Color code: HEX #E76DF0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 109 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 109 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 55 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 55% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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