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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 55 / 0 / 6 it is the complementary color CMYK 82 / 0 / 90 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 55 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 55 / 0 / 6: CMYK 1 / 54 / 0 / 8, CMYK 2 / 50 / 0 / 0, CMYK 0 / 44 / 0 / 0, CMYK 0 / 36 / 0 / 0 and CMYK 0 / 29 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 55 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 55 / 0 / 6: CMYK 5 / 55 / 0 / 6, CMYK 5 / 59 / 0 / 13, CMYK 4 / 64 / 0 / 21, CMYK 3 / 70 / 0 / 28 and CMYK 2 / 78 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

Complementary color

CMYK 82 / 0 / 90 / 42

HEX #1B930F

RGB 27 147 15

HSL 114.55, 0.81%, 0.32%

LAB 53.1, -54.38, 52.91

 

CMYK 1 / 54 / 0 / 8

HEX #E96CEB

RGB 233 108 235

HSL 299.06, 0.76%, 0.67%

LAB 65, 64.88, -42.55

 

CMYK 2 / 50 / 0 / 0

HEX #FA7EFE

RGB 250 126 254

HSL 298.13, 0.98%, 0.75%

LAB 71.15, 64.37, -43.2

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 5 / 59 / 0 / 13

HEX #D35ADD

RGB 211 90 221

HSL 295.42, 0.66%, 0.61%

LAB 58.4, 64.85, -45.32

 

CMYK 4 / 64 / 0 / 21

HEX #C248CA

RGB 194 72 202

HSL 296.31, 0.55%, 0.54%

LAB 52.25, 64.97, -44.41

 

CMYK 3 / 70 / 0 / 28

HEX #B136B7

RGB 177 54 183

HSL 297.21, 0.54%, 0.46%

LAB 46.18, 64.65, -43.18

 

CMYK 2 / 78 / 0 / 36

HEX #A024A4

RGB 160 36 164

HSL 298.13, 0.64%, 0.39%

LAB 40.27, 63.65, -41.5

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 0 / 55 / 4 / 6

HEX #EF6BE6

RGB 239 107 230

HSL 304.09, 0.8%, 0.68%

LAB 65.42, 66.06, -39.06

 

CMYK 0 / 55 / 13 / 6

HEX #EF6BD0

RGB 239 107 208

HSL 314.09, 0.8%, 0.68%

LAB 64.5, 62.58, -28.19

 

CMYK 0 / 55 / 22 / 6

HEX #EF6BBA

RGB 239 107 186

HSL 324.09, 0.8%, 0.68%

LAB 63.68, 59.41, -17.01

 

CMYK 0 / 55 / 31 / 6

HEX #EF6BA4

RGB 239 107 164

HSL 334.09, 0.8%, 0.68%

LAB 62.97, 56.57, -5.53

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 6 / 56 / 0 / 86

HEX #221024

RGB 34 16 36

HSL 294, 0.38%, 0.1%

LAB 7.57, 13.64, -10.02

 

CMYK 5 / 55 / 0 / 66

HEX #532757

RGB 83 39 87

HSL 295, 0.38%, 0.25%

LAB 23.6, 28.55, -20.33

 

CMYK 5 / 55 / 0 / 46

HEX #833E8A

RGB 131 62 138

HSL 294.47, 0.38%, 0.39%

LAB 38.03, 41.27, -29.59

 

CMYK 5 / 55 / 0 / 26

HEX #B455BD

RGB 180 85 189

HSL 294.81, 0.44%, 0.54%

LAB 51.69, 53.33, -37.93

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 0 / 50 / 55 / 6

HEX #EF786B

RGB 239 120 107

HSL 5.91, 0.8%, 0.68%

LAB 64.04, 44.62, 28.47

 

CMYK 55 / 0 / 28 / 6

HEX #6BEFAD

RGB 107 239 173

HSL 150, 0.8%, 0.68%

LAB 85.94, -51.25, 21.17

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 0 / 5 / 55 / 6

HEX #EFE26B

RGB 239 226 107

HSL 54.09, 0.8%, 0.68%

LAB 88.83, -10.33, 58.76

 

CMYK 55 / 0 / 5 / 6

HEX #6BEFE2

RGB 107 239 226

HSL 174.09, 0.8%, 0.68%

LAB 87.17, -39.3, -4.72

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 0 / 50 / 55 / 6

HEX #EF786B

RGB 239 120 107

HSL 5.91, 0.8%, 0.68%

LAB 64.04, 44.62, 28.47

 

CMYK 50 / 0 / 55 / 6

HEX #78EF6B

RGB 120 239 107

HSL 114.09, 0.8%, 0.68%

LAB 85.4, -58.45, 52.97

 

CMYK 55 / 5 / 0 / 6

HEX #6BE2EF

RGB 107 226 239

HSL 185.91, 0.8%, 0.68%

LAB 83.84, -29.85, -16.53

 

CMYK 5 / 55 / 0 / 6

HEX #E46CF0

RGB 228 108 240

HSL 294.55, 0.81%, 0.68%

LAB 64.57, 64.47, -46.03

 

CMYK 0 / 33 / 55 / 6

HEX #EFA06B

RGB 239 160 107

HSL 24.09, 0.8%, 0.68%

LAB 72.6, 23.94, 39.39

 

CMYK 50 / 0 / 55 / 6

HEX #78EF6B

RGB 120 239 107

HSL 114.09, 0.8%, 0.68%

LAB 85.4, -58.45, 52.97

 

CMYK 55 / 22 / 0 / 6

HEX #6BBAEF

RGB 107 186 239

HSL 204.09, 0.8%, 0.68%

LAB 72.55, -9.47, -33.76

 

Description

Color code: CMYK 5 / 55 / 0 / 6 | qconv.com Color code: CMYK 5 / 55 / 0 / 6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 108 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 108 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 55 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 55% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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