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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E75A0D it is the complementary color #18A5F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E75A0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E75A0D shade: #EC5A08, #FD6C1B, #FF7E2E, #FF9041 and #FFA254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E75A0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E75A0D shade: #E75A0D, #D64800, #C53600, #B42400 and #A31200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E75A0D shade: #E75A0D, #E7200D and #E70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E75A0D shade: #E75A0D, #E7950D, #E7D00D, #C4E70D and #89E70D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E75A0D shade matches the following richer shades: #E75A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E75A0D shade: #E75A0D, #D46021, #C06635, #AC6C49 and #98725D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E75A0D shade: #E70D35, #E7200D, #E75A0D, #E7940D and #E7CE0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E75A0D shade: #993C09, #C04B0B, #E75A0D, #F3722B and #F58C52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E75A0D shade: #E75A0D, #70E70D and #0D18E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E75A0D shade: #E75A0D, #0DE75A and #5A0DE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E75A0D shade: #E75A0D, #70E70D, #0D9BE7 and #850DE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E75A0D shade: #E75A0D, #2EE70D, #0D9BE7 and #C70DE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

Complementary color

CMYK 90 / 32 / 0 / 5

HEX #18A5F2

RGB 24 165 242

HSL 201.19, 0.89%, 0.52%

LAB 64.58, -7.41, -48

 

CMYK 0 / 62 / 97 / 7

HEX #EC5A08

RGB 236 90 8

HSL 21.58, 0.93%, 0.48%

LAB 57.23, 53.62, 65.4

 

CMYK 0 / 57 / 89 / 1

HEX #FD6C1B

RGB 253 108 27

HSL 21.5, 0.98%, 0.55%

LAB 63.08, 51.88, 66.07

 

CMYK 0 / 51 / 82 / 0

HEX #FF7E2E

RGB 255 126 46

HSL 22.97, 1%, 0.59%

LAB 66.81, 44.51, 62.6

 

CMYK 0 / 44 / 75 / 0

HEX #FF9041

RGB 255 144 65

HSL 24.95, 1%, 0.63%

LAB 70.59, 36.16, 58.22

 

CMYK 0 / 36 / 67 / 0

HEX #FFA254

RGB 255 162 84

HSL 27.37, 1%, 0.66%

LAB 74.66, 27.79, 53.8

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 0 / 73 / 100 / 23

HEX #C53600

RGB 197 54 0

HSL 16.45, 1%, 0.39%

LAB 44.95, 54.81, 56.96

 

CMYK 0 / 80 / 100 / 29

HEX #B42400

RGB 180 36 0

HSL 12, 1%, 0.35%

LAB 39.52, 55.34, 52.61

 

CMYK 0 / 89 / 100 / 36

HEX #A31200

RGB 163 18 0

HSL 6.63, 1%, 0.32%

LAB 34.44, 54.72, 48.23

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 86 / 94 / 9

HEX #E7200D

RGB 231 32 13

HSL 5.23, 0.89%, 0.48%

LAB 49.56, 70.77, 59.42

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 35 / 94 / 9

HEX #E7950D

RGB 231 149 13

HSL 37.43, 0.89%, 0.48%

LAB 68.4, 22.35, 71.55

 

CMYK 0 / 10 / 94 / 9

HEX #E7D00D

RGB 231 208 13

HSL 53.67, 0.89%, 0.48%

LAB 82.98, -8.52, 82.13

 

CMYK 15 / 0 / 94 / 9

HEX #C4E70D

RGB 196 231 13

HSL 69.63, 0.89%, 0.48%

LAB 86.46, -34.25, 83.59

 

CMYK 41 / 0 / 94 / 9

HEX #89E70D

RGB 137 231 13

HSL 85.87, 0.89%, 0.48%

LAB 83.18, -56.06, 79.6

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 55 / 84 / 17

HEX #D46021

RGB 212 96 33

HSL 21.12, 0.73%, 0.48%

LAB 54.52, 42.43, 54.5

 

CMYK 0 / 47 / 72 / 25

HEX #C06635

RGB 192 102 53

HSL 21.15, 0.57%, 0.48%

LAB 52.91, 32.18, 42.77

 

CMYK 0 / 37 / 58 / 33

HEX #AC6C49

RGB 172 108 73

HSL 21.21, 0.4%, 0.48%

LAB 51.81, 21.88, 30.06

 

CMYK 0 / 25 / 39 / 40

HEX #98725D

RGB 152 114 93

HSL 21.36, 0.24%, 0.48%

LAB 51.27, 12.05, 17.46

 

CMYK 0 / 94 / 77 / 9

HEX #E70D35

RGB 231 13 53

HSL 348.99, 0.89%, 0.48%

LAB 48.93, 74.18, 40.44

 

CMYK 0 / 86 / 94 / 9

HEX #E7200D

RGB 231 32 13

HSL 5.23, 0.89%, 0.48%

LAB 49.56, 70.77, 59.42

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 36 / 94 / 9

HEX #E7940D

RGB 231 148 13

HSL 37.16, 0.89%, 0.48%

LAB 68.17, 22.88, 71.39

 

CMYK 0 / 11 / 94 / 9

HEX #E7CE0D

RGB 231 206 13

HSL 53.12, 0.89%, 0.48%

LAB 82.47, -7.51, 81.75

 

CMYK 0 / 61 / 94 / 40

HEX #993C09

RGB 153 60 9

HSL 21.25, 0.89%, 0.32%

LAB 37.89, 36.74, 45.91

 

CMYK 0 / 61 / 94 / 25

HEX #C04B0B

RGB 192 75 11

HSL 21.22, 0.89%, 0.4%

LAB 47.32, 44.49, 54.91

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 0 / 53 / 82 / 5

HEX #F3722B

RGB 243 114 43

HSL 21.3, 0.89%, 0.56%

LAB 62.73, 45.72, 59.5

 

CMYK 0 / 43 / 67 / 4

HEX #F58C52

RGB 245 140 82

HSL 21.35, 0.89%, 0.64%

LAB 68.59, 35.09, 47.59

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 52 / 0 / 94 / 9

HEX #70E70D

RGB 112 231 13

HSL 92.75, 0.89%, 0.48%

LAB 82.18, -63.67, 78.38

 

CMYK 94 / 90 / 0 / 9

HEX #0D18E7

RGB 13 24 231

HSL 236.97, 0.89%, 0.48%

LAB 30.66, 68.58, -97.02

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 94 / 0 / 61 / 9

HEX #0DE75A

RGB 13 231 90

HSL 141.19, 0.89%, 0.48%

LAB 80.73, -74.28, 54.52

 

CMYK 61 / 94 / 0 / 9

HEX #5A0DE7

RGB 90 13 231

HSL 261.19, 0.89%, 0.48%

LAB 34.46, 73.74, -90.57

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 52 / 0 / 94 / 9

HEX #70E70D

RGB 112 231 13

HSL 92.75, 0.89%, 0.48%

LAB 82.18, -63.67, 78.38

 

CMYK 94 / 33 / 0 / 9

HEX #0D9BE7

RGB 13 155 231

HSL 200.92, 0.89%, 0.48%

LAB 61.04, -6.22, -47.54

 

CMYK 42 / 94 / 0 / 9

HEX #850DE7

RGB 133 13 231

HSL 273.03, 0.89%, 0.48%

LAB 39.65, 77.19, -81.81

 

CMYK 0 / 61 / 94 / 9

HEX #E75A0D

RGB 231 90 13

HSL 21.19, 0.89%, 0.48%

LAB 56.42, 51.9, 63.5

 

CMYK 80 / 0 / 94 / 9

HEX #2EE70D

RGB 46 231 13

HSL 110.92, 0.89%, 0.48%

LAB 80.61, -76.83, 76.45

 

CMYK 94 / 33 / 0 / 9

HEX #0D9BE7

RGB 13 155 231

HSL 200.92, 0.89%, 0.48%

LAB 61.04, -6.22, -47.54

 

CMYK 14 / 94 / 0 / 9

HEX #C70DE7

RGB 199 13 231

HSL 291.19, 0.89%, 0.48%

LAB 49.74, 85.38, -64.93

 

Description

Color code: HEX #E75A0D | qconv.com Color code: HEX #E75A0D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 90 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 90 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 94 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 94% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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