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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E72AF6 it is the complementary color #18D509. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E72AF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E72AF6 shade: #EC2AF1, #FD3CFF, #FF4EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E72AF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E72AF6 shade: #E72AF6, #D618E3, #C506D0, #B400BD and #A300AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E72AF6 shade: #E728F6, #F628CE, #F62896, #F6285E and #F62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E72AF6 shade: #E728F6, #AF28F6, #7828F6, #4028F6 and #2828F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E72AF6 shade matches the following richer shades: #E728F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E72AF6 shade: #E728F6, #D73AE4, #C84CD2, #B85EC0 and #A970AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E72AF6 shade: #7728F6, #AE28F6, #E528F6, #F628D0 and #F62899

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E72AF6 shade: #B508C3, #DA0AEB, #E728F6, #EB4FF8 and #F077F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E72AF6 shade: #E72AF6, #F64028 and #28F692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E72AF6 shade: #E72AF6, #F6E528 and #28F6E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E72AF6 shade: #E72AF6, #F64028, #39F628 and #28DEF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E72AF6 shade: #E72AF6, #F67E28, #39F628 and #28A0F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 83 / 0 / 4

HEX #E72AF6

RGB 231 42 246

HSL 295.59, 0.92%, 0.56%

LAB 57.37, 88.52, -60.8

 

Complementary color

CMYK 89 / 0 / 96 / 16

HEX #18D509

RGB 24 213 9

HSL 115.59, 0.92%, 0.44%

LAB 74.7, -73.96, 71.89

 

CMYK 2 / 83 / 0 / 5

HEX #EC2AF1

RGB 236 42 241

HSL 298.49, 0.88%, 0.55%

LAB 57.88, 88.62, -57.13

 

CMYK 1 / 76 / 0 / 0

HEX #FD3CFF

RGB 253 60 255

HSL 299.38, 1%, 0.62%

LAB 62.79, 89.72, -56.92

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 6 / 83 / 0 / 4

HEX #E72AF6

RGB 231 42 246

HSL 295.59, 0.92%, 0.56%

LAB 57.37, 88.52, -60.8

 

CMYK 6 / 89 / 0 / 11

HEX #D618E3

RGB 214 24 227

HSL 296.16, 0.81%, 0.49%

LAB 52.39, 85.81, -58.25

 

CMYK 5 / 97 / 0 / 18

HEX #C506D0

RGB 197 6 208

HSL 296.73, 0.94%, 0.42%

LAB 47.69, 82.04, -55.1

 

CMYK 5 / 100 / 0 / 26

HEX #B400BD

RGB 180 0 189

HSL 297.14, 1%, 0.37%

LAB 43.33, 77.01, -51.24

 

CMYK 4 / 100 / 0 / 33

HEX #A300AA

RGB 163 0 170

HSL 297.53, 1%, 0.33%

LAB 39.05, 71.37, -47.02

 

CMYK 6 / 84 / 0 / 4

HEX #E728F6

RGB 231 40 246

HSL 295.63, 0.92%, 0.56%

LAB 57.23, 88.91, -61.01

 

CMYK 0 / 84 / 16 / 4

HEX #F628CE

RGB 246 40 206

HSL 311.65, 0.92%, 0.56%

LAB 57.62, 86.03, -37.66

 

CMYK 0 / 84 / 39 / 4

HEX #F62896

RGB 246 40 150

HSL 327.96, 0.92%, 0.56%

LAB 55.39, 79.85, -8.51

 

CMYK 0 / 84 / 62 / 4

HEX #F6285E

RGB 246 40 94

HSL 344.27, 0.92%, 0.56%

LAB 53.94, 75.66, 22.94

 

CMYK 0 / 84 / 84 / 4

HEX #F62828

RGB 246 40 40

HSL 0, 0.92%, 0.56%

LAB 53.24, 73.58, 52.62

 

CMYK 6 / 84 / 0 / 4

HEX #E728F6

RGB 231 40 246

HSL 295.63, 0.92%, 0.56%

LAB 57.23, 88.91, -61.01

 

CMYK 29 / 84 / 0 / 4

HEX #AF28F6

RGB 175 40 246

HSL 279.32, 0.92%, 0.56%

LAB 48.62, 80.11, -75.36

 

CMYK 51 / 84 / 0 / 4

HEX #7828F6

RGB 120 40 246

HSL 263.3, 0.92%, 0.56%

LAB 41.48, 73.21, -87.35

 

CMYK 74 / 84 / 0 / 4

HEX #4028F6

RGB 64 40 246

HSL 246.99, 0.92%, 0.56%

LAB 36.48, 68.72, -95.77

 

CMYK 84 / 84 / 0 / 4

HEX #2828F6

RGB 40 40 246

HSL 240, 0.92%, 0.56%

LAB 35.25, 67.66, -97.86

 

CMYK 6 / 84 / 0 / 4

HEX #E728F6

RGB 231 40 246

HSL 295.63, 0.92%, 0.56%

LAB 57.23, 88.91, -61.01

 

CMYK 6 / 84 / 0 / 4

HEX #E728F6

RGB 231 40 246

HSL 295.63, 0.92%, 0.56%

LAB 57.23, 88.91, -61.01

 

CMYK 6 / 75 / 0 / 11

HEX #D73AE4

RGB 215 58 228

HSL 295.41, 0.76%, 0.56%

LAB 55.15, 78.76, -54.4

 

CMYK 5 / 64 / 0 / 18

HEX #C84CD2

RGB 200 76 210

HSL 295.52, 0.6%, 0.56%

LAB 54.13, 66.16, -45.94

 

CMYK 4 / 51 / 0 / 25

HEX #B85EC0

RGB 184 94 192

HSL 295.1, 0.44%, 0.56%

LAB 54.03, 50.58, -35.95

 

CMYK 2 / 35 / 0 / 32

HEX #A970AD

RGB 169 112 173

HSL 296.07, 0.27%, 0.56%

LAB 55.11, 32.76, -23.46

 

CMYK 52 / 84 / 0 / 4

HEX #7728F6

RGB 119 40 246

HSL 263.01, 0.92%, 0.56%

LAB 41.36, 73.1, -87.54

 

CMYK 29 / 84 / 0 / 4

HEX #AE28F6

RGB 174 40 246

HSL 279.03, 0.92%, 0.56%

LAB 48.47, 79.96, -75.6

 

CMYK 7 / 84 / 0 / 4

HEX #E528F6

RGB 229 40 246

HSL 295.05, 0.92%, 0.56%

LAB 56.91, 88.57, -61.55

 

CMYK 0 / 84 / 15 / 4

HEX #F628D0

RGB 246 40 208

HSL 311.07, 0.92%, 0.56%

LAB 57.72, 86.28, -38.66

 

CMYK 0 / 84 / 38 / 4

HEX #F62899

RGB 246 40 153

HSL 327.09, 0.92%, 0.56%

LAB 55.49, 80.13, -10.14

 

CMYK 7 / 96 / 0 / 24

HEX #B508C3

RGB 181 8 195

HSL 295.51, 0.92%, 0.4%

LAB 44.14, 77.34, -53.43

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 6 / 84 / 0 / 4

HEX #E728F6

RGB 231 40 246

HSL 295.63, 0.92%, 0.56%

LAB 57.23, 88.91, -61.01

 

CMYK 5 / 68 / 0 / 3

HEX #EB4FF8

RGB 235 79 248

HSL 295.38, 0.92%, 0.64%

LAB 61.68, 79.28, -54.98

 

CMYK 4 / 52 / 0 / 2

HEX #F077F9

RGB 240 119 249

HSL 295.85, 0.92%, 0.72%

LAB 68.43, 64.11, -44.82

 

CMYK 6 / 83 / 0 / 4

HEX #E72AF6

RGB 231 42 246

HSL 295.59, 0.92%, 0.56%

LAB 57.37, 88.52, -60.8

 

CMYK 0 / 74 / 84 / 4

HEX #F64028

RGB 246 64 40

HSL 6.99, 0.92%, 0.56%

LAB 55.5, 67.22, 54.6

 

CMYK 84 / 0 / 41 / 4

HEX #28F692

RGB 40 246 146

HSL 150.87, 0.92%, 0.56%

LAB 86.22, -69.02, 35.01

 

CMYK 6 / 83 / 0 / 4

HEX #E72AF6

RGB 231 42 246

HSL 295.59, 0.92%, 0.56%

LAB 57.37, 88.52, -60.8

 

CMYK 0 / 7 / 84 / 4

HEX #F6E528

RGB 246 229 40

HSL 55.05, 0.92%, 0.56%

LAB 89.76, -12.18, 83.52

 

CMYK 84 / 0 / 7 / 4

HEX #28F6E5

RGB 40 246 229

HSL 175.05, 0.92%, 0.56%

LAB 87.98, -50.08, -5.24

 

CMYK 6 / 83 / 0 / 4

HEX #E72AF6

RGB 231 42 246

HSL 295.59, 0.92%, 0.56%

LAB 57.37, 88.52, -60.8

 

CMYK 0 / 74 / 84 / 4

HEX #F64028

RGB 246 64 40

HSL 6.99, 0.92%, 0.56%

LAB 55.5, 67.22, 54.6

 

CMYK 77 / 0 / 84 / 4

HEX #39F628

RGB 57 246 40

HSL 115.05, 0.92%, 0.56%

LAB 85.47, -78.9, 76.26

 

CMYK 84 / 10 / 0 / 4

HEX #28DEF6

RGB 40 222 246

HSL 186.99, 0.92%, 0.56%

LAB 81.48, -34.48, -23.93

 

CMYK 6 / 83 / 0 / 4

HEX #E72AF6

RGB 231 42 246

HSL 295.59, 0.92%, 0.56%

LAB 57.37, 88.52, -60.8

 

CMYK 0 / 49 / 84 / 4

HEX #F67E28

RGB 246 126 40

HSL 25.05, 0.92%, 0.56%

LAB 65.49, 40.89, 63.22

 

CMYK 77 / 0 / 84 / 4

HEX #39F628

RGB 57 246 40

HSL 115.05, 0.92%, 0.56%

LAB 85.47, -78.9, 76.26

 

CMYK 84 / 35 / 0 / 4

HEX #28A0F6

RGB 40 160 246

HSL 205.05, 0.92%, 0.56%

LAB 63.55, -2.13, -51.81

 

Description

Color code: HEX #E72AF6 | qconv.com Color code: HEX #E72AF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 42 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 42 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 83 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 83% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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