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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0AEB it is the complementary color #25F514. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0AEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0AEB shade: #DF0AE6, #F01CF9, #FF2EFF, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0AEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0AEB shade: #DA0AEB, #C900D8, #B800C5, #A700B2 and #96009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0AEB shade: #DA0AEB, #EB0ABF, #EB0A83, #EB0A46 and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0AEB shade: #DA0AEB, #9D0AEB, #610AEB, #240AEB and #0A0AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0AEB shade matches the following richer shades: #DA0AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0AEB shade: #DA0AEB, #C91ED7, #B831C3, #A845B0 and #97599C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0AEB shade: #600AEB, #9C0AEB, #D80AEB, #EB0AC2 and #EB0A86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0AEB shade: #91069C, #B508C3, #DA0AEB, #E628F6 and #EB50F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0AEB shade: #DA0AEB, #EB240A and #0AEB7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0AEB shade: #DA0AEB, #EBD80A and #0AEBD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0AEB shade: #DA0AEB, #EB240A, #1DEB0A and #0AD1EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0AEB shade: #DA0AEB, #EB680A, #1DEB0A and #0A8DEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

Complementary color

CMYK 85 / 0 / 92 / 4

HEX #25F514

RGB 37 245 20

HSL 115.47, 0.92%, 0.52%

LAB 84.87, -81.44, 79.14

 

CMYK 3 / 96 / 0 / 10

HEX #DF0AE6

RGB 223 10 230

HSL 298.09, 0.92%, 0.47%

LAB 53.62, 89.1, -57.9

 

CMYK 4 / 89 / 0 / 2

HEX #F01CF9

RGB 240 28 249

HSL 297.56, 0.95%, 0.54%

LAB 58.22, 92.78, -61.01

 

CMYK 0 / 82 / 0 / 0

HEX #FF2EFF

RGB 255 46 255

HSL 300, 1%, 0.59%

LAB 62.03, 93.23, -58.12

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 7 / 100 / 0 / 15

HEX #C900D8

RGB 201 0 216

HSL 295.83, 1%, 0.42%

LAB 48.73, 84.36, -58

 

CMYK 7 / 100 / 0 / 23

HEX #B800C5

RGB 184 0 197

HSL 296.04, 1%, 0.39%

LAB 44.55, 78.86, -53.91

 

CMYK 6 / 100 / 0 / 30

HEX #A700B2

RGB 167 0 178

HSL 296.29, 1%, 0.35%

LAB 40.3, 73.26, -49.74

 

CMYK 6 / 100 / 0 / 38

HEX #96009F

RGB 150 0 159

HSL 296.6, 1%, 0.31%

LAB 35.96, 67.54, -45.49

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 0 / 96 / 19 / 8

HEX #EB0ABF

RGB 235 10 191

HSL 311.73, 0.92%, 0.48%

LAB 53.64, 85.94, -35.41

 

CMYK 0 / 96 / 44 / 8

HEX #EB0A83

RGB 235 10 131

HSL 327.73, 0.92%, 0.48%

LAB 51.29, 79.81, -3.46

 

CMYK 0 / 96 / 70 / 8

HEX #EB0A46

RGB 235 10 70

HSL 344, 0.92%, 0.48%

LAB 49.88, 76.01, 31.75

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 33 / 96 / 0 / 8

HEX #9D0AEB

RGB 157 10 235

HSL 279.2, 0.92%, 0.48%

LAB 43.34, 80.88, -77.91

 

CMYK 59 / 96 / 0 / 8

HEX #610AEB

RGB 97 10 235

HSL 263.2, 0.92%, 0.48%

LAB 35.51, 75.53, -91.08

 

CMYK 85 / 96 / 0 / 8

HEX #240AEB

RGB 36 10 235

HSL 246.93, 0.92%, 0.48%

LAB 30.86, 73.14, -98.96

 

CMYK 96 / 96 / 0 / 8

HEX #0A0AEB

RGB 10 10 235

HSL 240, 0.92%, 0.48%

LAB 30.11, 72.83, -100.22

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 7 / 86 / 0 / 16

HEX #C91ED7

RGB 201 30 215

HSL 295.46, 0.76%, 0.48%

LAB 49.8, 80.86, -55.7

 

CMYK 6 / 75 / 0 / 24

HEX #B831C3

RGB 184 49 195

HSL 295.48, 0.6%, 0.48%

LAB 47.4, 69.84, -48.18

 

CMYK 5 / 61 / 0 / 31

HEX #A845B0

RGB 168 69 176

HSL 295.51, 0.44%, 0.48%

LAB 46.6, 55.22, -38.5

 

CMYK 3 / 43 / 0 / 39

HEX #97599C

RGB 151 89 156

HSL 295.52, 0.27%, 0.48%

LAB 47.14, 36.41, -26.01

 

CMYK 59 / 96 / 0 / 8

HEX #600AEB

RGB 96 10 235

HSL 262.93, 0.92%, 0.48%

LAB 35.4, 75.47, -91.26

 

CMYK 34 / 96 / 0 / 8

HEX #9C0AEB

RGB 156 10 235

HSL 278.93, 0.92%, 0.48%

LAB 43.19, 80.77, -78.16

 

CMYK 8 / 96 / 0 / 8

HEX #D80AEB

RGB 216 10 235

HSL 294.93, 0.92%, 0.48%

LAB 52.75, 88.77, -62.19

 

CMYK 0 / 96 / 17 / 8

HEX #EB0AC2

RGB 235 10 194

HSL 310.93, 0.92%, 0.48%

LAB 53.79, 86.3, -36.92

 

CMYK 0 / 96 / 43 / 8

HEX #EB0A86

RGB 235 10 134

HSL 326.93, 0.92%, 0.48%

LAB 51.38, 80.06, -5.14

 

CMYK 7 / 96 / 0 / 39

HEX #91069C

RGB 145 6 156

HSL 295.6, 0.93%, 0.32%

LAB 35.1, 65.48, -45.09

 

CMYK 7 / 96 / 0 / 24

HEX #B508C3

RGB 181 8 195

HSL 295.51, 0.92%, 0.4%

LAB 44.14, 77.34, -53.43

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 7 / 84 / 0 / 4

HEX #E628F6

RGB 230 40 246

HSL 295.34, 0.92%, 0.56%

LAB 57.07, 88.74, -61.28

 

CMYK 5 / 68 / 0 / 3

HEX #EB50F8

RGB 235 80 248

HSL 295.36, 0.92%, 0.64%

LAB 61.81, 78.93, -54.78

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 0 / 85 / 96 / 8

HEX #EB240A

RGB 235 36 10

HSL 6.93, 0.92%, 0.48%

LAB 50.62, 71.03, 61.21

 

CMYK 96 / 0 / 46 / 8

HEX #0AEB7E

RGB 10 235 126

HSL 150.93, 0.92%, 0.48%

LAB 82.37, -70.48, 39.84

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 0 / 8 / 96 / 8

HEX #EBD80A

RGB 235 216 10

HSL 54.93, 0.92%, 0.48%

LAB 85.4, -10.86, 84.36

 

CMYK 96 / 0 / 8 / 8

HEX #0AEBD8

RGB 10 235 216

HSL 174.93, 0.92%, 0.48%

LAB 84.19, -50.34, -4.02

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 0 / 85 / 96 / 8

HEX #EB240A

RGB 235 36 10

HSL 6.93, 0.92%, 0.48%

LAB 50.62, 71.03, 61.21

 

CMYK 88 / 0 / 96 / 8

HEX #1DEB0A

RGB 29 235 10

HSL 114.93, 0.92%, 0.48%

LAB 81.67, -79.56, 77.53

 

CMYK 96 / 11 / 0 / 8

HEX #0AD1EB

RGB 10 209 235

HSL 186.93, 0.92%, 0.48%

LAB 77.08, -33.12, -24.8

 

CMYK 7 / 96 / 0 / 8

HEX #DA0AEB

RGB 218 10 235

HSL 295.47, 0.92%, 0.48%

LAB 53.08, 89.08, -61.63

 

CMYK 0 / 56 / 96 / 8

HEX #EB680A

RGB 235 104 10

HSL 25.07, 0.92%, 0.48%

LAB 59.51, 46.91, 66.35

 

CMYK 88 / 0 / 96 / 8

HEX #1DEB0A

RGB 29 235 10

HSL 114.93, 0.92%, 0.48%

LAB 81.67, -79.56, 77.53

 

CMYK 96 / 40 / 0 / 8

HEX #0A8DEB

RGB 10 141 235

HSL 205.07, 0.92%, 0.48%

LAB 57.18, 3.39, -55.89

 

Description

Color code: HEX #DA0AEB | qconv.com Color code: HEX #DA0AEB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 10 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 10 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 96 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 96% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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