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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E717C1 it is the complementary color #18E83E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E717C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E717C1: #EC17BC, #FD29CF, #FF3BE2, #FF4DF5 and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E717C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E717C1: #E717C1, #D605AE, #C5009B, #B40088 and #A30075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

Complementary color

CMYK 90 / 0 / 73 / 9

HEX #18E83E

RGB 24 232 62

HSL 130.96, 0.82%, 0.5%

LAB 80.88, -76.77, 65.58

 

CMYK 0 / 90 / 20 / 7

HEX #EC17BC

RGB 236 23 188

HSL 313.52, 0.85%, 0.51%

LAB 54.11, 84.53, -32.93

 

CMYK 0 / 84 / 18 / 1

HEX #FD29CF

RGB 253 41 207

HSL 313.02, 0.98%, 0.58%

LAB 58.95, 87.35, -36.07

 

CMYK 0 / 77 / 11 / 0

HEX #FF3BE2

RGB 255 59 226

HSL 308.88, 1%, 0.62%

LAB 61.55, 86.22, -42.72

 

CMYK 0 / 70 / 4 / 0

HEX #FF4DF5

RGB 255 77 245

HSL 303.37, 1%, 0.65%

LAB 64.29, 83.73, -48.99

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 98 / 19 / 16

HEX #D605AE

RGB 214 5 174

HSL 311.48, 0.95%, 0.43%

LAB 48.84, 80.37, -33.28

 

CMYK 0 / 100 / 21 / 23

HEX #C5009B

RGB 197 0 155

HSL 312.79, 1%, 0.39%

LAB 44.57, 75.3, -28.86

 

CMYK 0 / 100 / 24 / 29

HEX #B40088

RGB 180 0 136

HSL 314.67, 1%, 0.35%

LAB 40.38, 69.76, -24.08

 

CMYK 0 / 100 / 28 / 36

HEX #A30075

RGB 163 0 117

HSL 316.93, 1%, 0.32%

LAB 36.12, 64.14, -19.12

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 91 / 30 / 9

HEX #E816A2

RGB 232 22 162

HSL 320, 0.83%, 0.5%

LAB 52.22, 80.93, -20.67

 

CMYK 0 / 91 / 45 / 9

HEX #E8167F

RGB 232 22 127

HSL 330, 0.83%, 0.5%

LAB 50.99, 77.62, -1.54

 

CMYK 0 / 91 / 60 / 9

HEX #E8165C

RGB 232 22 92

HSL 340, 0.83%, 0.5%

LAB 50.1, 75.16, 18.54

 

CMYK 0 / 91 / 75 / 9

HEX #E81639

RGB 232 22 57

HSL 350, 0.83%, 0.5%

LAB 49.53, 73.55, 38.86

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 89 / 15 / 89

HEX #1B0317

RGB 27 3 23

HSL 310, 0.8%, 0.06%

LAB 3.25, 12.17, -6.5

 

CMYK 0 / 90 / 17 / 69

HEX #4E0841

RGB 78 8 65

HSL 311.14, 0.81%, 0.17%

LAB 16.38, 36.96, -16.74

 

CMYK 0 / 90 / 16 / 49

HEX #810D6C

RGB 129 13 108

HSL 310.86, 0.82%, 0.28%

LAB 29.51, 54.01, -24.2

 

CMYK 0 / 90 / 17 / 29

HEX #B41296

RGB 180 18 150

HSL 311.11, 0.82%, 0.39%

LAB 41.75, 69.48, -30.49

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 57 / 91 / 9

HEX #E86316

RGB 232 99 22

HSL 22, 0.83%, 0.5%

LAB 58.17, 48.29, 62.47

 

CMYK 91 / 0 / 21 / 9

HEX #16E8B7

RGB 22 232 183

HSL 166, 0.83%, 0.5%

LAB 82.54, -57.26, 10.96

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 15 / 0 / 91 / 9

HEX #C5E816

RGB 197 232 22

HSL 70, 0.83%, 0.5%

LAB 86.82, -34.18, 82.85

 

CMYK 91 / 15 / 0 / 9

HEX #16C5E8

RGB 22 197 232

HSL 190, 0.83%, 0.5%

LAB 73.5, -27.86, -28.66

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 57 / 91 / 9

HEX #E86316

RGB 232 99 22

HSL 22, 0.83%, 0.5%

LAB 58.17, 48.29, 62.47

 

CMYK 91 / 0 / 75 / 9

HEX #16E839

RGB 22 232 57

HSL 130, 0.83%, 0.5%

LAB 80.84, -77.25, 67.18

 

CMYK 91 / 33 / 0 / 9

HEX #169BE8

RGB 22 155 232

HSL 202, 0.83%, 0.5%

LAB 61.17, -5.49, -47.89

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 30 / 91 / 9

HEX #E8A216

RGB 232 162 22

HSL 40, 0.83%, 0.5%

LAB 71.59, 15.99, 72.35

 

CMYK 91 / 0 / 75 / 9

HEX #16E839

RGB 22 232 57

HSL 130, 0.83%, 0.5%

LAB 80.84, -77.25, 67.18

 

CMYK 91 / 60 / 0 / 9

HEX #165CE8

RGB 22 92 232

HSL 220, 0.83%, 0.5%

LAB 43.73, 33.48, -75.97

 

Description

Color code: HEX #E717C1 | qconv.com Color code: HEX #E717C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 23 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 23 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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