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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E67B71 it is the complementary color #19848E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E67B71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E67B71: #EB7B6C, #FC8D7F, #FF9F92, #FFB1A5 and #FFC3B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E67B71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E67B71: #E67B71, #D5695E, #C4574B, #B34538 and #A23325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

Complementary color

CMYK 82 / 7 / 0 / 44

HEX #19848E

RGB 25 132 142

HSL 185.13, 0.7%, 0.33%

LAB 50.29, -24.63, -13.61

 

CMYK 0 / 48 / 54 / 8

HEX #EB7B6C

RGB 235 123 108

HSL 7.09, 0.76%, 0.67%

LAB 64.09, 41.73, 27.88

 

CMYK 0 / 44 / 50 / 1

HEX #FC8D7F

RGB 252 141 127

HSL 6.72, 0.95%, 0.74%

LAB 70.37, 40.55, 26.08

 

CMYK 0 / 38 / 43 / 0

HEX #FF9F92

RGB 255 159 146

HSL 7.16, 1%, 0.79%

LAB 74.91, 34.26, 21.88

 

CMYK 0 / 31 / 35 / 0

HEX #FFB1A5

RGB 255 177 165

HSL 8, 1%, 0.82%

LAB 79.28, 26.98, 17.62

 

CMYK 0 / 24 / 28 / 0

HEX #FFC3B8

RGB 255 195 184

HSL 9.3, 1%, 0.86%

LAB 83.84, 19.93, 13.83

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 0 / 51 / 56 / 16

HEX #D5695E

RGB 213 105 94

HSL 5.55, 0.59%, 0.6%

LAB 57.13, 41.49, 26.1

 

CMYK 0 / 56 / 62 / 23

HEX #C4574B

RGB 196 87 75

HSL 5.95, 0.51%, 0.53%

LAB 50.76, 42.72, 28.34

 

CMYK 0 / 61 / 69 / 30

HEX #B34538

RGB 179 69 56

HSL 6.34, 0.52%, 0.46%

LAB 44.41, 43.93, 30.96

 

CMYK 0 / 69 / 77 / 36

HEX #A23325

RGB 162 51 37

HSL 6.72, 0.63%, 0.39%

LAB 38.17, 44.98, 34.01

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 0 / 38 / 52 / 10

HEX #E58D6F

RGB 229 141 111

HSL 15.25, 0.69%, 0.67%

LAB 67.17, 30.37, 30.09

 

CMYK 0 / 30 / 52 / 10

HEX #E5A16F

RGB 229 161 111

HSL 25.42, 0.69%, 0.67%

LAB 71.76, 19.72, 35.99

 

CMYK 0 / 21 / 52 / 10

HEX #E5B46F

RGB 229 180 111

HSL 35.08, 0.69%, 0.67%

LAB 76.34, 9.6, 41.74

 

CMYK 0 / 13 / 52 / 10

HEX #E5C86F

RGB 229 200 111

HSL 45.25, 0.69%, 0.67%

LAB 81.35, -0.87, 47.87

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 0 / 46 / 50 / 90

HEX #1A0E0D

RGB 26 14 13

HSL 4.62, 0.33%, 0.08%

LAB 5.08, 4.95, 2.26

 

CMYK 0 / 47 / 51 / 70

HEX #4D2926

RGB 77 41 38

HSL 4.62, 0.34%, 0.23%

LAB 21.22, 16.38, 9.29

 

CMYK 0 / 47 / 51 / 50

HEX #80443F

RGB 128 68 63

HSL 4.62, 0.34%, 0.37%

LAB 36.14, 25.15, 14.52

 

CMYK 0 / 46 / 51 / 30

HEX #B36058

RGB 179 96 88

HSL 5.27, 0.37%, 0.52%

LAB 50.28, 32.67, 19.63

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 14 / 0 / 52 / 10

HEX #C4E56F

RGB 196 229 111

HSL 76.78, 0.69%, 0.67%

LAB 86.47, -28.43, 53.36

 

CMYK 52 / 35 / 0 / 10

HEX #6F95E5

RGB 111 149 229

HSL 220.68, 0.69%, 0.67%

LAB 62.11, 9.13, -44.56

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 52 / 0 / 47 / 10

HEX #6FE579

RGB 111 229 121

HSL 125.08, 0.69%, 0.67%

LAB 82.27, -55.15, 42.52

 

CMYK 47 / 52 / 0 / 10

HEX #796FE5

RGB 121 111 229

HSL 245.08, 0.69%, 0.67%

LAB 53.05, 33.93, -58.93

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 14 / 0 / 52 / 10

HEX #C4E56F

RGB 196 229 111

HSL 76.78, 0.69%, 0.67%

LAB 86.47, -28.43, 53.36

 

CMYK 52 / 4 / 0 / 10

HEX #6FDBE5

RGB 111 219 229

HSL 185.08, 0.69%, 0.67%

LAB 81.67, -28.36, -14.46

 

CMYK 37 / 52 / 0 / 10

HEX #916FE5

RGB 145 111 229

HSL 257.29, 0.69%, 0.67%

LAB 55.12, 39.48, -55.5

 

CMYK 0 / 47 / 51 / 10

HEX #E67B71

RGB 230 123 113

HSL 5.13, 0.7%, 0.67%

LAB 63.49, 40.29, 24.16

 

CMYK 30 / 0 / 52 / 10

HEX #A1E56F

RGB 161 229 111

HSL 94.58, 0.69%, 0.67%

LAB 84.36, -41.21, 50.35

 

CMYK 52 / 4 / 0 / 10

HEX #6FDBE5

RGB 111 219 229

HSL 185.08, 0.69%, 0.67%

LAB 81.67, -28.36, -14.46

 

CMYK 21 / 52 / 0 / 10

HEX #B46FE5

RGB 180 111 229

HSL 275.08, 0.69%, 0.67%

LAB 58.72, 48.35, -49.55

 

Description

Color code: HEX #E67B71 | qconv.com Color code: HEX #E67B71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 123 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 123 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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