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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63DD4 it is the complementary color #19C22B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63DD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63DD4 shade: #EB3DCF, #FC4FE2, #FF61F5, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63DD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63DD4 shade: #E63DD4, #D52BC1, #C419AE, #B3079B and #A20088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63DD4 shade: #E63DD4, #E63DA6, #E63D79, #E63D4B and #E63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63DD4 shade: #E63DD4, #CA3DE6, #9D3DE6, #6F3DE6 and #423DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63DD4 shade matches the following richer shades: #E63DD4 and #F82BE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63DD4 shade: #E63DD4, #D44FC6, #C260B8, #B172AA and #9F849C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63DD4 shade: #9D3DE6, #CA3DE6, #E63DD5, #E63DA8 and #E63D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63DD4 shade: #B818A7, #DD1DC8, #E63DD4, #EB61DC and #EF86E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63DD4 shade: #E63DD4, #E6703D and #3DE6B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63DD4 shade: #E63DD4, #D5E63D and #3DD5E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63DD4 shade: #E63DD4, #E6703D, #3DE64E and #3DB3E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63DD4 shade: #E63DD4, #E6A23D, #3DE64E and #3D80E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

Complementary color

CMYK 87 / 0 / 78 / 24

HEX #19C22B

RGB 25 194 43

HSL 126.39, 0.77%, 0.43%

LAB 68.73, -67.16, 59.79

 

CMYK 0 / 74 / 12 / 8

HEX #EB3DCF

RGB 235 61 207

HSL 309.66, 0.81%, 0.58%

LAB 57.56, 78.84, -38.46

 

CMYK 0 / 69 / 10 / 1

HEX #FC4FE2

RGB 252 79 226

HSL 309.02, 0.97%, 0.65%

LAB 63.16, 79.62, -40.23

 

CMYK 0 / 62 / 4 / 0

HEX #FF61F5

RGB 255 97 245

HSL 303.8, 1%, 0.69%

LAB 66.83, 76.61, -44.99

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 80 / 9 / 16

HEX #D52BC1

RGB 213 43 193

HSL 307.06, 0.67%, 0.5%

LAB 51.52, 77.07, -40.17

 

CMYK 0 / 87 / 11 / 23

HEX #C419AE

RGB 196 25 174

HSL 307.72, 0.77%, 0.43%

LAB 46.29, 74.75, -37.5

 

CMYK 0 / 96 / 13 / 30

HEX #B3079B

RGB 179 7 155

HSL 308.37, 0.92%, 0.36%

LAB 41.38, 71.25, -34.11

 

CMYK 0 / 100 / 16 / 36

HEX #A20088

RGB 162 0 136

HSL 309.63, 1%, 0.32%

LAB 36.85, 66.29, -29.85

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 73 / 28 / 10

HEX #E63DA6

RGB 230 61 166

HSL 322.72, 0.77%, 0.57%

LAB 54.98, 72.4, -18.83

 

CMYK 0 / 73 / 47 / 10

HEX #E63D79

RGB 230 61 121

HSL 338.7, 0.77%, 0.57%

LAB 53.54, 67.82, 5.72

 

CMYK 0 / 73 / 67 / 10

HEX #E63D4B

RGB 230 61 75

HSL 355.03, 0.77%, 0.57%

LAB 52.58, 64.7, 31.87

 

CMYK 0 / 73 / 73 / 10

HEX #E63D3D

RGB 230 61 61

HSL 0, 0.77%, 0.57%

LAB 52.39, 64.07, 39.68

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 12 / 73 / 0 / 10

HEX #CA3DE6

RGB 202 61 230

HSL 290.06, 0.77%, 0.57%

LAB 53.61, 75.62, -58.1

 

CMYK 32 / 73 / 0 / 10

HEX #9D3DE6

RGB 157 61 230

HSL 274.08, 0.77%, 0.57%

LAB 47.26, 67.21, -68.67

 

CMYK 52 / 73 / 0 / 10

HEX #6F3DE6

RGB 111 61 230

HSL 257.75, 0.77%, 0.57%

LAB 41.89, 59.8, -77.66

 

CMYK 71 / 73 / 0 / 10

HEX #423DE6

RGB 66 61 230

HSL 241.78, 0.77%, 0.57%

LAB 38.21, 54.5, -83.84

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 83 / 9 / 3

HEX #F82BE2

RGB 248 43 226

HSL 306.44, 0.94%, 0.57%

LAB 59.14, 88.46, -46.6

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 63 / 7 / 17

HEX #D44FC6

RGB 212 79 198

HSL 306.32, 0.61%, 0.57%

LAB 55.75, 65.86, -36.41

 

CMYK 0 / 51 / 5 / 24

HEX #C260B8

RGB 194 96 184

HSL 306.12, 0.45%, 0.57%

LAB 55.38, 51.01, -29.15

 

CMYK 0 / 36 / 4 / 31

HEX #B172AA

RGB 177 114 170

HSL 306.67, 0.29%, 0.57%

LAB 56.37, 33.72, -19.72

 

CMYK 0 / 17 / 2 / 38

HEX #9F849C

RGB 159 132 156

HSL 306.67, 0.12%, 0.57%

LAB 58.3, 14.62, -8.93

 

CMYK 32 / 73 / 0 / 10

HEX #9D3DE6

RGB 157 61 230

HSL 274.08, 0.77%, 0.57%

LAB 47.26, 67.21, -68.67

 

CMYK 12 / 73 / 0 / 10

HEX #CA3DE6

RGB 202 61 230

HSL 290.06, 0.77%, 0.57%

LAB 53.61, 75.62, -58.1

 

CMYK 0 / 73 / 7 / 10

HEX #E63DD5

RGB 230 61 213

HSL 306.04, 0.77%, 0.57%

LAB 57.04, 78.62, -42.75

 

CMYK 0 / 73 / 27 / 10

HEX #E63DA8

RGB 230 61 168

HSL 322.01, 0.77%, 0.57%

LAB 55.06, 72.63, -19.89

 

CMYK 0 / 73 / 47 / 10

HEX #E63D7B

RGB 230 61 123

HSL 337.99, 0.77%, 0.57%

LAB 53.59, 67.99, 4.59

 

CMYK 0 / 87 / 9 / 28

HEX #B818A7

RGB 184 24 167

HSL 306.38, 0.77%, 0.41%

LAB 43.7, 71.62, -37.58

 

CMYK 0 / 87 / 10 / 13

HEX #DD1DC8

RGB 221 29 200

HSL 306.56, 0.77%, 0.49%

LAB 52.31, 82.38, -42.88

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 59 / 6 / 8

HEX #EB61DC

RGB 235 97 220

HSL 306.52, 0.78%, 0.65%

LAB 62.83, 67.73, -37.57

 

CMYK 0 / 44 / 5 / 6

HEX #EF86E4

RGB 239 134 228

HSL 306.29, 0.77%, 0.73%

LAB 70.18, 52.95, -30.56

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 51 / 73 / 10

HEX #E6703D

RGB 230 112 61

HSL 18.11, 0.77%, 0.57%

LAB 60.56, 42.4, 48.6

 

CMYK 73 / 0 / 22 / 10

HEX #3DE6B3

RGB 61 230 179

HSL 161.89, 0.77%, 0.57%

LAB 82.29, -54.18, 12.77

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 73 / 7 / 0 / 10

HEX #3DD5E6

RGB 61 213 230

HSL 186.04, 0.77%, 0.57%

LAB 78.63, -33.2, -19.71

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 51 / 73 / 10

HEX #E6703D

RGB 230 112 61

HSL 18.11, 0.77%, 0.57%

LAB 60.56, 42.4, 48.6

 

CMYK 73 / 0 / 66 / 10

HEX #3DE64E

RGB 61 230 78

HSL 126.04, 0.77%, 0.57%

LAB 80.81, -70.94, 59.73

 

CMYK 73 / 22 / 0 / 10

HEX #3DB3E6

RGB 61 179 230

HSL 198.11, 0.77%, 0.57%

LAB 68.71, -16.12, -34.92

 

CMYK 0 / 73 / 8 / 10

HEX #E63DD4

RGB 230 61 212

HSL 306.39, 0.77%, 0.57%

LAB 56.99, 78.47, -42.26

 

CMYK 0 / 30 / 73 / 10

HEX #E6A23D

RGB 230 162 61

HSL 35.86, 0.77%, 0.57%

LAB 71.56, 16.29, 59.92

 

CMYK 73 / 0 / 66 / 10

HEX #3DE64E

RGB 61 230 78

HSL 126.04, 0.77%, 0.57%

LAB 80.81, -70.94, 59.73

 

CMYK 73 / 44 / 0 / 10

HEX #3D80E6

RGB 61 128 230

HSL 216.21, 0.77%, 0.57%

LAB 54.18, 13.21, -57.86

 

Description

Color code: HEX #E63DD4 | qconv.com Color code: HEX #E63DD4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 61 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 61 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 8 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 8% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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