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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D5E63D it is the complementary color #2A19C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D5E63D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D5E63D shade: #DAE638, #EBF84B, #FCFF5E, #FFFF71 and #FFFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D5E63D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D5E63D shade: #D5E63D, #C4D42A, #B3C217, #A2B004 and #919E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D5E63D shade: #D5E63D, #E6C93D, #E69C3D, #E66E3D and #E6413D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D5E63D shade: #D5E63D, #A7E63D, #7AE63D, #4CE63D and #3DE65B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D5E63D shade matches the following richer shades: #D5E63D and #E3F82B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D5E63D shade: #D5E63D, #C7D44F, #B8C260, #AAB172 and #9C9F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D5E63D shade: #E69D3D, #E6CA3D, #D5E63D, #A8E63D and #7BE63D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D5E63D shade: #A8B818, #C9DD1D, #D5E63D, #DDEB61 and #E5EF86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D5E63D shade: #D5E63D, #3DE670 and #B33DE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D5E63D shade: #D5E63D, #3DD5E6 and #E63DD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D5E63D shade: #D5E63D, #3DE670, #4E3DE6 and #E63DB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D5E63D shade: #D5E63D, #3DE6A2, #4E3DE6 and #E63D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

Complementary color

CMYK 78 / 87 / 0 / 24

HEX #2A19C2

RGB 42 25 194

HSL 246.04, 0.77%, 0.43%

LAB 26.97, 58.75, -81.68

 

CMYK 5 / 0 / 76 / 10

HEX #DAE638

RGB 218 230 56

HSL 64.14, 0.78%, 0.56%

LAB 87.86, -23.78, 76.84

 

CMYK 5 / 0 / 70 / 3

HEX #EBF84B

RGB 235 248 75

HSL 64.51, 0.93%, 0.63%

LAB 94.01, -24.61, 76.98

 

CMYK 1 / 0 / 63 / 0

HEX #FCFF5E

RGB 252 255 94

HSL 61.12, 1%, 0.68%

LAB 97.24, -20.12, 73.69

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 8 / 0 / 80 / 17

HEX #C4D42A

RGB 196 212 42

HSL 65.65, 0.67%, 0.5%

LAB 81.29, -24.72, 74.27

 

CMYK 8 / 0 / 88 / 24

HEX #B3C217

RGB 179 194 23

HSL 65.26, 0.79%, 0.43%

LAB 74.97, -23.65, 72.68

 

CMYK 8 / 0 / 98 / 31

HEX #A2B004

RGB 162 176 4

HSL 64.88, 0.96%, 0.35%

LAB 68.56, -22.38, 69.74

 

CMYK 8 / 0 / 100 / 38

HEX #919E00

RGB 145 158 0

HSL 64.94, 1%, 0.31%

LAB 62.06, -20.86, 64.82

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 0 / 13 / 73 / 10

HEX #E6C93D

RGB 230 201 61

HSL 49.7, 0.77%, 0.57%

LAB 81.25, -4.16, 69.39

 

CMYK 0 / 32 / 73 / 10

HEX #E69C3D

RGB 230 156 61

HSL 33.73, 0.77%, 0.57%

LAB 70.13, 19.49, 58.49

 

CMYK 0 / 52 / 73 / 10

HEX #E66E3D

RGB 230 110 61

HSL 17.4, 0.77%, 0.57%

LAB 60.17, 43.39, 48.19

 

CMYK 0 / 72 / 73 / 10

HEX #E6413D

RGB 230 65 61

HSL 1.42, 0.77%, 0.57%

LAB 52.88, 62.71, 40.23

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 27 / 0 / 73 / 10

HEX #A7E63D

RGB 167 230 61

HSL 82.37, 0.77%, 0.57%

LAB 84.56, -43.53, 70.98

 

CMYK 47 / 0 / 73 / 10

HEX #7AE63D

RGB 122 230 61

HSL 98.34, 0.77%, 0.57%

LAB 82.42, -58.58, 68.15

 

CMYK 67 / 0 / 73 / 10

HEX #4CE63D

RGB 76 230 61

HSL 114.67, 0.77%, 0.57%

LAB 81, -69.83, 66.27

 

CMYK 73 / 0 / 60 / 10

HEX #3DE65B

RGB 61 230 91

HSL 130.65, 0.77%, 0.57%

LAB 80.93, -69.56, 54.45

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 8 / 0 / 83 / 3

HEX #E3F82B

RGB 227 248 43

HSL 66.15, 0.94%, 0.57%

LAB 93.29, -29.04, 85.22

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 6 / 0 / 63 / 17

HEX #C7D44F

RGB 199 212 79

HSL 65.86, 0.61%, 0.57%

LAB 81.73, -21.66, 62.12

 

CMYK 5 / 0 / 51 / 24

HEX #B8C260

RGB 184 194 96

HSL 66.12, 0.45%, 0.57%

LAB 75.83, -17.52, 47.61

 

CMYK 4 / 0 / 36 / 31

HEX #AAB172

RGB 170 177 114

HSL 66.67, 0.29%, 0.57%

LAB 70.32, -12.54, 31.45

 

CMYK 2 / 0 / 17 / 38

HEX #9C9F84

RGB 156 159 132

HSL 66.67, 0.12%, 0.57%

LAB 64.59, -5.9, 13.75

 

CMYK 0 / 32 / 73 / 10

HEX #E69D3D

RGB 230 157 61

HSL 34.08, 0.77%, 0.57%

LAB 70.37, 18.96, 58.73

 

CMYK 0 / 12 / 73 / 10

HEX #E6CA3D

RGB 230 202 61

HSL 50.06, 0.77%, 0.57%

LAB 81.51, -4.67, 69.63

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 27 / 0 / 73 / 10

HEX #A8E63D

RGB 168 230 61

HSL 82.01, 0.77%, 0.57%

LAB 84.62, -43.16, 71.05

 

CMYK 47 / 0 / 73 / 10

HEX #7BE63D

RGB 123 230 61

HSL 97.99, 0.77%, 0.57%

LAB 82.45, -58.28, 68.21

 

CMYK 9 / 0 / 87 / 28

HEX #A8B818

RGB 168 184 24

HSL 66, 0.77%, 0.41%

LAB 71.33, -23.4, 69.18

 

CMYK 9 / 0 / 87 / 13

HEX #C9DD1D

RGB 201 221 29

HSL 66.25, 0.77%, 0.49%

LAB 84.08, -27.31, 79.65

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 6 / 0 / 59 / 8

HEX #DDEB61

RGB 221 235 97

HSL 66.09, 0.78%, 0.65%

LAB 89.7, -22.7, 63.71

 

CMYK 4 / 0 / 44 / 6

HEX #E5EF86

RGB 229 239 134

HSL 65.71, 0.77%, 0.73%

LAB 91.74, -18.32, 49.45

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 73 / 0 / 51 / 10

HEX #3DE670

RGB 61 230 112

HSL 138.11, 0.77%, 0.57%

LAB 81.16, -66.84, 45.17

 

CMYK 22 / 73 / 0 / 10

HEX #B33DE6

RGB 179 61 230

HSL 281.89, 0.77%, 0.57%

LAB 50.26, 71.22, -63.67

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 73 / 7 / 0 / 10

HEX #3DD5E6

RGB 61 213 230

HSL 186.04, 0.77%, 0.57%

LAB 78.63, -33.2, -19.71

 

CMYK 0 / 73 / 7 / 10

HEX #E63DD5

RGB 230 61 213

HSL 306.04, 0.77%, 0.57%

LAB 57.04, 78.62, -42.75

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 73 / 0 / 51 / 10

HEX #3DE670

RGB 61 230 112

HSL 138.11, 0.77%, 0.57%

LAB 81.16, -66.84, 45.17

 

CMYK 66 / 73 / 0 / 10

HEX #4E3DE6

RGB 78 61 230

HSL 246.04, 0.77%, 0.57%

LAB 39.02, 55.68, -82.48

 

CMYK 0 / 73 / 22 / 10

HEX #E63DB3

RGB 230 61 179

HSL 318.11, 0.77%, 0.57%

LAB 55.5, 73.98, -25.63

 

CMYK 7 / 0 / 73 / 10

HEX #D5E63D

RGB 213 230 61

HSL 66.04, 0.77%, 0.57%

LAB 87.52, -25.61, 74.85

 

CMYK 73 / 0 / 30 / 10

HEX #3DE6A2

RGB 61 230 162

HSL 155.86, 0.77%, 0.57%

LAB 81.94, -57.94, 21.16

 

CMYK 66 / 73 / 0 / 10

HEX #4E3DE6

RGB 78 61 230

HSL 246.04, 0.77%, 0.57%

LAB 39.02, 55.68, -82.48

 

CMYK 0 / 73 / 44 / 10

HEX #E63D80

RGB 230 61 128

HSL 336.21, 0.77%, 0.57%

LAB 53.73, 68.43, 1.8

 

Description

Color code: HEX #D5E63D | qconv.com Color code: HEX #D5E63D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 230 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 230 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 73 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 73% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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