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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E77B it is the complementary color #1A1884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E77B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E77B shade: #EAE776, #FBF989, #FFFF9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E77B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E77B shade: #E5E77B, #D4D568, #C3C355, #B2B142 and #A19F2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E77B shade: #E4E679, #E6CB79, #E6AE79, #E69079 and #E67979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E77B shade: #E4E679, #C7E679, #AAE679, #8CE679 and #79E684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E77B shade matches the following richer shades: #E4E679 and #F1F36D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E77B shade: #E4E679, #D8DA86, #CCCD93, #C0C0A0 and #B3B3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E77B shade: #E6AE79, #E6CB79, #E5E679, #C8E679 and #AAE679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E77B shade: #D7DA34, #DEE057, #E4E679, #EBED9C and #F2F3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E77B shade: #E5E77B, #79E691 and #BD79E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E77B shade: #E5E77B, #79E5E6 and #E679E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E77B shade: #E5E77B, #79E691, #7B79E6 and #E679CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E77B shade: #E5E77B, #79E6B2, #7B79E6 and #E679AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

Complementary color

CMYK 80 / 82 / 0 / 48

HEX #1A1884

RGB 26 24 132

HSL 241.11, 0.69%, 0.31%

LAB 18.09, 39.36, -58.69

 

CMYK 0 / 1 / 50 / 8

HEX #EAE776

RGB 234 231 118

HSL 58.45, 0.73%, 0.69%

LAB 89.84, -13.93, 54.79

 

CMYK 0 / 1 / 45 / 2

HEX #FBF989

RGB 251 249 137

HSL 58.95, 0.93%, 0.76%

LAB 96.02, -14.4, 53.67

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

CMYK 0 / 0 / 51 / 16

HEX #D4D568

RGB 212 213 104

HSL 60.55, 0.56%, 0.62%

LAB 83.22, -15, 53.08

 

CMYK 0 / 0 / 56 / 24

HEX #C3C355

RGB 195 195 85

HSL 60, 0.48%, 0.55%

LAB 76.85, -14.44, 54.13

 

CMYK 0 / 1 / 63 / 30

HEX #B2B142

RGB 178 177 66

HSL 59.46, 0.46%, 0.48%

LAB 70.39, -13.75, 55.02

 

CMYK 0 / 1 / 71 / 37

HEX #A19F2F

RGB 161 159 47

HSL 58.95, 0.55%, 0.41%

LAB 63.82, -12.91, 55.55

 

CMYK 1 / 0 / 47 / 10

HEX #E4E679

RGB 228 230 121

HSL 61.1, 0.69%, 0.69%

LAB 89.14, -15.55, 52.45

 

CMYK 0 / 12 / 47 / 10

HEX #E6CB79

RGB 230 203 121

HSL 45.14, 0.69%, 0.69%

LAB 82.33, -1.12, 44.17

 

CMYK 0 / 24 / 47 / 10

HEX #E6AE79

RGB 230 174 121

HSL 29.17, 0.69%, 0.69%

LAB 75.12, 14.11, 35.06

 

CMYK 0 / 37 / 47 / 10

HEX #E69079

RGB 230 144 121

HSL 12.66, 0.69%, 0.69%

LAB 68.13, 30.09, 25.9

 

CMYK 0 / 47 / 47 / 10

HEX #E67979

RGB 230 121 121

HSL 0, 0.69%, 0.69%

LAB 63.24, 42.04, 19.3

 

CMYK 1 / 0 / 47 / 10

HEX #E4E679

RGB 228 230 121

HSL 61.1, 0.69%, 0.69%

LAB 89.14, -15.55, 52.45

 

CMYK 13 / 0 / 47 / 10

HEX #C7E679

RGB 199 230 121

HSL 77.06, 0.69%, 0.69%

LAB 87.05, -26.78, 49.43

 

CMYK 26 / 0 / 47 / 10

HEX #AAE679

RGB 170 230 121

HSL 93.03, 0.69%, 0.69%

LAB 85.26, -37.4, 46.83

 

CMYK 39 / 0 / 47 / 10

HEX #8CE679

RGB 140 230 121

HSL 109.54, 0.69%, 0.69%

LAB 83.73, -47.34, 44.6

 

CMYK 47 / 0 / 43 / 10

HEX #79E684

RGB 121 230 132

HSL 126.06, 0.69%, 0.69%

LAB 83.09, -51.32, 38.24

 

CMYK 1 / 0 / 47 / 10

HEX #E4E679

RGB 228 230 121

HSL 61.1, 0.69%, 0.69%

LAB 89.14, -15.55, 52.45

 

CMYK 1 / 0 / 55 / 5

HEX #F1F36D

RGB 241 243 109

HSL 60.9, 0.85%, 0.69%

LAB 93.41, -17.74, 63.12

 

CMYK 1 / 0 / 47 / 10

HEX #E4E679

RGB 228 230 121

HSL 61.1, 0.69%, 0.69%

LAB 89.14, -15.55, 52.45

 

CMYK 1 / 0 / 39 / 15

HEX #D8DA86

RGB 216 218 134

HSL 61.43, 0.53%, 0.69%

LAB 85.23, -13, 41.09

 

CMYK 0 / 0 / 28 / 20

HEX #CCCD93

RGB 204 205 147

HSL 61.03, 0.37%, 0.69%

LAB 81.07, -9.49, 28.85

 

CMYK 0 / 0 / 17 / 25

HEX #C0C0A0

RGB 192 192 160

HSL 60, 0.2%, 0.69%

LAB 76.95, -5.43, 16.17

 

CMYK 0 / 0 / 3 / 30

HEX #B3B3AD

RGB 179 179 173

HSL 60, 0.04%, 0.69%

LAB 72.79, -1.1, 3.05

 

CMYK 0 / 24 / 47 / 10

HEX #E6AE79

RGB 230 174 121

HSL 29.17, 0.69%, 0.69%

LAB 75.12, 14.11, 35.06

 

CMYK 0 / 12 / 47 / 10

HEX #E6CB79

RGB 230 203 121

HSL 45.14, 0.69%, 0.69%

LAB 82.33, -1.12, 44.17

 

CMYK 0 / 0 / 47 / 10

HEX #E5E679

RGB 229 230 121

HSL 60.55, 0.69%, 0.69%

LAB 89.22, -15.15, 52.56

 

CMYK 13 / 0 / 47 / 10

HEX #C8E679

RGB 200 230 121

HSL 76.51, 0.69%, 0.69%

LAB 87.12, -26.4, 49.53

 

CMYK 26 / 0 / 47 / 10

HEX #AAE679

RGB 170 230 121

HSL 93.03, 0.69%, 0.69%

LAB 85.26, -37.4, 46.83

 

CMYK 1 / 0 / 76 / 15

HEX #D7DA34

RGB 215 218 52

HSL 61.08, 0.69%, 0.53%

LAB 84.4, -19.37, 74.79

 

CMYK 1 / 0 / 61 / 12

HEX #DEE057

RGB 222 224 87

HSL 60.88, 0.69%, 0.61%

LAB 86.77, -17.64, 64.73

 

CMYK 1 / 0 / 47 / 10

HEX #E4E679

RGB 228 230 121

HSL 61.1, 0.69%, 0.69%

LAB 89.14, -15.55, 52.45

 

CMYK 1 / 0 / 34 / 7

HEX #EBED9C

RGB 235 237 156

HSL 61.48, 0.69%, 0.77%

LAB 91.97, -12.67, 39.08

 

CMYK 0 / 0 / 21 / 5

HEX #F2F3BF

RGB 242 243 191

HSL 61.15, 0.68%, 0.85%

LAB 94.63, -8.58, 25.04

 

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

CMYK 47 / 0 / 37 / 10

HEX #79E691

RGB 121 230 145

HSL 133.21, 0.69%, 0.69%

LAB 83.29, -49.27, 31.98

 

CMYK 18 / 47 / 0 / 10

HEX #BD79E6

RGB 189 121 230

HSL 277.43, 0.69%, 0.69%

LAB 61.83, 45.68, -45.12

 

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

CMYK 47 / 0 / 0 / 10

HEX #79E5E6

RGB 121 229 230

HSL 180.55, 0.69%, 0.69%

LAB 84.9, -30.8, -10.13

 

CMYK 0 / 47 / 0 / 10

HEX #E679E5

RGB 230 121 229

HSL 300.55, 0.69%, 0.69%

LAB 66.64, 56.93, -36.69

 

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

CMYK 47 / 0 / 37 / 10

HEX #79E691

RGB 121 230 145

HSL 133.21, 0.69%, 0.69%

LAB 83.29, -49.27, 31.98

 

CMYK 47 / 47 / 0 / 10

HEX #7B79E6

RGB 123 121 230

HSL 241.1, 0.69%, 0.69%

LAB 55.68, 28.74, -55.26

 

CMYK 0 / 47 / 10 / 10

HEX #E679CF

RGB 230 121 207

HSL 312.66, 0.69%, 0.69%

LAB 65.75, 53.22, -25.81

 

CMYK 1 / 0 / 47 / 9

HEX #E5E77B

RGB 229 231 123

HSL 61.11, 0.69%, 0.69%

LAB 89.51, -15.46, 51.96

 

CMYK 47 / 0 / 23 / 10

HEX #79E6B2

RGB 121 230 178

HSL 151.38, 0.69%, 0.69%

LAB 83.9, -43.17, 15.79

 

CMYK 47 / 47 / 0 / 10

HEX #7B79E6

RGB 123 121 230

HSL 241.1, 0.69%, 0.69%

LAB 55.68, 28.74, -55.26

 

CMYK 0 / 47 / 24 / 10

HEX #E679AE

RGB 230 121 174

HSL 330.83, 0.69%, 0.69%

LAB 64.61, 48.25, -8.93

 

Description

Color code: HEX #E5E77B | qconv.com Color code: HEX #E5E77B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 231 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 231 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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