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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5E05C it is the complementary color #1A1FA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5E05C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5E05C shade: #EAE057, #FBF26A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5E05C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5E05C shade: #E5E05C, #D4CE49, #C3BC36, #B2AA23 and #A19810

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5E05C shade: #E4DF5C, #E4BA5C, #E4965C, #E4715C and #E45C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5E05C shade: #E4DF5C, #C4E45C, #A0E45C, #7BE45C and #5CE462

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5E05C shade matches the following richer shades: #E4DF5C and #F3ED4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5E05C shade: #E4DF5C, #D5D16B, #C6C37B, #B6B58A and #A7A799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5E05C shade: #E4955C, #E4B95C, #E4DD5C, #C7E45C and #A2E45C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5E05C shade: #CDC721, #DED839, #E4DF5C, #EAE680 and #F0EDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5E05C shade: #E5E05C, #5CE471 and #A75CE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5E05C shade: #E5E05C, #5CE4DD and #DD5CE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5E05C shade: #E5E05C, #5CE471, #5C63E4 and #E45CD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5E05C shade: #E5E05C, #5CE499, #5C63E4 and #E45CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 60 / 10

HEX #E5E05C

RGB 229 224 92

HSL 57.81, 0.72%, 0.63%

LAB 87.36, -14.46, 63.45

 

Complementary color

CMYK 84 / 81 / 0 / 36

HEX #1A1FA3

RGB 26 31 163

HSL 237.81, 0.72%, 0.37%

LAB 23.15, 45.97, -69.5

 

CMYK 0 / 4 / 63 / 8

HEX #EAE057

RGB 234 224 87

HSL 55.92, 0.78%, 0.63%

LAB 87.72, -12.74, 66.04

 

CMYK 0 / 4 / 58 / 2

HEX #FBF26A

RGB 251 242 106

HSL 56.28, 0.95%, 0.7%

LAB 93.91, -13.48, 65.18

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05C

RGB 229 224 92

HSL 57.81, 0.72%, 0.63%

LAB 87.36, -14.46, 63.45

 

CMYK 0 / 3 / 66 / 17

HEX #D4CE49

RGB 212 206 73

HSL 57.41, 0.62%, 0.56%

LAB 81.08, -13.69, 64.18

 

CMYK 0 / 4 / 72 / 24

HEX #C3BC36

RGB 195 188 54

HSL 57.02, 0.57%, 0.49%

LAB 74.72, -12.77, 64.54

 

CMYK 0 / 4 / 80 / 30

HEX #B2AA23

RGB 178 170 35

HSL 56.64, 0.67%, 0.42%

LAB 68.27, -11.66, 64.23

 

CMYK 0 / 6 / 90 / 37

HEX #A19810

RGB 161 152 16

HSL 56.28, 0.82%, 0.35%

LAB 61.72, -10.32, 62.74

 

CMYK 0 / 2 / 60 / 11

HEX #E4DF5C

RGB 228 223 92

HSL 57.79, 0.72%, 0.63%

LAB 87.02, -14.38, 63.05

 

CMYK 0 / 18 / 60 / 11

HEX #E4BA5C

RGB 228 186 92

HSL 41.47, 0.72%, 0.63%

LAB 77.51, 4.52, 52.44

 

CMYK 0 / 34 / 60 / 11

HEX #E4965C

RGB 228 150 92

HSL 25.59, 0.72%, 0.63%

LAB 68.81, 23.66, 42.23

 

CMYK 0 / 50 / 60 / 11

HEX #E4715C

RGB 228 113 92

HSL 9.26, 0.72%, 0.63%

LAB 60.85, 42.92, 32.43

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 0 / 2 / 60 / 11

HEX #E4DF5C

RGB 228 223 92

HSL 57.79, 0.72%, 0.63%

LAB 87.02, -14.38, 63.05

 

CMYK 14 / 0 / 60 / 11

HEX #C4E45C

RGB 196 228 92

HSL 74.12, 0.72%, 0.63%

LAB 86, -29.58, 61.27

 

CMYK 30 / 0 / 60 / 11

HEX #A0E45C

RGB 160 228 92

HSL 90, 0.72%, 0.63%

LAB 83.83, -42.99, 58.24

 

CMYK 46 / 0 / 60 / 11

HEX #7BE45C

RGB 123 228 92

HSL 106.32, 0.72%, 0.63%

LAB 82.09, -54.98, 55.81

 

CMYK 60 / 0 / 57 / 11

HEX #5CE462

RGB 92 228 98

HSL 122.65, 0.72%, 0.63%

LAB 81.1, -62.32, 51.74

 

CMYK 0 / 2 / 60 / 11

HEX #E4DF5C

RGB 228 223 92

HSL 57.79, 0.72%, 0.63%

LAB 87.02, -14.38, 63.05

 

CMYK 0 / 2 / 68 / 5

HEX #F3ED4D

RGB 243 237 77

HSL 57.83, 0.87%, 0.63%

LAB 91.76, -15.99, 74.26

 

CMYK 0 / 2 / 60 / 11

HEX #E4DF5C

RGB 228 223 92

HSL 57.79, 0.72%, 0.63%

LAB 87.02, -14.38, 63.05

 

CMYK 0 / 2 / 50 / 16

HEX #D5D16B

RGB 213 209 107

HSL 57.74, 0.56%, 0.63%

LAB 82.28, -12.33, 50.57

 

CMYK 0 / 2 / 38 / 22

HEX #C6C37B

RGB 198 195 123

HSL 57.6, 0.4%, 0.63%

LAB 77.56, -9.63, 36.56

 

CMYK 0 / 1 / 24 / 29

HEX #B6B58A

RGB 182 181 138

HSL 58.64, 0.23%, 0.63%

LAB 72.78, -6.72, 22.11

 

CMYK 0 / 0 / 8 / 35

HEX #A7A799

RGB 167 167 153

HSL 60, 0.07%, 0.63%

LAB 68.13, -2.55, 7.24

 

CMYK 0 / 35 / 60 / 11

HEX #E4955C

RGB 228 149 92

HSL 25.15, 0.72%, 0.63%

LAB 68.58, 24.19, 41.95

 

CMYK 0 / 19 / 60 / 11

HEX #E4B95C

RGB 228 185 92

HSL 41.03, 0.72%, 0.63%

LAB 77.26, 5.05, 52.15

 

CMYK 0 / 3 / 60 / 11

HEX #E4DD5C

RGB 228 221 92

HSL 56.91, 0.72%, 0.63%

LAB 86.49, -13.38, 62.48

 

CMYK 13 / 0 / 60 / 11

HEX #C7E45C

RGB 199 228 92

HSL 72.79, 0.72%, 0.63%

LAB 86.21, -28.41, 61.55

 

CMYK 29 / 0 / 60 / 11

HEX #A2E45C

RGB 162 228 92

HSL 89.12, 0.72%, 0.63%

LAB 83.93, -42.29, 58.39

 

CMYK 0 / 3 / 84 / 20

HEX #CDC721

RGB 205 199 33

HSL 57.91, 0.72%, 0.47%

LAB 78.42, -14.79, 74.31

 

CMYK 0 / 3 / 74 / 13

HEX #DED839

RGB 222 216 57

HSL 57.82, 0.71%, 0.55%

LAB 84.45, -15.27, 73.5

 

CMYK 0 / 2 / 60 / 11

HEX #E4DF5C

RGB 228 223 92

HSL 57.79, 0.72%, 0.63%

LAB 87.02, -14.38, 63.05

 

CMYK 0 / 2 / 45 / 8

HEX #EAE680

RGB 234 230 128

HSL 57.74, 0.72%, 0.71%

LAB 89.69, -12.54, 49.9

 

CMYK 0 / 1 / 32 / 6

HEX #F0EDA3

RGB 240 237 163

HSL 57.66, 0.72%, 0.79%

LAB 92.46, -9.96, 36.29

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05C

RGB 229 224 92

HSL 57.81, 0.72%, 0.63%

LAB 87.36, -14.46, 63.45

 

CMYK 60 / 0 / 50 / 11

HEX #5CE471

RGB 92 228 113

HSL 129.26, 0.72%, 0.63%

LAB 81.27, -60.4, 44.99

 

CMYK 27 / 60 / 0 / 11

HEX #A75CE4

RGB 167 92 228

HSL 273.09, 0.72%, 0.63%

LAB 53.46, 54.72, -57.47

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05C

RGB 229 224 92

HSL 57.81, 0.72%, 0.63%

LAB 87.36, -14.46, 63.45

 

CMYK 60 / 0 / 3 / 11

HEX #5CE4DD

RGB 92 228 221

HSL 176.91, 0.72%, 0.63%

LAB 83.43, -38.29, -7.66

 

CMYK 3 / 60 / 0 / 11

HEX #DD5CE4

RGB 221 92 228

HSL 296.91, 0.72%, 0.63%

LAB 60.45, 67.67, -45.92

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05C

RGB 229 224 92

HSL 57.81, 0.72%, 0.63%

LAB 87.36, -14.46, 63.45

 

CMYK 60 / 0 / 50 / 11

HEX #5CE471

RGB 92 228 113

HSL 129.26, 0.72%, 0.63%

LAB 81.27, -60.4, 44.99

 

CMYK 60 / 57 / 0 / 11

HEX #5C63E4

RGB 92 99 228

HSL 236.91, 0.72%, 0.63%

LAB 48.01, 35.14, -66.61

 

CMYK 0 / 60 / 9 / 11

HEX #E45CD0

RGB 228 92 208

HSL 308.82, 0.72%, 0.63%

LAB 60.52, 66.15, -34.49

 

CMYK 0 / 2 / 60 / 10

HEX #E5E05C

RGB 229 224 92

HSL 57.81, 0.72%, 0.63%

LAB 87.36, -14.46, 63.45

 

CMYK 60 / 0 / 33 / 11

HEX #5CE499

RGB 92 228 153

HSL 146.91, 0.72%, 0.63%

LAB 81.87, -53.82, 25.83

 

CMYK 60 / 57 / 0 / 11

HEX #5C63E4

RGB 92 99 228

HSL 236.91, 0.72%, 0.63%

LAB 48.01, 35.14, -66.61

 

CMYK 0 / 60 / 27 / 11

HEX #E45CA7

RGB 228 92 167

HSL 326.91, 0.72%, 0.63%

LAB 58.92, 60.31, -13.48

 

Description

Color code: HEX #E5E05C | qconv.com Color code: HEX #E5E05C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 224 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 224 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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