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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 84 / 20 it is the complementary color CMYK 77 / 74 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 84 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 84 / 20: CMYK 0 / 5 / 87 / 18, CMYK 0 / 4 / 79 / 11, CMYK 0 / 4 / 73 / 5, CMYK 0 / 1 / 67 / 0 and CMYK 0 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 84 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 84 / 20: CMYK 0 / 3 / 84 / 20, CMYK 0 / 4 / 93 / 27, CMYK 0 / 5 / 100 / 33, CMYK 0 / 6 / 100 / 40 and CMYK 0 / 7 / 100 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

Complementary color

CMYK 77 / 74 / 0 / 13

HEX #3339DE

RGB 51 57 222

HSL 237.89, 0.72%, 0.54%

LAB 35.8, 52.88, -83.29

 

CMYK 0 / 5 / 87 / 18

HEX #D1C61C

RGB 209 198 28

HSL 56.35, 0.76%, 0.46%

LAB 78.48, -12.69, 75.56

 

CMYK 0 / 4 / 79 / 11

HEX #E2D82F

RGB 226 216 47

HSL 56.65, 0.76%, 0.54%

LAB 84.73, -13.95, 76.85

 

CMYK 0 / 4 / 73 / 5

HEX #F3EA42

RGB 243 234 66

HSL 56.95, 0.88%, 0.61%

LAB 90.91, -15.03, 77.24

 

CMYK 0 / 1 / 67 / 0

HEX #FFFC55

RGB 255 252 85

HSL 58.94, 1%, 0.67%

LAB 96.63, -17.98, 76.53

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 0 / 4 / 93 / 27

HEX #BBB40E

RGB 187 180 14

HSL 57.57, 0.86%, 0.39%

LAB 71.72, -13.36, 71.82

 

CMYK 0 / 5 / 100 / 33

HEX #AAA200

RGB 170 162 0

HSL 57.18, 1%, 0.33%

LAB 65.27, -11.77, 68.11

 

CMYK 0 / 6 / 100 / 40

HEX #999000

RGB 153 144 0

HSL 56.47, 1%, 0.3%

LAB 58.71, -9.97, 62.67

 

CMYK 0 / 7 / 100 / 47

HEX #887E00

RGB 136 126 0

HSL 55.59, 1%, 0.27%

LAB 52.01, -8.09, 57.11

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 9 / 0 / 84 / 21

HEX #B6C920

RGB 182 201 32

HSL 66.75, 0.73%, 0.46%

LAB 77.17, -25.56, 72.76

 

CMYK 24 / 0 / 84 / 21

HEX #99C920

RGB 153 201 32

HSL 77.04, 0.73%, 0.46%

LAB 75.23, -37.32, 70.34

 

CMYK 38 / 0 / 84 / 21

HEX #7DC920

RGB 125 201 32

HSL 86.98, 0.73%, 0.46%

LAB 73.7, -47.7, 68.41

 

CMYK 52 / 0 / 84 / 21

HEX #61C920

RGB 97 201 32

HSL 96.92, 0.73%, 0.46%

LAB 72.51, -56.6, 66.9

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 2 / 84 / 80

HEX #333208

RGB 51 50 8

HSL 58.6, 0.73%, 0.12%

LAB 20.05, -5.73, 24.92

 

CMYK 0 / 3 / 83 / 60

HEX #666311

RGB 102 99 17

HSL 57.88, 0.71%, 0.23%

LAB 40.88, -8.79, 42.97

 

CMYK 0 / 3 / 84 / 40

HEX #999519

RGB 153 149 25

HSL 58.13, 0.72%, 0.35%

LAB 60.19, -12.12, 59.17

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 84 / 0 / 71 / 21

HEX #20C93A

RGB 32 201 58

HSL 129.23, 0.73%, 0.46%

LAB 71.14, -67.45, 57.05

 

CMYK 38 / 84 / 0 / 21

HEX #7D20C9

RGB 125 32 201

HSL 273.02, 0.73%, 0.46%

LAB 37.13, 65.96, -68.71

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 84 / 0 / 4 / 21

HEX #20C9C1

RGB 32 201 193

HSL 177.16, 0.73%, 0.46%

LAB 73.5, -41.21, -7.51

 

CMYK 4 / 84 / 0 / 21

HEX #C120C9

RGB 193 32 201

HSL 297.16, 0.73%, 0.46%

LAB 47.74, 76.88, -51.03

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 84 / 0 / 71 / 21

HEX #20C93A

RGB 32 201 58

HSL 129.23, 0.73%, 0.46%

LAB 71.14, -67.45, 57.05

 

CMYK 84 / 80 / 0 / 21

HEX #2029C9

RGB 32 41 201

HSL 236.8, 0.73%, 0.46%

LAB 29.69, 53.42, -81.29

 

CMYK 0 / 84 / 12 / 21

HEX #C920B0

RGB 201 32 176

HSL 308.88, 0.73%, 0.46%

LAB 47.73, 74.71, -36.35

 

CMYK 0 / 3 / 84 / 20

HEX #CCC621

RGB 204 198 33

HSL 57.89, 0.72%, 0.46%

LAB 78.07, -14.72, 73.98

 

CMYK 84 / 0 / 46 / 21

HEX #20C96C

RGB 32 201 108

HSL 146.98, 0.73%, 0.46%

LAB 71.67, -61.01, 35.15

 

CMYK 84 / 80 / 0 / 21

HEX #2029C9

RGB 32 41 201

HSL 236.8, 0.73%, 0.46%

LAB 29.69, 53.42, -81.29

 

CMYK 0 / 84 / 38 / 21

HEX #C9207D

RGB 201 32 125

HSL 326.98, 0.73%, 0.46%

LAB 45.54, 68.64, -9.07

 

Description

Color code: CMYK 0 / 3 / 84 / 20 | qconv.com Color code: CMYK 0 / 3 / 84 / 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 198 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 198 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 84 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 84% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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