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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5A432 it is the complementary color #1A5BCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5A432. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E5A432: #EAA42D, #FBB640, #FFC853, #FFDA66 and #FFEC79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5A432. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E5A432: #E5A432, #D4921F, #C3800C, #B26E00 and #A15C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

Complementary color

CMYK 87 / 56 / 0 / 20

HEX #1A5BCD

RGB 26 91 205

HSL 218.21, 0.77%, 0.45%

LAB 41.39, 23.95, -64.38

 

CMYK 0 / 30 / 81 / 8

HEX #EAA42D

RGB 234 164 45

HSL 37.78, 0.82%, 0.55%

LAB 72.38, 16.32, 66.88

 

CMYK 0 / 27 / 75 / 2

HEX #FBB640

RGB 251 182 64

HSL 37.86, 0.96%, 0.62%

LAB 78.66, 14.72, 66.49

 

CMYK 0 / 22 / 67 / 0

HEX #FFC853

RGB 255 200 83

HSL 40.81, 1%, 0.66%

LAB 83.54, 7.93, 63.86

 

CMYK 0 / 15 / 60 / 0

HEX #FFDA66

RGB 255 218 102

HSL 45.49, 1%, 0.7%

LAB 88.14, -0.15, 60.59

 

CMYK 0 / 7 / 53 / 0

HEX #FFEC79

RGB 255 236 121

HSL 51.49, 1%, 0.74%

LAB 92.85, -7.8, 57.39

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 0 / 31 / 85 / 17

HEX #D4921F

RGB 212 146 31

HSL 38.12, 0.74%, 0.48%

LAB 65.48, 16.1, 64.37

 

CMYK 0 / 34 / 94 / 24

HEX #C3800C

RGB 195 128 12

HSL 38.03, 0.88%, 0.41%

LAB 59.04, 18.1, 63.02

 

CMYK 0 / 38 / 100 / 30

HEX #B26E00

RGB 178 110 0

HSL 37.08, 1%, 0.35%

LAB 52.53, 20.37, 59.7

 

CMYK 0 / 43 / 100 / 37

HEX #A15C00

RGB 161 92 0

HSL 34.29, 1%, 0.32%

LAB 45.95, 22.87, 54.36

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 0 / 15 / 78 / 11

HEX #E4C133

RGB 228 193 51

HSL 48.14, 0.77%, 0.55%

LAB 78.97, -1.29, 70.59

 

CMYK 0 / 3 / 78 / 11

HEX #E4DE33

RGB 228 222 51

HSL 57.97, 0.77%, 0.55%

LAB 86.49, -15.94, 77.35

 

CMYK 10 / 0 / 78 / 11

HEX #CDE433

RGB 205 228 51

HSL 67.8, 0.77%, 0.55%

LAB 86.36, -28.32, 76.57

 

CMYK 23 / 0 / 78 / 11

HEX #AFE433

RGB 175 228 51

HSL 77.97, 0.77%, 0.55%

LAB 84.4, -40.14, 74.07

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 0 / 28 / 80 / 90

HEX #191205

RGB 25 18 5

HSL 39, 0.67%, 0.06%

LAB 5.87, 1.09, 6.76

 

CMYK 0 / 29 / 78 / 70

HEX #4C3611

RGB 76 54 17

HSL 37.63, 0.63%, 0.18%

LAB 24.37, 5.53, 26.21

 

CMYK 0 / 28 / 78 / 50

HEX #7F5B1C

RGB 127 91 28

HSL 38.18, 0.64%, 0.3%

LAB 41.34, 8.48, 40.11

 

CMYK 0 / 29 / 78 / 30

HEX #B27F27

RGB 178 127 39

HSL 37.99, 0.64%, 0.43%

LAB 56.87, 11.79, 52.53

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 64 / 0 / 78 / 11

HEX #51E433

RGB 81 228 51

HSL 109.83, 0.77%, 0.55%

LAB 80.45, -68.85, 68.95

 

CMYK 59 / 78 / 0 / 11

HEX #5D33E4

RGB 93 51 228

HSL 254.24, 0.77%, 0.55%

LAB 38.37, 61.56, -82.38

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 78 / 0 / 29 / 11

HEX #33E4A3

RGB 51 228 163

HSL 157.97, 0.77%, 0.55%

LAB 81.2, -58.15, 19.59

 

CMYK 29 / 78 / 0 / 11

HEX #A333E4

RGB 163 51 228

HSL 277.97, 0.77%, 0.55%

LAB 46.65, 71.48, -68.49

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 64 / 0 / 78 / 11

HEX #51E433

RGB 81 228 51

HSL 109.83, 0.77%, 0.55%

LAB 80.45, -68.85, 68.95

 

CMYK 78 / 49 / 0 / 11

HEX #3374E4

RGB 51 116 228

HSL 217.97, 0.77%, 0.55%

LAB 50.45, 18.78, -62.76

 

CMYK 13 / 78 / 0 / 11

HEX #C733E4

RGB 199 51 228

HSL 290.17, 0.77%, 0.55%

LAB 51.96, 77.78, -59.64

 

CMYK 0 / 28 / 78 / 10

HEX #E5A432

RGB 229 164 50

HSL 38.21, 0.77%, 0.55%

LAB 71.85, 14.36, 64.45

 

CMYK 78 / 0 / 67 / 11

HEX #33E44B

RGB 51 228 75

HSL 128.14, 0.77%, 0.55%

LAB 80.01, -71.98, 60

 

CMYK 78 / 49 / 0 / 11

HEX #3374E4

RGB 51 116 228

HSL 217.97, 0.77%, 0.55%

LAB 50.45, 18.78, -62.76

 

CMYK 0 / 78 / 10 / 11

HEX #E433CD

RGB 228 51 205

HSL 307.8, 0.77%, 0.55%

LAB 55.35, 79.83, -40.88

 

Description

Color code: HEX #E5A432 | qconv.com Color code: HEX #E5A432 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 164 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 164 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 78% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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