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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58EED it is the complementary color #1A7112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58EED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58EED shade: #EA8EE8, #FBA0FB, #FFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58EED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58EED shade: #E58EED, #D47CDA, #C36AC7, #B258B4 and #A146A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58EED shade: #E58CED, #ED8CDB, #ED8CC1, #ED8CA7 and #ED8C8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58EED shade: #E58CED, #CB8CED, #B18CED, #978CED and #8C8CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58EED shade matches the following richer shades: #E58CED and #EE82F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58EED shade: #E58CED, #DC97E2, #D3A2D8, #CAACCD and #C1B7C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58EED shade: #B08CED, #CA8CED, #E38CED, #ED8CDD and #ED8CC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58EED shade: #D545E2, #DD69E8, #E58CED, #EDB0F3 and #F5D4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58EED shade: #E58EED, #ED968C and #8CEDBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58EED shade: #E58EED, #EDE38C and #8CEDE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58EED shade: #E58EED, #ED968C, #96ED8C and #8CE3ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58EED shade: #E58EED, #EDB38C, #96ED8C and #8CC6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 40 / 0 / 7

HEX #E58EED

RGB 229 142 237

HSL 294.95, 0.73%, 0.74%

LAB 70.95, 47.52, -34.4

 

Complementary color

CMYK 77 / 0 / 84 / 56

HEX #1A7112

RGB 26 113 18

HSL 114.95, 0.73%, 0.26%

LAB 41.33, -43.28, 41.53

 

CMYK 0 / 39 / 1 / 8

HEX #EA8EE8

RGB 234 142 232

HSL 301.3, 0.69%, 0.74%

LAB 71.33, 48.1, -31.04

 

CMYK 0 / 36 / 0 / 2

HEX #FBA0FB

RGB 251 160 251

HSL 300, 0.92%, 0.81%

LAB 77.65, 47.38, -31.47

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 3 / 40 / 0 / 7

HEX #E58EED

RGB 229 142 237

HSL 294.95, 0.73%, 0.74%

LAB 70.95, 47.52, -34.4

 

CMYK 3 / 43 / 0 / 15

HEX #D47CDA

RGB 212 124 218

HSL 296.17, 0.56%, 0.67%

LAB 64.54, 48.26, -34

 

CMYK 2 / 47 / 0 / 22

HEX #C36AC7

RGB 195 106 199

HSL 297.42, 0.45%, 0.6%

LAB 58.07, 48.98, -33.54

 

CMYK 1 / 51 / 0 / 29

HEX #B258B4

RGB 178 88 180

HSL 298.7, 0.38%, 0.53%

LAB 51.54, 49.64, -32.97

 

CMYK 0 / 57 / 0 / 37

HEX #A146A1

RGB 161 70 161

HSL 300, 0.39%, 0.45%

LAB 44.98, 50.16, -32.24

 

CMYK 3 / 41 / 0 / 7

HEX #E58CED

RGB 229 140 237

HSL 295.05, 0.73%, 0.74%

LAB 70.54, 48.55, -35.04

 

CMYK 0 / 41 / 8 / 7

HEX #ED8CDB

RGB 237 140 219

HSL 311.13, 0.73%, 0.74%

LAB 70.78, 47.79, -24.69

 

CMYK 0 / 41 / 19 / 7

HEX #ED8CC1

RGB 237 140 193

HSL 327.22, 0.73%, 0.74%

LAB 69.9, 43.66, -11.61

 

CMYK 0 / 41 / 30 / 7

HEX #ED8CA7

RGB 237 140 167

HSL 343.3, 0.73%, 0.74%

LAB 69.15, 40.02, 1.81

 

CMYK 0 / 41 / 41 / 7

HEX #ED8C8D

RGB 237 140 141

HSL 359.38, 0.73%, 0.74%

LAB 68.52, 36.9, 15.47

 

CMYK 3 / 41 / 0 / 7

HEX #E58CED

RGB 229 140 237

HSL 295.05, 0.73%, 0.74%

LAB 70.54, 48.55, -35.04

 

CMYK 14 / 41 / 0 / 7

HEX #CB8CED

RGB 203 140 237

HSL 278.97, 0.73%, 0.74%

LAB 67.7, 40.94, -39.68

 

CMYK 25 / 41 / 0 / 7

HEX #B18CED

RGB 177 140 237

HSL 262.89, 0.73%, 0.74%

LAB 65.14, 33.51, -43.88

 

CMYK 36 / 41 / 0 / 7

HEX #978CED

RGB 151 140 237

HSL 246.8, 0.73%, 0.74%

LAB 62.89, 26.46, -47.58

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CED

RGB 140 140 237

HSL 240, 0.73%, 0.74%

LAB 62.04, 23.64, -48.98

 

CMYK 3 / 41 / 0 / 7

HEX #E58CED

RGB 229 140 237

HSL 295.05, 0.73%, 0.74%

LAB 70.54, 48.55, -35.04

 

CMYK 4 / 48 / 0 / 3

HEX #EE82F8

RGB 238 130 248

HSL 294.92, 0.89%, 0.74%

LAB 70.12, 58.15, -41.64

 

CMYK 3 / 41 / 0 / 7

HEX #E58CED

RGB 229 140 237

HSL 295.05, 0.73%, 0.74%

LAB 70.54, 48.55, -35.04

 

CMYK 3 / 33 / 0 / 11

HEX #DC97E2

RGB 220 151 226

HSL 295.2, 0.56%, 0.74%

LAB 71.45, 37.98, -27.69

 

CMYK 2 / 25 / 0 / 15

HEX #D3A2D8

RGB 211 162 216

HSL 294.44, 0.41%, 0.74%

LAB 72.66, 27.26, -20.44

 

CMYK 1 / 16 / 0 / 20

HEX #CAACCD

RGB 202 172 205

HSL 294.55, 0.25%, 0.74%

LAB 73.85, 16.69, -12.7

 

CMYK 1 / 6 / 0 / 24

HEX #C1B7C2

RGB 193 183 194

HSL 294.55, 0.08%, 0.74%

LAB 75.51, 5.54, -4.3

 

CMYK 26 / 41 / 0 / 7

HEX #B08CED

RGB 176 140 237

HSL 262.27, 0.73%, 0.74%

LAB 65.04, 33.23, -44.04

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 4 / 41 / 0 / 7

HEX #E38CED

RGB 227 140 237

HSL 293.81, 0.73%, 0.74%

LAB 70.32, 47.96, -35.41

 

CMYK 0 / 41 / 7 / 7

HEX #ED8CDD

RGB 237 140 221

HSL 309.9, 0.73%, 0.74%

LAB 70.86, 48.13, -25.68

 

CMYK 0 / 41 / 18 / 7

HEX #ED8CC3

RGB 237 140 195

HSL 325.98, 0.73%, 0.74%

LAB 69.97, 43.97, -12.62

 

CMYK 6 / 69 / 0 / 11

HEX #D545E2

RGB 213 69 226

HSL 295.03, 0.73%, 0.58%

LAB 55.98, 74.45, -51.96

 

CMYK 5 / 55 / 0 / 9

HEX #DD69E8

RGB 221 105 232

HSL 294.8, 0.73%, 0.66%

LAB 62.76, 62.62, -44.51

 

CMYK 3 / 41 / 0 / 7

HEX #E58CED

RGB 229 140 237

HSL 295.05, 0.73%, 0.74%

LAB 70.54, 48.55, -35.04

 

CMYK 2 / 28 / 0 / 5

HEX #EDB0F3

RGB 237 176 243

HSL 294.63, 0.74%, 0.82%

LAB 79.34, 33.2, -24.69

 

CMYK 1 / 15 / 0 / 3

HEX #F5D4F8

RGB 245 212 248

HSL 295, 0.72%, 0.9%

LAB 88.58, 17.63, -13.34

 

CMYK 3 / 40 / 0 / 7

HEX #E58EED

RGB 229 142 237

HSL 294.95, 0.73%, 0.74%

LAB 70.95, 47.52, -34.4

 

CMYK 0 / 37 / 41 / 7

HEX #ED968C

RGB 237 150 140

HSL 6.19, 0.73%, 0.74%

LAB 70.67, 31.56, 19.01

 

CMYK 41 / 0 / 20 / 7

HEX #8CEDBD

RGB 140 237 189

HSL 150.31, 0.73%, 0.74%

LAB 86.91, -39.17, 14.4

 

CMYK 3 / 40 / 0 / 7

HEX #E58EED

RGB 229 142 237

HSL 294.95, 0.73%, 0.74%

LAB 70.95, 47.52, -34.4

 

CMYK 0 / 4 / 41 / 7

HEX #EDE38C

RGB 237 227 140

HSL 53.81, 0.73%, 0.74%

LAB 89.32, -8.68, 43.65

 

CMYK 41 / 0 / 4 / 7

HEX #8CEDE3

RGB 140 237 227

HSL 173.81, 0.73%, 0.74%

LAB 87.82, -30.93, -4.15

 

CMYK 3 / 40 / 0 / 7

HEX #E58EED

RGB 229 142 237

HSL 294.95, 0.73%, 0.74%

LAB 70.95, 47.52, -34.4

 

CMYK 0 / 37 / 41 / 7

HEX #ED968C

RGB 237 150 140

HSL 6.19, 0.73%, 0.74%

LAB 70.67, 31.56, 19.01

 

CMYK 37 / 0 / 41 / 7

HEX #96ED8C

RGB 150 237 140

HSL 113.81, 0.73%, 0.74%

LAB 86.48, -44.66, 38.89

 

CMYK 41 / 4 / 0 / 7

HEX #8CE3ED

RGB 140 227 237

HSL 186.19, 0.73%, 0.74%

LAB 85.32, -23.69, -13.12

 

CMYK 3 / 40 / 0 / 7

HEX #E58EED

RGB 229 142 237

HSL 294.95, 0.73%, 0.74%

LAB 70.95, 47.52, -34.4

 

CMYK 0 / 24 / 41 / 7

HEX #EDB38C

RGB 237 179 140

HSL 24.12, 0.73%, 0.74%

LAB 77.36, 16.19, 28.09

 

CMYK 37 / 0 / 41 / 7

HEX #96ED8C

RGB 150 237 140

HSL 113.81, 0.73%, 0.74%

LAB 86.48, -44.66, 38.89

 

CMYK 41 / 16 / 0 / 7

HEX #8CC6ED

RGB 140 198 237

HSL 204.12, 0.73%, 0.74%

LAB 77.33, -8.87, -25.2

 

Description

Color code: HEX #E58EED | qconv.com Color code: HEX #E58EED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 142 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 142 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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