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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58338 it is the complementary color #1A7CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E58338: #EA8333, #FB9546, #FFA759, #FFB96C and #FFCB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E58338: #E58338, #D47125, #C35F12, #B24D00 and #A13B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

Complementary color

CMYK 87 / 38 / 0 / 22

HEX #1A7CC7

RGB 26 124 199

HSL 206.01, 0.77%, 0.44%

LAB 50.4, 0.6, -46.42

 

CMYK 0 / 44 / 78 / 8

HEX #EA8333

RGB 234 131 51

HSL 26.23, 0.81%, 0.56%

LAB 64.93, 33.93, 57.78

 

CMYK 0 / 41 / 72 / 2

HEX #FB9546

RGB 251 149 70

HSL 26.19, 0.96%, 0.63%

LAB 71.18, 32.22, 56.41

 

CMYK 0 / 35 / 65 / 0

HEX #FFA759

RGB 255 167 89

HSL 28.19, 1%, 0.67%

LAB 75.83, 25.47, 52.73

 

CMYK 0 / 27 / 58 / 0

HEX #FFB96C

RGB 255 185 108

HSL 31.43, 1%, 0.71%

LAB 80.2, 17.32, 48.57

 

CMYK 0 / 20 / 50 / 0

HEX #FFCB7F

RGB 255 203 127

HSL 35.63, 1%, 0.75%

LAB 84.74, 9.48, 44.69

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 0 / 47 / 83 / 17

HEX #D47125

RGB 212 113 37

HSL 26.06, 0.7%, 0.49%

LAB 57.98, 33.92, 55.95

 

CMYK 0 / 51 / 91 / 24

HEX #C35F12

RGB 195 95 18

HSL 26.1, 0.83%, 0.42%

LAB 51.64, 35.92, 56.27

 

CMYK 0 / 57 / 100 / 30

HEX #B24D00

RGB 178 77 0

HSL 25.96, 1%, 0.35%

LAB 45.32, 38.02, 55.31

 

CMYK 0 / 63 / 100 / 37

HEX #A13B00

RGB 161 59 0

HSL 21.99, 1%, 0.32%

LAB 39.08, 40.17, 50.34

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 0 / 30 / 76 / 10

HEX #E5A038

RGB 229 160 56

HSL 36.07, 0.77%, 0.56%

LAB 70.93, 16.72, 61.29

 

CMYK 0 / 18 / 76 / 10

HEX #E5BC38

RGB 229 188 56

HSL 45.78, 0.77%, 0.56%

LAB 77.82, 1.92, 67.87

 

CMYK 0 / 5 / 76 / 10

HEX #E5D938

RGB 229 217 56

HSL 55.84, 0.77%, 0.56%

LAB 85.29, -12.87, 74.8

 

CMYK 8 / 0 / 76 / 10

HEX #D3E538

RGB 211 229 56

HSL 66.24, 0.77%, 0.56%

LAB 87.08, -26.16, 75.93

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 0 / 44 / 76 / 90

HEX #190E06

RGB 25 14 6

HSL 25.26, 0.61%, 0.06%

LAB 4.82, 3.41, 4.82

 

CMYK 0 / 43 / 75 / 70

HEX #4C2B13

RGB 76 43 19

HSL 25.26, 0.6%, 0.19%

LAB 21.25, 12.8, 21.7

 

CMYK 0 / 43 / 76 / 50

HEX #7F491F

RGB 127 73 31

HSL 26.25, 0.61%, 0.31%

LAB 36.7, 19.3, 33.97

 

CMYK 0 / 43 / 75 / 30

HEX #B2662C

RGB 178 102 44

HSL 25.97, 0.6%, 0.44%

LAB 50.86, 25.92, 44.45

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 48 / 0 / 76 / 10

HEX #77E538

RGB 119 229 56

HSL 98.15, 0.77%, 0.56%

LAB 81.97, -59.39, 69.3

 

CMYK 73 / 76 / 0 / 10

HEX #3E38E5

RGB 62 56 229

HSL 242.08, 0.77%, 0.56%

LAB 36.95, 56.46, -85.37

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 76 / 0 / 43 / 10

HEX #38E583

RGB 56 229 131

HSL 146.01, 0.77%, 0.56%

LAB 81.03, -64.16, 35.73

 

CMYK 43 / 76 / 0 / 10

HEX #8338E5

RGB 131 56 229

HSL 266.01, 0.77%, 0.56%

LAB 43.23, 64.71, -74.81

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 48 / 0 / 76 / 10

HEX #77E538

RGB 119 229 56

HSL 98.15, 0.77%, 0.56%

LAB 81.97, -59.39, 69.3

 

CMYK 76 / 33 / 0 / 10

HEX #389AE5

RGB 56 154 229

HSL 206.01, 0.77%, 0.56%

LAB 61.32, -3.24, -45.96

 

CMYK 28 / 76 / 0 / 10

HEX #A538E5

RGB 165 56 229

HSL 277.8, 0.77%, 0.56%

LAB 47.6, 70.29, -67.49

 

CMYK 0 / 43 / 76 / 10

HEX #E58338

RGB 229 131 56

HSL 26.01, 0.77%, 0.56%

LAB 64.3, 32.1, 54.77

 

CMYK 71 / 0 / 76 / 10

HEX #43E538

RGB 67 229 56

HSL 116.18, 0.77%, 0.56%

LAB 80.47, -71.47, 67.33

 

CMYK 76 / 33 / 0 / 10

HEX #389AE5

RGB 56 154 229

HSL 206.01, 0.77%, 0.56%

LAB 61.32, -3.24, -45.96

 

CMYK 5 / 76 / 0 / 10

HEX #D938E5

RGB 217 56 229

HSL 295.84, 0.77%, 0.56%

LAB 55.32, 79.9, -54.68

 

Description

Color code: HEX #E58338 | qconv.com Color code: HEX #E58338 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 131 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 131 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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