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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53E51 it is the complementary color #1AC1AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53E51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E53E51: #EA3E4C, #FB505F, #FF6272, #FF7485 and #FF8698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53E51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E53E51: #E53E51, #D42C3E, #C31A2B, #B20818 and #A10005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

Complementary color

CMYK 87 / 0 / 10 / 24

HEX #1AC1AE

RGB 26 193 174

HSL 173.17, 0.76%, 0.43%

LAB 70.47, -43.46, -1.65

 

CMYK 0 / 74 / 68 / 8

HEX #EA3E4C

RGB 234 62 76

HSL 355.12, 0.8%, 0.58%

LAB 53.45, 65.6, 32.52

 

CMYK 0 / 68 / 62 / 2

HEX #FB505F

RGB 251 80 95

HSL 354.74, 0.96%, 0.65%

LAB 59.04, 65.43, 29.17

 

CMYK 0 / 62 / 55 / 0

HEX #FF6272

RGB 255 98 114

HSL 353.89, 1%, 0.69%

LAB 62.68, 60.79, 23.16

 

CMYK 0 / 55 / 48 / 0

HEX #FF7485

RGB 255 116 133

HSL 352.66, 1%, 0.73%

LAB 66.09, 54.35, 16.98

 

CMYK 0 / 47 / 40 / 0

HEX #FF8698

RGB 255 134 152

HSL 351.07, 1%, 0.76%

LAB 69.88, 47.58, 11.57

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 0 / 79 / 71 / 17

HEX #D42C3E

RGB 212 44 62

HSL 353.57, 0.66%, 0.5%

LAB 47.17, 64.04, 32.17

 

CMYK 0 / 87 / 78 / 24

HEX #C31A2B

RGB 195 26 43

HSL 353.96, 0.76%, 0.43%

LAB 42.02, 62.87, 36.62

 

CMYK 0 / 96 / 87 / 30

HEX #B20818

RGB 178 8 24

HSL 354.35, 0.91%, 0.36%

LAB 37.31, 60.58, 41.37

 

CMYK 0 / 100 / 97 / 37

HEX #A10005

RGB 161 0 5

HSL 358.14, 1%, 0.32%

LAB 33.11, 56.86, 45.18

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 0 / 69 / 73 / 11

HEX #E4463E

RGB 228 70 62

HSL 2.89, 0.75%, 0.57%

LAB 53.19, 60.33, 39.92

 

CMYK 0 / 57 / 73 / 11

HEX #E4623E

RGB 228 98 62

HSL 13.01, 0.75%, 0.57%

LAB 57.63, 48.46, 44.85

 

CMYK 0 / 45 / 73 / 11

HEX #E47D3E

RGB 228 125 62

HSL 22.77, 0.75%, 0.57%

LAB 62.93, 35.07, 50.55

 

CMYK 0 / 33 / 73 / 11

HEX #E4993E

RGB 228 153 62

HSL 32.89, 0.75%, 0.57%

LAB 69.2, 20.29, 57.05

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 0 / 72 / 64 / 90

HEX #190709

RGB 25 7 9

HSL 353.33, 0.56%, 0.06%

LAB 3.42, 6.82, 1.55

 

CMYK 0 / 72 / 64 / 70

HEX #4C151B

RGB 76 21 27

HSL 353.45, 0.57%, 0.19%

LAB 16.27, 26.42, 10.27

 

CMYK 0 / 73 / 65 / 50

HEX #7F222D

RGB 127 34 45

HSL 352.9, 0.58%, 0.32%

LAB 29.02, 40.39, 16.59

 

CMYK 0 / 73 / 65 / 30

HEX #B2303F

RGB 178 48 63

HSL 353.08, 0.58%, 0.44%

LAB 41.12, 52.75, 22.64

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 6 / 0 / 73 / 11

HEX #D6E43E

RGB 214 228 62

HSL 65.06, 0.75%, 0.57%

LAB 87.06, -24.2, 74.11

 

CMYK 73 / 35 / 0 / 11

HEX #3E94E4

RGB 62 148 228

HSL 208.92, 0.75%, 0.57%

LAB 59.71, 0.62, -47.93

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 64 / 0 / 73 / 11

HEX #51E43E

RGB 81 228 62

HSL 113.13, 0.75%, 0.57%

LAB 80.51, -68.12, 65.48

 

CMYK 73 / 64 / 0 / 11

HEX #3E51E4

RGB 62 81 228

HSL 233.13, 0.75%, 0.57%

LAB 42.02, 41.94, -76.46

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 6 / 0 / 73 / 11

HEX #D6E43E

RGB 214 228 62

HSL 65.06, 0.75%, 0.57%

LAB 87.06, -24.2, 74.11

 

CMYK 73 / 0 / 8 / 11

HEX #3EE4D1

RGB 62 228 209

HSL 173.13, 0.75%, 0.57%

LAB 82.44, -45.79, -2.84

 

CMYK 67 / 73 / 0 / 11

HEX #4B3EE4

RGB 75 62 228

HSL 244.7, 0.75%, 0.57%

LAB 38.8, 54.23, -81.72

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 28 / 0 / 73 / 11

HEX #A4E43E

RGB 164 228 62

HSL 83.13, 0.75%, 0.57%

LAB 83.82, -43.71, 69.88

 

CMYK 73 / 0 / 8 / 11

HEX #3EE4D1

RGB 62 228 209

HSL 173.13, 0.75%, 0.57%

LAB 82.44, -45.79, -2.84

 

CMYK 45 / 73 / 0 / 11

HEX #7D3EE4

RGB 125 62 228

HSL 262.77, 0.75%, 0.57%

LAB 43.37, 60.93, -74.04

 

Description

Color code: HEX #E53E51 | qconv.com Color code: HEX #E53E51 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 62 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 62 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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