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Color name
HEX #E52B68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E52B68 it is the complementary color #1AD497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E52B68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E52B68 shade: #EA2B63, #FB3D76, #FF4F89, #FF619C and #FF73AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E52B68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E52B68 shade: #E52B68, #D41955, #C30742, #B2002F and #A1001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E52B68 shade: #E52A67, #E52A35 and #E52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E52B68 shade: #E52A67, #E52A99, #E52ACC, #CB2AE5 and #992AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E52B68 shade matches the following richer shades: #E52A67 and #F81660

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E52B68 shade: #E52A67, #D13D6E, #BE5074, #AA647B and #977782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E52B68 shade: #E52ACC, #E52A9A, #E52A68, #E52A36 and #E54F2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E52B68 shade: #A71545, #CC1954, #E52A67, #E94E81 and #EE739B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E52B68 shade: #E52B68, #E5CC2A and #2AB3E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E52B68 shade: #E52B68, #68E52A and #2A68E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E52B68 shade: #E52B68, #E5CC2A, #2AE5A6 and #2A43E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E52B68 shade: #E52B68, #C5E52A, #2AE5A6 and #492AE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 55 / 10

HEX #E52B68

RGB 229 43 104

HSL 340.32, 0.78%, 0.53%

LAB 51.13, 71.3, 12.55

 

Complementary color

CMYK 88 / 0 / 29 / 17

HEX #1AD497

RGB 26 212 151

HSL 160.32, 0.78%, 0.47%

LAB 75.79, -56.89, 18.33

 

CMYK 0 / 82 / 58 / 8

HEX #EA2B63

RGB 234 43 99

HSL 342.41, 0.82%, 0.54%

LAB 51.97, 72.25, 16.89

 

CMYK 0 / 76 / 53 / 2

HEX #FB3D76

RGB 251 61 118

HSL 342, 0.96%, 0.61%

LAB 57.23, 73.27, 13.25

 

CMYK 0 / 69 / 46 / 0

HEX #FF4F89

RGB 255 79 137

HSL 340.23, 1%, 0.65%

LAB 60.48, 70.04, 6.77

 

CMYK 0 / 62 / 39 / 0

HEX #FF619C

RGB 255 97 156

HSL 337.59, 1%, 0.69%

LAB 63.52, 64.92, 0.15

 

CMYK 0 / 55 / 31 / 0

HEX #FF73AF

RGB 255 115 175

HSL 334.29, 1%, 0.73%

LAB 66.99, 59.22, -5.58

 

CMYK 0 / 81 / 55 / 10

HEX #E52B68

RGB 229 43 104

HSL 340.32, 0.78%, 0.53%

LAB 51.13, 71.3, 12.55

 

CMYK 0 / 88 / 60 / 17

HEX #D41955

RGB 212 25 85

HSL 340.75, 0.79%, 0.46%

LAB 46.11, 69.44, 16.78

 

CMYK 0 / 96 / 66 / 24

HEX #C30742

RGB 195 7 66

HSL 341.17, 0.93%, 0.4%

LAB 41.45, 66.48, 21.87

 

CMYK 0 / 100 / 74 / 30

HEX #B2002F

RGB 178 0 47

HSL 344.16, 1%, 0.35%

LAB 37.24, 62.2, 27.84

 

CMYK 0 / 100 / 83 / 37

HEX #A1001C

RGB 161 0 28

HSL 349.57, 1%, 0.32%

LAB 33.27, 57.29, 34.07

 

CMYK 0 / 82 / 55 / 10

HEX #E52A67

RGB 229 42 103

HSL 340.43, 0.78%, 0.53%

LAB 51.03, 71.47, 13.01

 

CMYK 0 / 82 / 77 / 10

HEX #E52A35

RGB 229 42 53

HSL 356.47, 0.78%, 0.53%

LAB 50.18, 68.92, 41.67

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 82 / 55 / 10

HEX #E52A67

RGB 229 42 103

HSL 340.43, 0.78%, 0.53%

LAB 51.03, 71.47, 13.01

 

CMYK 0 / 82 / 33 / 10

HEX #E52A99

RGB 229 42 153

HSL 324.39, 0.78%, 0.53%

LAB 52.52, 75.84, -14.92

 

CMYK 0 / 82 / 11 / 10

HEX #E52ACC

RGB 229 42 204

HSL 308.02, 0.78%, 0.53%

LAB 54.73, 82.02, -41.26

 

CMYK 11 / 82 / 0 / 10

HEX #CB2AE5

RGB 203 42 229

HSL 291.66, 0.78%, 0.53%

LAB 51.85, 80.99, -60.36

 

CMYK 33 / 82 / 0 / 10

HEX #992AE5

RGB 153 42 229

HSL 275.61, 0.78%, 0.53%

LAB 44.36, 72.97, -72.86

 

CMYK 0 / 82 / 55 / 10

HEX #E52A67

RGB 229 42 103

HSL 340.43, 0.78%, 0.53%

LAB 51.03, 71.47, 13.01

 

CMYK 0 / 91 / 61 / 3

HEX #F81660

RGB 248 22 96

HSL 340.35, 0.94%, 0.53%

LAB 53.36, 79.17, 21.04

 

CMYK 0 / 82 / 55 / 10

HEX #E52A67

RGB 229 42 103

HSL 340.43, 0.78%, 0.53%

LAB 51.03, 71.47, 13.01

 

CMYK 0 / 71 / 47 / 18

HEX #D13D6E

RGB 209 61 110

HSL 340.14, 0.62%, 0.53%

LAB 49.52, 60.94, 6.1

 

CMYK 0 / 58 / 39 / 25

HEX #BE5074

RGB 190 80 116

HSL 340.36, 0.46%, 0.53%

LAB 49.43, 47.7, 1.94

 

CMYK 0 / 41 / 28 / 33

HEX #AA647B

RGB 170 100 123

HSL 340.29, 0.29%, 0.53%

LAB 50.79, 31.21, -0.62

 

CMYK 0 / 21 / 14 / 41

HEX #977782

RGB 151 119 130

HSL 339.38, 0.13%, 0.53%

LAB 53.37, 14.32, -1.24

 

CMYK 0 / 82 / 11 / 10

HEX #E52ACC

RGB 229 42 204

HSL 308.02, 0.78%, 0.53%

LAB 54.73, 82.02, -41.26

 

CMYK 0 / 82 / 33 / 10

HEX #E52A9A

RGB 229 42 154

HSL 324.06, 0.78%, 0.53%

LAB 52.56, 75.94, -15.46

 

CMYK 0 / 82 / 55 / 10

HEX #E52A68

RGB 229 42 104

HSL 340.11, 0.78%, 0.53%

LAB 51.05, 71.54, 12.44

 

CMYK 0 / 82 / 76 / 10

HEX #E52A36

RGB 229 42 54

HSL 356.15, 0.78%, 0.53%

LAB 50.19, 68.95, 41.13

 

CMYK 0 / 66 / 82 / 10

HEX #E54F2A

RGB 229 79 42

HSL 11.87, 0.78%, 0.53%

LAB 54.47, 56.44, 51.61

 

CMYK 0 / 87 / 59 / 35

HEX #A71545

RGB 167 21 69

HSL 340.27, 0.78%, 0.37%

LAB 36.33, 57.68, 12.09

 

CMYK 0 / 88 / 59 / 20

HEX #CC1954

RGB 204 25 84

HSL 340.22, 0.78%, 0.45%

LAB 44.48, 67.38, 14.93

 

CMYK 0 / 82 / 55 / 10

HEX #E52A67

RGB 229 42 103

HSL 340.43, 0.78%, 0.53%

LAB 51.03, 71.47, 13.01

 

CMYK 0 / 67 / 45 / 9

HEX #E94E81

RGB 233 78 129

HSL 340.26, 0.78%, 0.61%

LAB 56.44, 63.34, 5.2

 

CMYK 0 / 52 / 35 / 7

HEX #EE739B

RGB 238 115 155

HSL 340.49, 0.78%, 0.69%

LAB 64, 51.41, 1.13

 

CMYK 0 / 81 / 55 / 10

HEX #E52B68

RGB 229 43 104

HSL 340.32, 0.78%, 0.53%

LAB 51.13, 71.3, 12.55

 

CMYK 0 / 11 / 82 / 10

HEX #E5CC2A

RGB 229 204 42

HSL 51.98, 0.78%, 0.53%

LAB 81.84, -6.8, 75.8

 

CMYK 82 / 22 / 0 / 10

HEX #2AB3E5

RGB 42 179 229

HSL 196.04, 0.78%, 0.53%

LAB 68.31, -18.41, -35.03

 

CMYK 0 / 81 / 55 / 10

HEX #E52B68

RGB 229 43 104

HSL 340.32, 0.78%, 0.53%

LAB 51.13, 71.3, 12.55

 

CMYK 55 / 0 / 82 / 10

HEX #68E52A

RGB 104 229 42

HSL 100.11, 0.78%, 0.53%

LAB 81.37, -64.27, 72.51

 

CMYK 82 / 55 / 0 / 10

HEX #2A68E5

RGB 42 104 229

HSL 220.11, 0.78%, 0.53%

LAB 47.04, 25.91, -68.85

 

CMYK 0 / 81 / 55 / 10

HEX #E52B68

RGB 229 43 104

HSL 340.32, 0.78%, 0.53%

LAB 51.13, 71.3, 12.55

 

CMYK 0 / 11 / 82 / 10

HEX #E5CC2A

RGB 229 204 42

HSL 51.98, 0.78%, 0.53%

LAB 81.84, -6.8, 75.8

 

CMYK 82 / 0 / 28 / 10

HEX #2AE5A6

RGB 42 229 166

HSL 159.79, 0.78%, 0.53%

LAB 81.45, -58.75, 18.35

 

CMYK 82 / 71 / 0 / 10

HEX #2A43E5

RGB 42 67 229

HSL 231.98, 0.78%, 0.53%

LAB 38.13, 48.95, -83.44

 

CMYK 0 / 81 / 55 / 10

HEX #E52B68

RGB 229 43 104

HSL 340.32, 0.78%, 0.53%

LAB 51.13, 71.3, 12.55

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 82 / 0 / 28 / 10

HEX #2AE5A6

RGB 42 229 166

HSL 159.79, 0.78%, 0.53%

LAB 81.45, -58.75, 18.35

 

CMYK 68 / 82 / 0 / 10

HEX #492AE5

RGB 73 42 229

HSL 249.95, 0.78%, 0.53%

LAB 35.46, 63.82, -87.81

 

Description

Color code: HEX #E52B68 | qconv.com Color code: HEX #E52B68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 43 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 43 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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