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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E52A it is the complementary color #3A1AD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E52A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E52A shade: #CAE525, #DBF738, #ECFF4B, #FDFF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E52A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E52A shade: #C5E52A, #B4D317, #A3C104, #92AF00 and #819D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E52A shade: #C5E52A, #E5D22A, #E5A02A, #E56D2A and #E53B2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E52A shade: #C5E52A, #92E52A, #60E52A, #2DE52A and #2AE558

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E52A shade matches the following richer shades: #C5E52A and #D1F816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E52A shade: #C5E52A, #B8D13D, #ABBE50, #9EAA64 and #929777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E52A shade: #E5A02A, #E5D22A, #C5E52A, #94E52A and #62E52A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E52A shade: #8EA715, #ADCC19, #C5E52A, #CFE94E and #D9EE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E52A shade: #C5E52A, #2AE56E and #B92AE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E52A shade: #C5E52A, #2AC5E5 and #E52AC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E52A shade: #C5E52A, #2AE56E, #492AE5 and #E52AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E52A shade: #C5E52A, #2AE5A6, #492AE5 and #E52A68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

Complementary color

CMYK 73 / 88 / 0 / 16

HEX #3A1AD5

RGB 58 26 213

HSL 250.27, 0.78%, 0.47%

LAB 30.5, 64.4, -86.88

 

CMYK 12 / 0 / 84 / 10

HEX #CAE525

RGB 202 229 37

HSL 68.44, 0.79%, 0.52%

LAB 86.37, -30.46, 79.98

 

CMYK 11 / 0 / 77 / 3

HEX #DBF738

RGB 219 247 56

HSL 68.8, 0.92%, 0.59%

LAB 92.52, -31.36, 81.09

 

CMYK 7 / 0 / 71 / 0

HEX #ECFF4B

RGB 236 255 75

HSL 66.33, 1%, 0.65%

LAB 95.94, -27.5, 78.88

 

CMYK 1 / 0 / 63 / 0

HEX #FDFF5E

RGB 253 255 94

HSL 60.75, 1%, 0.68%

LAB 97.31, -19.72, 73.8

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 15 / 0 / 89 / 17

HEX #B4D317

RGB 180 211 23

HSL 69.89, 0.8%, 0.46%

LAB 79.81, -31.34, 76.62

 

CMYK 16 / 0 / 98 / 24

HEX #A3C104

RGB 163 193 4

HSL 69.52, 0.96%, 0.39%

LAB 73.5, -30.17, 73.52

 

CMYK 17 / 0 / 100 / 31

HEX #92AF00

RGB 146 175 0

HSL 69.94, 1%, 0.34%

LAB 67.1, -28.78, 68.62

 

CMYK 18 / 0 / 100 / 38

HEX #819D00

RGB 129 157 0

HSL 70.7, 1%, 0.31%

LAB 60.59, -27.32, 63.19

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 0 / 8 / 82 / 10

HEX #E5D22A

RGB 229 210 42

HSL 53.9, 0.78%, 0.53%

LAB 83.4, -9.83, 77.13

 

CMYK 0 / 30 / 82 / 10

HEX #E5A02A

RGB 229 160 42

HSL 37.86, 0.78%, 0.53%

LAB 70.85, 16.22, 66.31

 

CMYK 0 / 52 / 82 / 10

HEX #E56D2A

RGB 229 109 42

HSL 21.5, 0.78%, 0.53%

LAB 59.67, 42.81, 56.38

 

CMYK 0 / 74 / 82 / 10

HEX #E53B2A

RGB 229 59 42

HSL 5.45, 0.78%, 0.53%

LAB 51.78, 63.79, 49.11

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 36 / 0 / 82 / 10

HEX #92E52A

RGB 146 229 42

HSL 86.63, 0.78%, 0.53%

LAB 83.08, -51.47, 74.69

 

CMYK 58 / 0 / 82 / 10

HEX #60E52A

RGB 96 229 42

HSL 102.67, 0.78%, 0.53%

LAB 81.12, -66.28, 72.19

 

CMYK 80 / 0 / 82 / 10

HEX #2DE52A

RGB 45 229 42

HSL 119.04, 0.78%, 0.53%

LAB 80.05, -75.39, 70.81

 

CMYK 82 / 0 / 62 / 10

HEX #2AE558

RGB 42 229 88

HSL 134.76, 0.78%, 0.53%

LAB 80.31, -71.94, 54.96

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 16 / 0 / 91 / 3

HEX #D1F816

RGB 209 248 22

HSL 70.35, 0.94%, 0.53%

LAB 92.02, -36.67, 87.3

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 12 / 0 / 71 / 18

HEX #B8D13D

RGB 184 209 61

HSL 70.14, 0.62%, 0.53%

LAB 79.69, -27.39, 66.59

 

CMYK 10 / 0 / 58 / 25

HEX #ABBE50

RGB 171 190 80

HSL 70.36, 0.46%, 0.53%

LAB 73.59, -22.2, 52.21

 

CMYK 7 / 0 / 41 / 33

HEX #9EAA64

RGB 158 170 100

HSL 70.29, 0.29%, 0.53%

LAB 67.23, -15.41, 34.63

 

CMYK 3 / 0 / 21 / 41

HEX #929777

RGB 146 151 119

HSL 69.38, 0.13%, 0.53%

LAB 61.29, -7.52, 16.29

 

CMYK 0 / 30 / 82 / 10

HEX #E5A02A

RGB 229 160 42

HSL 37.86, 0.78%, 0.53%

LAB 70.85, 16.22, 66.31

 

CMYK 0 / 8 / 82 / 10

HEX #E5D22A

RGB 229 210 42

HSL 53.9, 0.78%, 0.53%

LAB 83.4, -9.83, 77.13

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 35 / 0 / 82 / 10

HEX #94E52A

RGB 148 229 42

HSL 85.99, 0.78%, 0.53%

LAB 83.18, -50.78, 74.81

 

CMYK 57 / 0 / 82 / 10

HEX #62E52A

RGB 98 229 42

HSL 102.03, 0.78%, 0.53%

LAB 81.18, -65.79, 72.27

 

CMYK 15 / 0 / 87 / 35

HEX #8EA715

RGB 142 167 21

HSL 70.27, 0.78%, 0.37%

LAB 64.52, -26.23, 63.39

 

CMYK 15 / 0 / 88 / 20

HEX #ADCC19

RGB 173 204 25

HSL 70.39, 0.78%, 0.45%

LAB 77.36, -30.88, 74.08

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 11 / 0 / 67 / 9

HEX #CFE94E

RGB 207 233 78

HSL 70.06, 0.78%, 0.61%

LAB 88.01, -28.55, 69.25

 

CMYK 9 / 0 / 52 / 7

HEX #D9EE73

RGB 217 238 115

HSL 70.24, 0.78%, 0.69%

LAB 90.39, -24.26, 56.5

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 82 / 0 / 52 / 10

HEX #2AE56E

RGB 42 229 110

HSL 141.82, 0.78%, 0.53%

LAB 80.55, -69.09, 45.3

 

CMYK 19 / 82 / 0 / 10

HEX #B92AE5

RGB 185 42 229

HSL 285.88, 0.78%, 0.53%

LAB 49.04, 77.96, -65.03

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 82 / 14 / 0 / 10

HEX #2AC5E5

RGB 42 197 229

HSL 190.27, 0.78%, 0.53%

LAB 73.6, -27.6, -26.87

 

CMYK 0 / 82 / 14 / 10

HEX #E52AC5

RGB 229 42 197

HSL 310.27, 0.78%, 0.53%

LAB 54.39, 81.08, -37.78

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 82 / 0 / 52 / 10

HEX #2AE56E

RGB 42 229 110

HSL 141.82, 0.78%, 0.53%

LAB 80.55, -69.09, 45.3

 

CMYK 68 / 82 / 0 / 10

HEX #492AE5

RGB 73 42 229

HSL 249.95, 0.78%, 0.53%

LAB 35.46, 63.82, -87.81

 

CMYK 0 / 82 / 30 / 10

HEX #E52AA0

RGB 229 42 160

HSL 322.14, 0.78%, 0.53%

LAB 52.79, 76.59, -18.67

 

CMYK 14 / 0 / 82 / 10

HEX #C5E52A

RGB 197 229 42

HSL 70.27, 0.78%, 0.53%

LAB 86.04, -32.32, 78.43

 

CMYK 82 / 0 / 28 / 10

HEX #2AE5A6

RGB 42 229 166

HSL 159.79, 0.78%, 0.53%

LAB 81.45, -58.75, 18.35

 

CMYK 68 / 82 / 0 / 10

HEX #492AE5

RGB 73 42 229

HSL 249.95, 0.78%, 0.53%

LAB 35.46, 63.82, -87.81

 

CMYK 0 / 82 / 55 / 10

HEX #E52A68

RGB 229 42 104

HSL 340.11, 0.78%, 0.53%

LAB 51.05, 71.54, 12.44

 

Description

Color code: HEX #C5E52A | qconv.com Color code: HEX #C5E52A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 229 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 229 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 82 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 82% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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