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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E522F4 it is the complementary color #1ADD0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E522F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E522F4 shade: #EA22EF, #FB34FF, #FF46FF, #FF58FF and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E522F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E522F4 shade: #E522F4, #D410E1, #C300CE, #B200BB and #A100A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E522F4 shade: #E624F5, #F524CB, #F52493, #F5245B and #F52424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E522F4 shade: #E624F5, #AD24F5, #7524F5, #3D24F5 and #2424F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E522F4 shade matches the following richer shades: #E624F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E522F4 shade: #E624F5, #D636E2, #C649D0, #B65CBD and #A66EAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E522F4 shade: #7424F5, #AC24F5, #E324F5, #F524CE and #F52497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E522F4 shade: #B009BD, #D50BE4, #E624F5, #EA4BF7 and #EF73F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E522F4 shade: #E522F4, #F53C24 and #24F590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E522F4 shade: #E522F4, #F5E324 and #24F5E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E522F4 shade: #E522F4, #F53C24, #35F524 and #24DCF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E522F4 shade: #E522F4, #F57B24, #35F524 and #249EF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 86 / 0 / 4

HEX #E522F4

RGB 229 34 244

HSL 295.71, 0.91%, 0.55%

LAB 56.42, 89.34, -61.22

 

Complementary color

CMYK 88 / 0 / 95 / 13

HEX #1ADD0B

RGB 26 221 11

HSL 115.71, 0.91%, 0.45%

LAB 77.25, -75.97, 73.8

 

CMYK 2 / 86 / 0 / 6

HEX #EA22EF

RGB 234 34 239

HSL 298.54, 0.86%, 0.54%

LAB 56.95, 89.43, -57.53

 

CMYK 2 / 80 / 0 / 0

HEX #FB34FF

RGB 251 52 255

HSL 298.82, 1%, 0.6%

LAB 61.81, 91.27, -58.49

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 6 / 86 / 0 / 4

HEX #E522F4

RGB 229 34 244

HSL 295.71, 0.91%, 0.55%

LAB 56.42, 89.34, -61.22

 

CMYK 6 / 93 / 0 / 12

HEX #D410E1

RGB 212 16 225

HSL 296.27, 0.87%, 0.47%

LAB 51.61, 86.12, -58.39

 

CMYK 5 / 100 / 0 / 19

HEX #C300CE

RGB 195 0 206

HSL 296.8, 1%, 0.4%

LAB 47.05, 81.93, -55

 

CMYK 5 / 100 / 0 / 27

HEX #B200BB

RGB 178 0 187

HSL 297.11, 1%, 0.37%

LAB 42.84, 76.38, -50.86

 

CMYK 4 / 100 / 0 / 34

HEX #A100A8

RGB 161 0 168

HSL 297.5, 1%, 0.33%

LAB 38.56, 70.74, -46.63

 

CMYK 6 / 85 / 0 / 4

HEX #E624F5

RGB 230 36 245

HSL 295.69, 0.91%, 0.55%

LAB 56.76, 89.32, -61.22

 

CMYK 0 / 85 / 17 / 4

HEX #F524CB

RGB 245 36 203

HSL 312.06, 0.91%, 0.55%

LAB 57.06, 86.18, -36.84

 

CMYK 0 / 85 / 40 / 4

HEX #F52493

RGB 245 36 147

HSL 328.13, 0.91%, 0.55%

LAB 54.85, 80.11, -7.57

 

CMYK 0 / 85 / 63 / 4

HEX #F5245B

RGB 245 36 91

HSL 344.21, 0.91%, 0.55%

LAB 53.42, 76.03, 24.02

 

CMYK 0 / 85 / 85 / 4

HEX #F52424

RGB 245 36 36

HSL 0, 0.91%, 0.55%

LAB 52.73, 74.03, 54.02

 

CMYK 6 / 85 / 0 / 4

HEX #E624F5

RGB 230 36 245

HSL 295.69, 0.91%, 0.55%

LAB 56.76, 89.32, -61.22

 

CMYK 29 / 85 / 0 / 4

HEX #AD24F5

RGB 173 36 245

HSL 279.33, 0.91%, 0.55%

LAB 47.93, 80.58, -75.94

 

CMYK 52 / 85 / 0 / 4

HEX #7524F5

RGB 117 36 245

HSL 263.25, 0.91%, 0.55%

LAB 40.63, 73.88, -88.19

 

CMYK 75 / 85 / 0 / 4

HEX #3D24F5

RGB 61 36 245

HSL 247.18, 0.91%, 0.55%

LAB 35.69, 69.75, -96.54

 

CMYK 85 / 85 / 0 / 4

HEX #2424F5

RGB 36 36 245

HSL 240, 0.91%, 0.55%

LAB 34.46, 68.79, -98.62

 

CMYK 6 / 85 / 0 / 4

HEX #E624F5

RGB 230 36 245

HSL 295.69, 0.91%, 0.55%

LAB 56.76, 89.32, -61.22

 

CMYK 6 / 85 / 0 / 4

HEX #E624F5

RGB 230 36 245

HSL 295.69, 0.91%, 0.55%

LAB 56.76, 89.32, -61.22

 

CMYK 5 / 76 / 0 / 11

HEX #D636E2

RGB 214 54 226

HSL 295.81, 0.75%, 0.55%

LAB 54.48, 79.4, -54.35

 

CMYK 5 / 65 / 0 / 18

HEX #C649D0

RGB 198 73 208

HSL 295.56, 0.59%, 0.55%

LAB 53.3, 66.55, -46.14

 

CMYK 4 / 51 / 0 / 26

HEX #B65CBD

RGB 182 92 189

HSL 295.67, 0.42%, 0.55%

LAB 53.25, 50.45, -35.47

 

CMYK 2 / 35 / 0 / 33

HEX #A66EAA

RGB 166 110 170

HSL 296, 0.26%, 0.55%

LAB 54.2, 32.31, -23.16

 

CMYK 53 / 85 / 0 / 4

HEX #7424F5

RGB 116 36 245

HSL 262.97, 0.91%, 0.55%

LAB 40.52, 73.78, -88.38

 

CMYK 30 / 85 / 0 / 4

HEX #AC24F5

RGB 172 36 245

HSL 279.04, 0.91%, 0.55%

LAB 47.78, 80.44, -76.18

 

CMYK 7 / 85 / 0 / 4

HEX #E324F5

RGB 227 36 245

HSL 294.83, 0.91%, 0.55%

LAB 56.27, 88.83, -62.03

 

CMYK 0 / 85 / 16 / 4

HEX #F524CE

RGB 245 36 206

HSL 311.2, 0.91%, 0.55%

LAB 57.2, 86.55, -38.34

 

CMYK 0 / 85 / 38 / 4

HEX #F52497

RGB 245 36 151

HSL 326.99, 0.91%, 0.55%

LAB 54.98, 80.48, -9.74

 

CMYK 7 / 95 / 0 / 26

HEX #B009BD

RGB 176 9 189

HSL 295.67, 0.91%, 0.39%

LAB 42.91, 75.51, -51.94

 

CMYK 7 / 95 / 0 / 11

HEX #D50BE4

RGB 213 11 228

HSL 295.85, 0.91%, 0.47%

LAB 51.82, 87.18, -59.75

 

CMYK 6 / 85 / 0 / 4

HEX #E624F5

RGB 230 36 245

HSL 295.69, 0.91%, 0.55%

LAB 56.76, 89.32, -61.22

 

CMYK 5 / 70 / 0 / 3

HEX #EA4BF7

RGB 234 75 247

HSL 295.47, 0.91%, 0.63%

LAB 60.99, 80.29, -55.53

 

CMYK 4 / 54 / 0 / 3

HEX #EF73F8

RGB 239 115 248

HSL 295.94, 0.9%, 0.71%

LAB 67.57, 65.52, -45.63

 

CMYK 6 / 86 / 0 / 4

HEX #E522F4

RGB 229 34 244

HSL 295.71, 0.91%, 0.55%

LAB 56.42, 89.34, -61.22

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 85 / 0 / 41 / 4

HEX #24F590

RGB 36 245 144

HSL 151, 0.91%, 0.55%

LAB 85.85, -69.35, 35.51

 

CMYK 6 / 86 / 0 / 4

HEX #E522F4

RGB 229 34 244

HSL 295.71, 0.91%, 0.55%

LAB 56.42, 89.34, -61.22

 

CMYK 0 / 7 / 85 / 4

HEX #F5E324

RGB 245 227 36

HSL 54.83, 0.91%, 0.55%

LAB 89.15, -11.71, 83.84

 

CMYK 85 / 0 / 7 / 4

HEX #24F5E3

RGB 36 245 227

HSL 174.83, 0.91%, 0.55%

LAB 87.59, -50.45, -4.77

 

CMYK 6 / 86 / 0 / 4

HEX #E522F4

RGB 229 34 244

HSL 295.71, 0.91%, 0.55%

LAB 56.42, 89.34, -61.22

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 78 / 0 / 85 / 4

HEX #35F524

RGB 53 245 36

HSL 115.12, 0.91%, 0.55%

LAB 85.09, -79.29, 76.76

 

CMYK 85 / 10 / 0 / 4

HEX #24DCF5

RGB 36 220 245

HSL 187.18, 0.91%, 0.55%

LAB 80.82, -34.1, -24.41

 

CMYK 6 / 86 / 0 / 4

HEX #E522F4

RGB 229 34 244

HSL 295.71, 0.91%, 0.55%

LAB 56.42, 89.34, -61.22

 

CMYK 0 / 50 / 85 / 4

HEX #F57B24

RGB 245 123 36

HSL 24.98, 0.91%, 0.55%

LAB 64.73, 41.9, 63.93

 

CMYK 78 / 0 / 85 / 4

HEX #35F524

RGB 53 245 36

HSL 115.12, 0.91%, 0.55%

LAB 85.09, -79.29, 76.76

 

CMYK 85 / 36 / 0 / 4

HEX #249EF5

RGB 36 158 245

HSL 204.98, 0.91%, 0.55%

LAB 62.86, -1.64, -52.35

 

Description

Color code: HEX #E522F4 | qconv.com Color code: HEX #E522F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 34 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 34 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 86 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 86% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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