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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 60 36 it is the complementary color RGB 10 195 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 60 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 60 36 shade: RGB 250 60 31, RGB 255 78 50, RGB 255 96 69, RGB 255 114 88 and RGB 255 132 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 60 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 60 36 shade: RGB 245 60 36, RGB 228 42 17, RGB 211 24 0, RGB 194 6 0 and RGB 177 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 60 36 shade: RGB 244 59 35 and RGB 244 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 60 36 shade: RGB 244 59 35, RGB 244 116 35, RGB 244 172 35, RGB 244 228 35 and RGB 204 244 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 60 36 shade matches the following richer shades: RGB 244 59 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 60 36 shade: RGB 244 59 35, RGB 226 74 54, RGB 207 88 72, RGB 188 102 91 and RGB 170 117 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 60 36 shade: RGB 244 35 126, RGB 244 35 70, RGB 244 56 35, RGB 244 112 35 and RGB 244 168 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 60 36 shade: RGB 189 29 8, RGB 228 35 10, RGB 244 59 35, RGB 246 94 75 and RGB 248 129 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 60 36 shade: RGB 245 60 36, RGB 182 244 35 and RGB 35 98 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 60 36 shade: RGB 245 60 36, RGB 35 244 56 and RGB 56 35 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 60 36 shade: RGB 245 60 36, RGB 182 244 35, RGB 35 223 244 and RGB 98 35 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 60 36 shade: RGB 245 60 36, RGB 119 244 35, RGB 35 223 244 and RGB 161 35 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

Complementary color

CMYK 95 / 11 / 0 / 14

HEX #0AC3DB

RGB 10 195 219

HSL 186.89, 0.91%, 0.45%

LAB 72.37, -31.52, -23.36

 

CMYK 0 / 76 / 88 / 2

HEX #FA3C1F

RGB 250 60 31

HSL 7.95, 0.96%, 0.55%

LAB 55.74, 69.45, 58.99

 

CMYK 0 / 69 / 80 / 0

HEX #FF4E32

RGB 255 78 50

HSL 8.2, 1%, 0.6%

LAB 58.92, 65.44, 53.62

 

CMYK 0 / 62 / 73 / 0

HEX #FF6045

RGB 255 96 69

HSL 8.71, 1%, 0.64%

LAB 61.7, 59.05, 46.91

 

CMYK 0 / 55 / 65 / 0

HEX #FF7258

RGB 255 114 88

HSL 9.34, 1%, 0.67%

LAB 64.96, 52, 40.58

 

CMYK 0 / 48 / 58 / 0

HEX #FF846B

RGB 255 132 107

HSL 10.14, 1%, 0.71%

LAB 68.62, 44.56, 34.82

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 0 / 82 / 93 / 11

HEX #E42A11

RGB 228 42 17

HSL 7.11, 0.86%, 0.48%

LAB 49.73, 67.85, 57.99

 

CMYK 0 / 89 / 100 / 17

HEX #D31800

RGB 211 24 0

HSL 6.82, 1%, 0.41%

LAB 44.94, 66.76, 58.6

 

CMYK 0 / 97 / 100 / 24

HEX #C20600

RGB 194 6 0

HSL 1.86, 1%, 0.38%

LAB 40.57, 64.6, 54.79

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 76 / 86 / 4

HEX #F43B23

RGB 244 59 35

HSL 6.89, 0.9%, 0.55%

LAB 54.54, 68.07, 55.88

 

CMYK 0 / 86 / 86 / 4

HEX #F42323

RGB 244 35 35

HSL 0, 0.9%, 0.55%

LAB 52.46, 73.94, 54.18

 

CMYK 0 / 76 / 86 / 4

HEX #F43B23

RGB 244 59 35

HSL 6.89, 0.9%, 0.55%

LAB 54.54, 68.07, 55.88

 

CMYK 0 / 52 / 86 / 4

HEX #F47423

RGB 244 116 35

HSL 23.25, 0.9%, 0.55%

LAB 63.21, 44.93, 62.98

 

CMYK 0 / 30 / 86 / 4

HEX #F4AC23

RGB 244 172 35

HSL 39.33, 0.9%, 0.55%

LAB 75.36, 16.08, 72.86

 

CMYK 0 / 7 / 86 / 4

HEX #F4E423

RGB 244 228 35

HSL 55.41, 0.9%, 0.55%

LAB 89.32, -12.64, 84.14

 

CMYK 16 / 0 / 86 / 4

HEX #CCF423

RGB 204 244 35

HSL 71.48, 0.9%, 0.55%

LAB 90.62, -36.58, 83.99

 

CMYK 0 / 76 / 86 / 4

HEX #F43B23

RGB 244 59 35

HSL 6.89, 0.9%, 0.55%

LAB 54.54, 68.07, 55.88

 

CMYK 0 / 76 / 86 / 4

HEX #F43B23

RGB 244 59 35

HSL 6.89, 0.9%, 0.55%

LAB 54.54, 68.07, 55.88

 

CMYK 0 / 67 / 76 / 11

HEX #E24A36

RGB 226 74 54

HSL 6.98, 0.75%, 0.55%

LAB 53.31, 57.84, 44.29

 

CMYK 0 / 57 / 65 / 19

HEX #CF5848

RGB 207 88 72

HSL 7.11, 0.58%, 0.55%

LAB 52.63, 46.07, 32.77

 

CMYK 0 / 46 / 52 / 26

HEX #BC665B

RGB 188 102 91

HSL 6.8, 0.42%, 0.55%

LAB 52.89, 33.26, 21.58

 

CMYK 0 / 31 / 35 / 33

HEX #AA756E

RGB 170 117 110

HSL 7, 0.26%, 0.55%

LAB 54.44, 19.91, 12.27

 

CMYK 0 / 86 / 48 / 4

HEX #F4237E

RGB 244 35 126

HSL 333.88, 0.9%, 0.55%

LAB 53.96, 78.28, 3.67

 

CMYK 0 / 86 / 71 / 4

HEX #F42346

RGB 244 35 70

HSL 349.95, 0.9%, 0.55%

LAB 52.82, 74.98, 35.7

 

CMYK 0 / 77 / 86 / 4

HEX #F43823

RGB 244 56 35

HSL 6.03, 0.9%, 0.55%

LAB 54.22, 68.95, 55.63

 

CMYK 0 / 54 / 86 / 4

HEX #F47023

RGB 244 112 35

HSL 22.11, 0.9%, 0.55%

LAB 62.46, 46.85, 62.37

 

CMYK 0 / 31 / 86 / 4

HEX #F4A823

RGB 244 168 35

HSL 38.18, 0.9%, 0.55%

LAB 74.42, 18.19, 72.09

 

CMYK 0 / 85 / 96 / 26

HEX #BD1D08

RGB 189 29 8

HSL 6.96, 0.92%, 0.39%

LAB 40.76, 59.85, 51.46

 

CMYK 0 / 85 / 96 / 11

HEX #E4230A

RGB 228 35 10

HSL 6.88, 0.92%, 0.47%

LAB 49.15, 69.35, 59.68

 

CMYK 0 / 76 / 86 / 4

HEX #F43B23

RGB 244 59 35

HSL 6.89, 0.9%, 0.55%

LAB 54.54, 68.07, 55.88

 

CMYK 0 / 62 / 70 / 4

HEX #F65E4B

RGB 246 94 75

HSL 6.67, 0.9%, 0.63%

LAB 59.98, 57.14, 41.38

 

CMYK 0 / 48 / 54 / 3

HEX #F88172

RGB 248 129 114

HSL 6.72, 0.91%, 0.71%

LAB 67.18, 44.01, 28.93

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 25 / 0 / 86 / 4

HEX #B6F423

RGB 182 244 35

HSL 77.8, 0.9%, 0.55%

LAB 89.28, -45.02, 82.33

 

CMYK 86 / 60 / 0 / 4

HEX #2362F4

RGB 35 98 244

HSL 221.91, 0.9%, 0.55%

LAB 46.48, 34.83, -78.21

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 86 / 0 / 77 / 4

HEX #23F438

RGB 35 244 56

HSL 126.03, 0.9%, 0.55%

LAB 84.66, -79.79, 71.24

 

CMYK 77 / 86 / 0 / 4

HEX #3823F4

RGB 56 35 244

HSL 246.03, 0.9%, 0.55%

LAB 35.15, 69.6, -96.87

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 25 / 0 / 86 / 4

HEX #B6F423

RGB 182 244 35

HSL 77.8, 0.9%, 0.55%

LAB 89.28, -45.02, 82.33

 

CMYK 86 / 9 / 0 / 4

HEX #23DFF4

RGB 35 223 244

HSL 186.03, 0.9%, 0.55%

LAB 81.66, -35.88, -22.62

 

CMYK 60 / 86 / 0 / 4

HEX #6223F4

RGB 98 35 244

HSL 258.09, 0.9%, 0.55%

LAB 38.43, 72.23, -91.33

 

CMYK 0 / 76 / 85 / 4

HEX #F53C24

RGB 245 60 36

HSL 6.89, 0.91%, 0.55%

LAB 54.84, 68.08, 55.77

 

CMYK 51 / 0 / 86 / 4

HEX #77F423

RGB 119 244 35

HSL 95.89, 0.9%, 0.55%

LAB 86.38, -65.77, 78.7

 

CMYK 86 / 9 / 0 / 4

HEX #23DFF4

RGB 35 223 244

HSL 186.03, 0.9%, 0.55%

LAB 81.66, -35.88, -22.62

 

CMYK 34 / 86 / 0 / 4

HEX #A123F4

RGB 161 35 244

HSL 276.17, 0.9%, 0.55%

LAB 46.06, 79, -78.51

 

Description

Color code: RGB 245 60 36 | qconv.com Color code: RGB 245 60 36 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 60 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 60 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 85 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 85% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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