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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4ED5E it is the complementary color #1B12A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4ED5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4ED5E shade: #E9ED59, #FAFF6C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4ED5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4ED5E shade: #E4ED5E, #D3DB4B, #C2C938, #B1B725 and #A0A512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4ED5E shade: #E4ED5E, #EDCF5E, #EDA95E, #ED825E and #ED5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4ED5E shade: #E4ED5E, #BDED5E, #97ED5E, #70ED5E and #5EED72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4ED5E shade matches the following richer shades: #E4ED5E and #F0FB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4ED5E shade: #E4ED5E, #D7DE6C, #CAD07B, #BEC189 and #B1B398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4ED5E shade: #EDA85E, #EDCE5E, #E6ED5E, #BFED5E and #99ED5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4ED5E shade: #D3E018, #DDE939, #E4ED5E, #EAF183 and #F0F5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4ED5E shade: #E4ED5E, #5EED82 and #BB5EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4ED5E shade: #E4ED5E, #5EE6ED and #ED5EE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4ED5E shade: #E4ED5E, #5EED82, #655EED and #ED5EC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4ED5E shade: #E4ED5E, #5EEDAC, #655EED and #ED5E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

Complementary color

CMYK 83 / 89 / 0 / 37

HEX #1B12A1

RGB 27 18 161

HSL 243.78, 0.8%, 0.35%

LAB 20.98, 51.21, -71.89

 

CMYK 2 / 0 / 62 / 7

HEX #E9ED59

RGB 233 237 89

HSL 61.62, 0.8%, 0.64%

LAB 91.06, -19.39, 68.73

 

CMYK 2 / 0 / 58 / 0

HEX #FAFF6C

RGB 250 255 108

HSL 62.04, 1%, 0.71%

LAB 97.2, -20.02, 67.96

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 4 / 0 / 66 / 14

HEX #D3DB4B

RGB 211 219 75

HSL 63.33, 0.67%, 0.58%

LAB 84.49, -20.42, 66.88

 

CMYK 3 / 0 / 72 / 21

HEX #C2C938

RGB 194 201 56

HSL 62.9, 0.57%, 0.5%

LAB 78.19, -19.63, 67.14

 

CMYK 3 / 0 / 80 / 28

HEX #B1B725

RGB 177 183 37

HSL 62.47, 0.66%, 0.43%

LAB 71.79, -18.67, 66.73

 

CMYK 3 / 0 / 89 / 35

HEX #A0A512

RGB 160 165 18

HSL 62.04, 0.8%, 0.36%

LAB 65.3, -17.5, 65.19

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 0 / 13 / 60 / 7

HEX #EDCF5E

RGB 237 207 94

HSL 47.41, 0.8%, 0.65%

LAB 83.67, -2.48, 58.71

 

CMYK 0 / 29 / 60 / 7

HEX #EDA95E

RGB 237 169 94

HSL 31.47, 0.8%, 0.65%

LAB 74.31, 17.39, 48.01

 

CMYK 0 / 45 / 60 / 7

HEX #ED825E

RGB 237 130 94

HSL 15.1, 0.8%, 0.65%

LAB 65.58, 37.87, 37.5

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 20 / 0 / 60 / 7

HEX #BDED5E

RGB 189 237 94

HSL 80.14, 0.8%, 0.65%

LAB 88.06, -36.25, 62.57

 

CMYK 36 / 0 / 60 / 7

HEX #97ED5E

RGB 151 237 94

HSL 96.08, 0.8%, 0.65%

LAB 85.98, -49.7, 59.68

 

CMYK 53 / 0 / 60 / 7

HEX #70ED5E

RGB 112 237 94

HSL 112.45, 0.8%, 0.65%

LAB 84.39, -61.22, 57.45

 

CMYK 60 / 0 / 52 / 7

HEX #5EED72

RGB 94 237 114

HSL 128.39, 0.8%, 0.65%

LAB 84.05, -63.11, 47.94

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 4 / 0 / 69 / 2

HEX #F0FB4F

RGB 240 251 79

HSL 63.84, 0.96%, 0.65%

LAB 95.2, -23.83, 76.88

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 3 / 0 / 51 / 13

HEX #D7DE6C

RGB 215 222 108

HSL 63.68, 0.63%, 0.65%

LAB 85.89, -17.91, 54.41

 

CMYK 3 / 0 / 41 / 18

HEX #CAD07B

RGB 202 208 123

HSL 64.24, 0.47%, 0.65%

LAB 81.35, -14.66, 41.44

 

CMYK 2 / 0 / 29 / 24

HEX #BEC189

RGB 190 193 137

HSL 63.21, 0.31%, 0.65%

LAB 76.61, -10.02, 27.93

 

CMYK 1 / 0 / 15 / 30

HEX #B1B398

RGB 177 179 152

HSL 64.44, 0.15%, 0.65%

LAB 72.13, -5.43, 13.57

 

CMYK 0 / 29 / 60 / 7

HEX #EDA85E

RGB 237 168 94

HSL 31.05, 0.8%, 0.65%

LAB 74.07, 17.92, 47.73

 

CMYK 0 / 13 / 60 / 7

HEX #EDCE5E

RGB 237 206 94

HSL 46.99, 0.8%, 0.65%

LAB 83.42, -1.97, 58.43

 

CMYK 3 / 0 / 60 / 7

HEX #E6ED5E

RGB 230 237 94

HSL 62.94, 0.8%, 0.65%

LAB 90.87, -20.28, 66.44

 

CMYK 19 / 0 / 60 / 7

HEX #BFED5E

RGB 191 237 94

HSL 79.3, 0.8%, 0.65%

LAB 88.19, -35.5, 62.74

 

CMYK 35 / 0 / 60 / 7

HEX #99ED5E

RGB 153 237 94

HSL 95.24, 0.8%, 0.65%

LAB 86.08, -49.04, 59.81

 

CMYK 6 / 0 / 89 / 12

HEX #D3E018

RGB 211 224 24

HSL 63.9, 0.81%, 0.49%

LAB 85.62, -24.7, 82.03

 

CMYK 5 / 0 / 76 / 9

HEX #DDE939

RGB 221 233 57

HSL 64.09, 0.8%, 0.57%

LAB 88.9, -23.95, 77.57

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 3 / 0 / 46 / 5

HEX #EAF183

RGB 234 241 131

HSL 63.82, 0.8%, 0.73%

LAB 92.59, -17.65, 52.02

 

CMYK 2 / 0 / 31 / 4

HEX #F0F5A8

RGB 240 245 168

HSL 63.9, 0.79%, 0.81%

LAB 94.59, -13.31, 36.6

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 60 / 0 / 45 / 7

HEX #5EED82

RGB 94 237 130

HSL 135.1, 0.8%, 0.65%

LAB 84.26, -60.82, 40.54

 

CMYK 21 / 60 / 0 / 7

HEX #BB5EED

RGB 187 94 237

HSL 279.02, 0.8%, 0.65%

LAB 56.77, 60.36, -57.08

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 60 / 3 / 0 / 7

HEX #5EE6ED

RGB 94 230 237

HSL 182.94, 0.8%, 0.65%

LAB 84.53, -34.59, -14.47

 

CMYK 0 / 60 / 3 / 7

HEX #ED5EE6

RGB 237 94 230

HSL 302.94, 0.8%, 0.65%

LAB 63.11, 71.08, -42.69

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 60 / 0 / 45 / 7

HEX #5EED82

RGB 94 237 130

HSL 135.1, 0.8%, 0.65%

LAB 84.26, -60.82, 40.54

 

CMYK 57 / 60 / 0 / 7

HEX #655EED

RGB 101 94 237

HSL 242.94, 0.8%, 0.65%

LAB 48.12, 42.52, -71.48

 

CMYK 0 / 60 / 15 / 7

HEX #ED5EC9

RGB 237 94 201

HSL 315.1, 0.8%, 0.65%

LAB 61.85, 66.64, -28.35

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 60 / 0 / 27 / 7

HEX #5EEDAC

RGB 94 237 172

HSL 152.73, 0.8%, 0.65%

LAB 84.96, -53.28, 20.26

 

CMYK 57 / 60 / 0 / 7

HEX #655EED

RGB 101 94 237

HSL 242.94, 0.8%, 0.65%

LAB 48.12, 42.52, -71.48

 

CMYK 0 / 60 / 33 / 7

HEX #ED5E9E

RGB 237 94 158

HSL 333.15, 0.8%, 0.65%

LAB 60.32, 61.02, -6.03

 

Description

Color code: HEX #E4ED5E | qconv.com Color code: HEX #E4ED5E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 237 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 237 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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