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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEED5E it is the complementary color #4112A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEED5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEED5E shade: #C3ED59, #D4FF6C, #E5FF7F, #F6FF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEED5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEED5E shade: #BEED5E, #ADDB4B, #9CC938, #8BB725 and #7AA512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEED5E shade: #BEED5E, #E4ED5E, #EDCF5E, #EDA85E and #ED825E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEED5E shade: #BEED5E, #97ED5E, #71ED5E, #5EED72 and #5EED98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEED5E shade matches the following richer shades: #BEED5E and #C3FB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEED5E shade: #BEED5E, #B9DE6C, #B4D07B, #AFC189 and #AAB398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEED5E shade: #EDCE5E, #E6ED5E, #BFED5E, #99ED5E and #73ED5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEED5E shade: #9EE018, #AFE939, #BEED5E, #CDF183 and #DCF5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEED5E shade: #BEED5E, #5EEDA8 and #E15EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEED5E shade: #BEED5E, #5EBFED and #ED5EBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEED5E shade: #BEED5E, #5EEDA8, #8B5EED and #ED5EA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEED5E shade: #BEED5E, #5EEDD2, #8B5EED and #ED5E78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

Complementary color

CMYK 60 / 89 / 0 / 37

HEX #4112A1

RGB 65 18 161

HSL 259.72, 0.8%, 0.35%

LAB 24.1, 53.62, -66.62

 

CMYK 18 / 0 / 62 / 7

HEX #C3ED59

RGB 195 237 89

HSL 77.03, 0.8%, 0.64%

LAB 88.4, -34.36, 65.1

 

CMYK 17 / 0 / 58 / 0

HEX #D4FF6C

RGB 212 255 108

HSL 77.55, 1%, 0.71%

LAB 94.57, -34.68, 64.3

 

CMYK 10 / 0 / 50 / 0

HEX #E5FF7F

RGB 229 255 127

HSL 72.19, 1%, 0.75%

LAB 95.88, -26.64, 57.73

 

CMYK 4 / 0 / 43 / 0

HEX #F6FF92

RGB 246 255 146

HSL 64.95, 1%, 0.79%

LAB 97.3, -18.36, 50.9

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 21 / 0 / 66 / 14

HEX #ADDB4B

RGB 173 219 75

HSL 79.17, 0.67%, 0.58%

LAB 81.87, -35.54, 63.33

 

CMYK 22 / 0 / 72 / 21

HEX #9CC938

RGB 156 201 56

HSL 78.62, 0.57%, 0.5%

LAB 75.53, -35.09, 63.65

 

CMYK 24 / 0 / 80 / 28

HEX #8BB725

RGB 139 183 37

HSL 78.08, 0.66%, 0.43%

LAB 69.1, -34.47, 63.31

 

CMYK 26 / 0 / 89 / 35

HEX #7AA512

RGB 122 165 18

HSL 77.55, 0.8%, 0.36%

LAB 62.58, -33.65, 61.85

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 4 / 0 / 60 / 7

HEX #E4ED5E

RGB 228 237 94

HSL 63.78, 0.8%, 0.65%

LAB 90.72, -21.08, 66.23

 

CMYK 0 / 13 / 60 / 7

HEX #EDCF5E

RGB 237 207 94

HSL 47.41, 0.8%, 0.65%

LAB 83.67, -2.48, 58.71

 

CMYK 0 / 29 / 60 / 7

HEX #EDA85E

RGB 237 168 94

HSL 31.05, 0.8%, 0.65%

LAB 74.07, 17.92, 47.73

 

CMYK 0 / 45 / 60 / 7

HEX #ED825E

RGB 237 130 94

HSL 15.1, 0.8%, 0.65%

LAB 65.58, 37.87, 37.5

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 36 / 0 / 60 / 7

HEX #97ED5E

RGB 151 237 94

HSL 96.08, 0.8%, 0.65%

LAB 85.98, -49.7, 59.68

 

CMYK 52 / 0 / 60 / 7

HEX #71ED5E

RGB 113 237 94

HSL 112.03, 0.8%, 0.65%

LAB 84.43, -60.96, 57.5

 

CMYK 60 / 0 / 52 / 7

HEX #5EED72

RGB 94 237 114

HSL 128.39, 0.8%, 0.65%

LAB 84.05, -63.11, 47.94

 

CMYK 60 / 0 / 36 / 7

HEX #5EED98

RGB 94 237 152

HSL 144.34, 0.8%, 0.65%

LAB 84.59, -57.14, 30.01

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 22 / 0 / 69 / 2

HEX #C3FB4F

RGB 195 251 79

HSL 79.53, 0.96%, 0.65%

LAB 92.2, -41.29, 72.9

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 17 / 0 / 51 / 13

HEX #B9DE6C

RGB 185 222 108

HSL 79.47, 0.63%, 0.65%

LAB 83.78, -29.61, 51.39

 

CMYK 13 / 0 / 41 / 18

HEX #B4D07B

RGB 180 208 123

HSL 79.76, 0.47%, 0.65%

LAB 79.75, -23.17, 39.09

 

CMYK 9 / 0 / 29 / 24

HEX #AFC189

RGB 175 193 137

HSL 79.29, 0.31%, 0.65%

LAB 75.49, -15.75, 26.22

 

CMYK 5 / 0 / 15 / 30

HEX #AAB398

RGB 170 179 152

HSL 80, 0.15%, 0.65%

LAB 71.59, -8.03, 12.73

 

CMYK 0 / 13 / 60 / 7

HEX #EDCE5E

RGB 237 206 94

HSL 46.99, 0.8%, 0.65%

LAB 83.42, -1.97, 58.43

 

CMYK 3 / 0 / 60 / 7

HEX #E6ED5E

RGB 230 237 94

HSL 62.94, 0.8%, 0.65%

LAB 90.87, -20.28, 66.44

 

CMYK 19 / 0 / 60 / 7

HEX #BFED5E

RGB 191 237 94

HSL 79.3, 0.8%, 0.65%

LAB 88.19, -35.5, 62.74

 

CMYK 35 / 0 / 60 / 7

HEX #99ED5E

RGB 153 237 94

HSL 95.24, 0.8%, 0.65%

LAB 86.08, -49.04, 59.81

 

CMYK 51 / 0 / 60 / 7

HEX #73ED5E

RGB 115 237 94

HSL 111.19, 0.8%, 0.65%

LAB 84.49, -60.44, 57.59

 

CMYK 29 / 0 / 89 / 12

HEX #9EE018

RGB 158 224 24

HSL 79.8, 0.81%, 0.49%

LAB 82.19, -45.68, 77.83

 

CMYK 25 / 0 / 76 / 9

HEX #AFE939

RGB 175 233 57

HSL 79.77, 0.8%, 0.57%

LAB 85.85, -42.07, 73.64

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 15 / 0 / 46 / 5

HEX #CDF183

RGB 205 241 131

HSL 79.64, 0.8%, 0.73%

LAB 90.56, -28.68, 49.07

 

CMYK 10 / 0 / 31 / 4

HEX #DCF5A8

RGB 220 245 168

HSL 79.48, 0.79%, 0.81%

LAB 93.17, -20.66, 34.45

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 60 / 0 / 29 / 7

HEX #5EEDA8

RGB 94 237 168

HSL 151.05, 0.8%, 0.65%

LAB 84.88, -54.09, 22.22

 

CMYK 5 / 60 / 0 / 7

HEX #E15EED

RGB 225 94 237

HSL 294.97, 0.8%, 0.65%

LAB 61.76, 69.35, -48.83

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 60 / 19 / 0 / 7

HEX #5EBFED

RGB 94 191 237

HSL 199.3, 0.8%, 0.65%

LAB 73.39, -15.23, -31.42

 

CMYK 0 / 60 / 19 / 7

HEX #ED5EBF

RGB 237 94 191

HSL 319.3, 0.8%, 0.65%

LAB 61.46, 65.22, -23.27

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 60 / 0 / 29 / 7

HEX #5EEDA8

RGB 94 237 168

HSL 151.05, 0.8%, 0.65%

LAB 84.88, -54.09, 22.22

 

CMYK 41 / 60 / 0 / 7

HEX #8B5EED

RGB 139 94 237

HSL 258.88, 0.8%, 0.65%

LAB 51.39, 49.71, -66.01

 

CMYK 0 / 60 / 31 / 7

HEX #ED5EA3

RGB 237 94 163

HSL 331.05, 0.8%, 0.65%

LAB 60.48, 61.61, -8.69

 

CMYK 20 / 0 / 60 / 7

HEX #BEED5E

RGB 190 237 94

HSL 79.72, 0.8%, 0.65%

LAB 88.12, -35.88, 62.65

 

CMYK 60 / 0 / 11 / 7

HEX #5EEDD2

RGB 94 237 210

HSL 168.67, 0.8%, 0.65%

LAB 85.81, -44.75, 1.63

 

CMYK 41 / 60 / 0 / 7

HEX #8B5EED

RGB 139 94 237

HSL 258.88, 0.8%, 0.65%

LAB 51.39, 49.71, -66.01

 

CMYK 0 / 60 / 49 / 7

HEX #ED5E78

RGB 237 94 120

HSL 349.09, 0.8%, 0.65%

LAB 59.31, 57.18, 14.62

 

Description

Color code: HEX #BEED5E | qconv.com Color code: HEX #BEED5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 237 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 237 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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