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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D17F it is the complementary color #1B2E80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D17F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E4D17F: #E9D17A, #FAE38D, #FFF5A0, #FFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D17F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E4D17F: #E4D17F, #D3BF6C, #C2AD59, #B19B46 and #A08933

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

Complementary color

CMYK 79 / 64 / 0 / 50

HEX #1B2E80

RGB 27 46 128

HSL 228.71, 0.65%, 0.3%

LAB 22.81, 24.03, -48.39

 

CMYK 0 / 10 / 48 / 9

HEX #E9D17A

RGB 233 209 122

HSL 47.03, 0.72%, 0.7%

LAB 84.14, -2.9, 45.97

 

CMYK 0 / 9 / 44 / 2

HEX #FAE38D

RGB 250 227 141

HSL 47.34, 0.92%, 0.77%

LAB 90.41, -3.49, 44.76

 

CMYK 0 / 4 / 37 / 0

HEX #FFF5A0

RGB 255 245 160

HSL 53.68, 1%, 0.81%

LAB 95.62, -8.58, 42.14

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 0 / 9 / 49 / 17

HEX #D3BF6C

RGB 211 191 108

HSL 48.35, 0.54%, 0.63%

LAB 77.4, -3.84, 44.17

 

CMYK 0 / 11 / 54 / 24

HEX #C2AD59

RGB 194 173 89

HSL 48, 0.46%, 0.55%

LAB 70.92, -3.15, 45.4

 

CMYK 0 / 12 / 60 / 31

HEX #B19B46

RGB 177 155 70

HSL 47.66, 0.43%, 0.48%

LAB 64.35, -2.31, 46.59

 

CMYK 0 / 14 / 68 / 37

HEX #A08933

RGB 160 137 51

HSL 47.34, 0.52%, 0.41%

LAB 57.66, -1.29, 47.62

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 0 / 2 / 44 / 11

HEX #E4E080

RGB 228 224 128

HSL 57.6, 0.65%, 0.7%

LAB 87.66, -11.91, 47.3

 

CMYK 6 / 0 / 44 / 11

HEX #D6E480

RGB 214 228 128

HSL 68.4, 0.65%, 0.7%

LAB 87.65, -19.36, 47.05

 

CMYK 13 / 0 / 44 / 11

HEX #C6E480

RGB 198 228 128

HSL 78, 0.65%, 0.7%

LAB 86.53, -25.46, 45.41

 

CMYK 21 / 0 / 44 / 11

HEX #B5E480

RGB 181 228 128

HSL 88.2, 0.65%, 0.7%

LAB 85.44, -31.74, 43.81

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 0 / 8 / 46 / 91

HEX #18160D

RGB 24 22 13

HSL 49.09, 0.3%, 0.07%

LAB 7.2, -0.87, 5.32

 

CMYK 0 / 8 / 44 / 71

HEX #4B452A

RGB 75 69 42

HSL 49.09, 0.28%, 0.23%

LAB 29.21, -2.08, 17.23

 

CMYK 0 / 8 / 44 / 51

HEX #7E7446

RGB 126 116 70

HSL 49.29, 0.29%, 0.38%

LAB 48.72, -3.15, 26.77

 

CMYK 0 / 8 / 44 / 31

HEX #B1A263

RGB 177 162 99

HSL 48.46, 0.33%, 0.54%

LAB 66.59, -3.48, 34.67

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 26 / 44 / 0 / 11

HEX #A880E4

RGB 168 128 228

HSL 264, 0.65%, 0.7%

LAB 61.1, 35.59, -45.31

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 44 / 0 / 9 / 11

HEX #80E4D0

RGB 128 228 208

HSL 168, 0.65%, 0.7%

LAB 84.29, -34.04, 0.62

 

CMYK 9 / 44 / 0 / 11

HEX #D080E4

RGB 208 128 228

HSL 288, 0.65%, 0.7%

LAB 65.32, 46.93, -38.39

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

CMYK 44 / 35 / 0 / 11

HEX #8094E4

RGB 128 148 228

HSL 228, 0.65%, 0.7%

LAB 62.82, 13.43, -42.82

 

CMYK 0 / 44 / 0 / 11

HEX #E480E4

RGB 228 128 228

HSL 300, 0.65%, 0.7%

LAB 67.68, 52.72, -34.54

 

CMYK 0 / 8 / 44 / 11

HEX #E4D17F

RGB 228 209 127

HSL 48.71, 0.65%, 0.7%

LAB 83.77, -4.43, 42.94

 

CMYK 44 / 0 / 31 / 11

HEX #80E49E

RGB 128 228 158

HSL 138, 0.65%, 0.7%

LAB 83.2, -44.3, 25.26

 

CMYK 44 / 35 / 0 / 11

HEX #8094E4

RGB 128 148 228

HSL 228, 0.65%, 0.7%

LAB 62.82, 13.43, -42.82

 

CMYK 0 / 44 / 13 / 11

HEX #E480C6

RGB 228 128 198

HSL 318, 0.65%, 0.7%

LAB 66.53, 47.66, -19.6

 

Description

Color code: HEX #E4D17F | qconv.com Color code: HEX #E4D17F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 209 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 209 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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