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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E49D4B it is the complementary color #1B62B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E49D4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E49D4B: #E99D46, #FAAF59, #FFC16C, #FFD37F and #FFE592

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E49D4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E49D4B: #E49D4B, #D38B38, #C27925, #B16712 and #A05500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

Complementary color

CMYK 85 / 46 / 0 / 29

HEX #1B62B4

RGB 27 98 180

HSL 212.16, 0.74%, 0.41%

LAB 41.63, 9.58, -49.45

 

CMYK 0 / 33 / 70 / 9

HEX #E99D46

RGB 233 157 70

HSL 32.02, 0.79%, 0.59%

LAB 70.79, 20.65, 55.33

 

CMYK 0 / 30 / 64 / 2

HEX #FAAF59

RGB 250 175 89

HSL 32.05, 0.94%, 0.66%

LAB 77.1, 19.24, 54

 

CMYK 0 / 24 / 58 / 0

HEX #FFC16C

RGB 255 193 108

HSL 34.69, 1%, 0.71%

LAB 82.1, 13.15, 50.83

 

CMYK 0 / 17 / 50 / 0

HEX #FFD37F

RGB 255 211 127

HSL 39.38, 1%, 0.75%

LAB 86.69, 5.35, 47.11

 

CMYK 0 / 10 / 43 / 0

HEX #FFE592

RGB 255 229 146

HSL 45.69, 1%, 0.79%

LAB 91.4, -2.04, 43.64

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 0 / 34 / 73 / 17

HEX #D38B38

RGB 211 139 56

HSL 32.13, 0.64%, 0.52%

LAB 63.84, 20.34, 53.55

 

CMYK 0 / 38 / 81 / 24

HEX #C27925

RGB 194 121 37

HSL 32.1, 0.68%, 0.45%

LAB 57.34, 22.08, 54.46

 

CMYK 0 / 42 / 90 / 31

HEX #B16712

RGB 177 103 18

HSL 32.08, 0.82%, 0.38%

LAB 50.79, 24.08, 54.49

 

CMYK 0 / 47 / 100 / 37

HEX #A05500

RGB 160 85 0

HSL 31.88, 1%, 0.31%

LAB 44.19, 26.33, 53.2

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 0 / 20 / 68 / 11

HEX #E3B549

RGB 227 181 73

HSL 42.08, 0.73%, 0.59%

LAB 75.98, 5.54, 59.3

 

CMYK 0 / 9 / 68 / 11

HEX #E3CF49

RGB 227 207 73

HSL 52.21, 0.73%, 0.59%

LAB 82.61, -7.91, 66.15

 

CMYK 2 / 0 / 68 / 11

HEX #DEE349

RGB 222 227 73

HSL 61.95, 0.73%, 0.59%

LAB 87.46, -19.92, 70.9

 

CMYK 14 / 0 / 68 / 11

HEX #C4E349

RGB 196 227 73

HSL 72.08, 0.73%, 0.59%

LAB 85.58, -30.4, 68.4

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 0 / 29 / 67 / 91

HEX #181108

RGB 24 17 8

HSL 33.75, 0.5%, 0.06%

LAB 5.53, 1.58, 5.03

 

CMYK 0 / 31 / 67 / 71

HEX #4B3419

RGB 75 52 25

HSL 32.4, 0.5%, 0.2%

LAB 23.74, 6.92, 20.91

 

CMYK 0 / 31 / 67 / 51

HEX #7E5729

RGB 126 87 41

HSL 32.47, 0.51%, 0.33%

LAB 40.27, 11.15, 32.54

 

CMYK 0 / 31 / 67 / 31

HEX #B17A3A

RGB 177 122 58

HSL 32.27, 0.51%, 0.46%

LAB 55.66, 15.11, 42.71

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 50 / 0 / 68 / 11

HEX #72E349

RGB 114 227 73

HSL 104.03, 0.73%, 0.59%

LAB 81.29, -58.9, 62.61

 

CMYK 59 / 68 / 0 / 11

HEX #5D49E3

RGB 93 73 227

HSL 247.79, 0.73%, 0.59%

LAB 42.21, 50.21, -75.49

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 68 / 0 / 32 / 11

HEX #49E39B

RGB 73 227 155

HSL 151.95, 0.73%, 0.59%

LAB 81.14, -56.49, 23.72

 

CMYK 32 / 68 / 0 / 11

HEX #9B49E3

RGB 155 73 227

HSL 271.95, 0.73%, 0.59%

LAB 48.61, 61.05, -64.79

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 50 / 0 / 68 / 11

HEX #72E349

RGB 114 227 73

HSL 104.03, 0.73%, 0.59%

LAB 81.29, -58.9, 62.61

 

CMYK 68 / 36 / 0 / 11

HEX #4991E3

RGB 73 145 227

HSL 211.95, 0.73%, 0.59%

LAB 59.17, 3.6, -48.21

 

CMYK 18 / 68 / 0 / 11

HEX #BA49E3

RGB 186 73 227

HSL 284.03, 0.73%, 0.59%

LAB 52.68, 67.41, -58.03

 

CMYK 0 / 31 / 67 / 11

HEX #E49D4B

RGB 228 157 75

HSL 32.16, 0.74%, 0.59%

LAB 70.26, 18.83, 52.29

 

CMYK 68 / 0 / 66 / 11

HEX #49E34E

RGB 73 227 78

HSL 121.95, 0.73%, 0.59%

LAB 80.13, -67.99, 59.05

 

CMYK 68 / 36 / 0 / 11

HEX #4991E3

RGB 73 145 227

HSL 211.95, 0.73%, 0.59%

LAB 59.17, 3.6, -48.21

 

CMYK 0 / 68 / 2 / 11

HEX #E349DE

RGB 227 73 222

HSL 301.95, 0.73%, 0.59%

LAB 58.39, 75.44, -45.75

 

Description

Color code: HEX #E49D4B | qconv.com Color code: HEX #E49D4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 157 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 157 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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