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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E48CCC it is the complementary color #1B7333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E48CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E48CCC shade: #E98CC7, #FA9EDA, #FFB0ED, #FFC2FF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E48CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E48CCC shade: #E48CCC, #D37AB9, #C268A6, #B15693 and #A04480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E48CCC shade: #E48BCC, #E48BB4, #E48B9C and #E48B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E48CCC shade: #E48BCC, #E48BE4, #CC8BE4, #B48BE4 and #9D8BE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E48CCC shade matches the following richer shades: #E48BCC, #EF80D1 and #FB74D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E48CCC shade: #E48BCC, #D897C6, #CDA2C1, #C1AEBC and #B6BAB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E48CCC shade: #CC8BE4, #E48BE4, #E48BCC, #E48BB5 and #E48B9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E48CCC shade: #D448AE, #DC6ABD, #E48BCC, #ECADDB and #F4CEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E48CCC shade: #E48CCC, #E4B58B and #8BE4D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E48CCC shade: #E48CCC, #CCE48B and #8BCCE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E48CCC shade: #E48CCC, #E4B58B, #8BE4A3 and #8BBBE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E48CCC shade: #E48CCC, #E4CF8B, #8BE4A3 and #8BA0E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 11 / 11

HEX #E48CCC

RGB 228 140 204

HSL 316.36, 0.62%, 0.72%

LAB 69.19, 42.45, -18.91

 

Complementary color

CMYK 77 / 0 / 56 / 55

HEX #1B7333

RGB 27 115 51

HSL 136.36, 0.62%, 0.28%

LAB 42.36, -40.18, 28

 

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

CMYK 0 / 37 / 13 / 2

HEX #FA9EDA

RGB 250 158 218

HSL 320.87, 0.9%, 0.8%

LAB 75.97, 42.52, -16.12

 

CMYK 0 / 31 / 7 / 0

HEX #FFB0ED

RGB 255 176 237

HSL 313.67, 1%, 0.85%

LAB 80.97, 37.91, -18.82

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 39 / 11 / 11

HEX #E48CCC

RGB 228 140 204

HSL 316.36, 0.62%, 0.72%

LAB 69.19, 42.45, -18.91

 

CMYK 0 / 42 / 12 / 17

HEX #D37AB9

RGB 211 122 185

HSL 317.53, 0.5%, 0.65%

LAB 62.74, 43.21, -18.23

 

CMYK 0 / 46 / 14 / 24

HEX #C268A6

RGB 194 104 166

HSL 318.67, 0.42%, 0.58%

LAB 56.21, 43.97, -17.46

 

CMYK 0 / 51 / 17 / 31

HEX #B15693

RGB 177 86 147

HSL 319.78, 0.37%, 0.52%

LAB 49.63, 44.69, -16.54

 

CMYK 0 / 58 / 20 / 37

HEX #A04480

RGB 160 68 128

HSL 320.87, 0.4%, 0.45%

LAB 43.01, 45.3, -15.41

 

CMYK 0 / 39 / 11 / 11

HEX #E48BCC

RGB 228 139 204

HSL 316.18, 0.62%, 0.72%

LAB 68.98, 42.97, -19.22

 

CMYK 0 / 39 / 21 / 11

HEX #E48BB4

RGB 228 139 180

HSL 332.36, 0.62%, 0.72%

LAB 68.21, 39.22, -6.98

 

CMYK 0 / 39 / 32 / 11

HEX #E48B9C

RGB 228 139 156

HSL 348.54, 0.62%, 0.72%

LAB 67.55, 35.92, 5.53

 

CMYK 0 / 39 / 39 / 11

HEX #E48B8B

RGB 228 139 139

HSL 0, 0.62%, 0.72%

LAB 67.14, 33.86, 14.5

 

CMYK 0 / 39 / 11 / 11

HEX #E48BCC

RGB 228 139 204

HSL 316.18, 0.62%, 0.72%

LAB 68.98, 42.97, -19.22

 

CMYK 0 / 39 / 0 / 11

HEX #E48BE4

RGB 228 139 228

HSL 300, 0.62%, 0.72%

LAB 69.87, 47.12, -31.15

 

CMYK 11 / 39 / 0 / 11

HEX #CC8BE4

RGB 204 139 228

HSL 283.82, 0.62%, 0.72%

LAB 67.2, 39.91, -35.49

 

CMYK 21 / 39 / 0 / 11

HEX #B48BE4

RGB 180 139 228

HSL 267.64, 0.62%, 0.72%

LAB 64.78, 32.83, -39.45

 

CMYK 31 / 39 / 0 / 11

HEX #9D8BE4

RGB 157 139 228

HSL 252.13, 0.62%, 0.72%

LAB 62.71, 26.3, -42.85

 

CMYK 0 / 39 / 11 / 11

HEX #E48BCC

RGB 228 139 204

HSL 316.18, 0.62%, 0.72%

LAB 68.98, 42.97, -19.22

 

CMYK 0 / 46 / 13 / 6

HEX #EF80D1

RGB 239 128 209

HSL 316.22, 0.78%, 0.72%

LAB 68.31, 52.81, -22.91

 

CMYK 0 / 54 / 15 / 2

HEX #FB74D6

RGB 251 116 214

HSL 316.44, 0.94%, 0.72%

LAB 67.91, 62.81, -26.16

 

CMYK 0 / 39 / 11 / 11

HEX #E48BCC

RGB 228 139 204

HSL 316.18, 0.62%, 0.72%

LAB 68.98, 42.97, -19.22

 

CMYK 0 / 30 / 8 / 15

HEX #D897C6

RGB 216 151 198

HSL 316.62, 0.45%, 0.72%

LAB 70.04, 31.62, -14.42

 

CMYK 0 / 21 / 6 / 20

HEX #CDA2C1

RGB 205 162 193

HSL 316.74, 0.3%, 0.72%

LAB 71.33, 20.98, -9.84

 

CMYK 0 / 10 / 3 / 24

HEX #C1AEBC

RGB 193 174 188

HSL 315.79, 0.13%, 0.72%

LAB 73.05, 9.31, -4.65

 

CMYK 2 / 0 / 2 / 27

HEX #B6BAB7

RGB 182 186 183

HSL 135, 0.03%, 0.72%

LAB 75.13, -1.95, 1.02

 

CMYK 11 / 39 / 0 / 11

HEX #CC8BE4

RGB 204 139 228

HSL 283.82, 0.62%, 0.72%

LAB 67.2, 39.91, -35.49

 

CMYK 0 / 39 / 0 / 11

HEX #E48BE4

RGB 228 139 228

HSL 300, 0.62%, 0.72%

LAB 69.87, 47.12, -31.15

 

CMYK 0 / 39 / 11 / 11

HEX #E48BCC

RGB 228 139 204

HSL 316.18, 0.62%, 0.72%

LAB 68.98, 42.97, -19.22

 

CMYK 0 / 39 / 21 / 11

HEX #E48BB5

RGB 228 139 181

HSL 331.69, 0.62%, 0.72%

LAB 68.24, 39.37, -7.5

 

CMYK 0 / 39 / 31 / 11

HEX #E48B9D

RGB 228 139 157

HSL 347.87, 0.62%, 0.72%

LAB 67.57, 36.04, 5

 

CMYK 0 / 66 / 18 / 17

HEX #D448AE

RGB 212 72 174

HSL 316.29, 0.62%, 0.56%

LAB 53.69, 65.03, -25.74

 

CMYK 0 / 52 / 14 / 14

HEX #DC6ABD

RGB 220 106 189

HSL 316.32, 0.62%, 0.64%

LAB 60.96, 54.66, -23.11

 

CMYK 0 / 39 / 11 / 11

HEX #E48BCC

RGB 228 139 204

HSL 316.18, 0.62%, 0.72%

LAB 68.98, 42.97, -19.22

 

CMYK 0 / 27 / 7 / 7

HEX #ECADDB

RGB 236 173 219

HSL 316.19, 0.62%, 0.8%

LAB 77.78, 30.17, -14.1

 

CMYK 0 / 16 / 5 / 4

HEX #F4CEE9

RGB 244 206 233

HSL 317.37, 0.63%, 0.88%

LAB 86.63, 17.78, -8.32

 

CMYK 0 / 39 / 11 / 11

HEX #E48CCC

RGB 228 140 204

HSL 316.36, 0.62%, 0.72%

LAB 69.19, 42.45, -18.91

 

CMYK 0 / 21 / 39 / 11

HEX #E4B58B

RGB 228 181 139

HSL 28.31, 0.62%, 0.72%

LAB 76.92, 11.47, 27.87

 

CMYK 39 / 0 / 5 / 11

HEX #8BE4D8

RGB 139 228 216

HSL 171.91, 0.62%, 0.72%

LAB 84.96, -29.45, -2.57

 

CMYK 0 / 39 / 11 / 11

HEX #E48CCC

RGB 228 140 204

HSL 316.36, 0.62%, 0.72%

LAB 69.19, 42.45, -18.91

 

CMYK 11 / 0 / 39 / 11

HEX #CCE48B

RGB 204 228 139

HSL 76.18, 0.62%, 0.72%

LAB 87.09, -21.95, 40.8

 

CMYK 39 / 11 / 0 / 11

HEX #8BCCE4

RGB 139 204 228

HSL 196.18, 0.62%, 0.72%

LAB 78.62, -14.6, -18.4

 

CMYK 0 / 39 / 11 / 11

HEX #E48CCC

RGB 228 140 204

HSL 316.36, 0.62%, 0.72%

LAB 69.19, 42.45, -18.91

 

CMYK 0 / 21 / 39 / 11

HEX #E4B58B

RGB 228 181 139

HSL 28.31, 0.62%, 0.72%

LAB 76.92, 11.47, 27.87

 

CMYK 39 / 0 / 29 / 11

HEX #8BE4A3

RGB 139 228 163

HSL 136.18, 0.62%, 0.72%

LAB 83.77, -40.33, 23.53

 

CMYK 39 / 18 / 0 / 11

HEX #8BBBE4

RGB 139 187 228

HSL 207.64, 0.62%, 0.72%

LAB 73.95, -5.62, -25.5

 

CMYK 0 / 39 / 11 / 11

HEX #E48CCC

RGB 228 140 204

HSL 316.36, 0.62%, 0.72%

LAB 69.19, 42.45, -18.91

 

CMYK 0 / 9 / 39 / 11

HEX #E4CF8B

RGB 228 207 139

HSL 45.84, 0.62%, 0.72%

LAB 83.43, -2.15, 36.45

 

CMYK 39 / 0 / 29 / 11

HEX #8BE4A3

RGB 139 228 163

HSL 136.18, 0.62%, 0.72%

LAB 83.77, -40.33, 23.53

 

CMYK 39 / 30 / 0 / 11

HEX #8BA0E4

RGB 139 160 228

HSL 225.84, 0.62%, 0.72%

LAB 66.7, 9.36, -36.7

 

Description

Color code: HEX #E48CCC | qconv.com Color code: HEX #E48CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 140 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 140 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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