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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E98CC7 it is the complementary color #167338. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E98CC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E98CC7 shade: #EE8CC2, #FF9ED5, #FFB0E8, #FFC2FB and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E98CC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E98CC7 shade: #E98CC7, #D87AB4, #C768A1, #B6568E and #A5447B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E98CC7 shade: #E98BC7, #E98BAD, #E98B94 and #E98B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E98CC7 shade: #E98BC7, #E98BE0, #D98BE9, #BF8BE9 and #A68BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E98CC7 shade matches the following richer shades: #E98BC7 and #F480CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E98CC7 shade: #E98BC7, #DE96C4, #D3A2C1, #C8ADBE and #BCB8BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E98CC7 shade: #D88BE9, #E98BE1, #E98BC8, #E98BAF and #E98B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E98CC7 shade: #DC46A5, #E269B6, #E98BC7, #F0AED8 and #F6D1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E98CC7 shade: #E98CC7, #E9BF8B and #8BE9E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E98CC7 shade: #E98CC7, #C8E98B and #8BC8E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E98CC7 shade: #E98CC7, #E9BF8B, #8BE9AC and #8BB5E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E98CC7 shade: #E98CC7, #E9DB8B, #8BE9AC and #8B99E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

Complementary color

CMYK 81 / 0 / 51 / 55

HEX #167338

RGB 22 115 56

HSL 141.94, 0.68%, 0.27%

LAB 42.33, -40.12, 25.25

 

CMYK 0 / 41 / 18 / 7

HEX #EE8CC2

RGB 238 140 194

HSL 326.94, 0.74%, 0.74%

LAB 70.06, 44.14, -11.92

 

CMYK 0 / 38 / 16 / 0

HEX #FF9ED5

RGB 255 158 213

HSL 325.98, 1%, 0.81%

LAB 76.39, 43.38, -12.71

 

CMYK 0 / 31 / 9 / 0

HEX #FFB0E8

RGB 255 176 232

HSL 317.47, 1%, 0.85%

LAB 80.81, 37.07, -16.37

 

CMYK 0 / 24 / 2 / 0

HEX #FFC2FB

RGB 255 194 251

HSL 303.93, 1%, 0.88%

LAB 85.41, 30.91, -19.6

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

CMYK 0 / 44 / 17 / 15

HEX #D87AB4

RGB 216 122 180

HSL 322.98, 0.55%, 0.66%

LAB 63.19, 44.04, -14.65

 

CMYK 0 / 48 / 19 / 22

HEX #C768A1

RGB 199 104 161

HSL 324, 0.46%, 0.59%

LAB 56.7, 44.81, -13.75

 

CMYK 0 / 53 / 22 / 29

HEX #B6568E

RGB 182 86 142

HSL 325, 0.4%, 0.53%

LAB 50.16, 45.53, -12.69

 

CMYK 0 / 59 / 25 / 35

HEX #A5447B

RGB 165 68 123

HSL 325.98, 0.42%, 0.46%

LAB 43.6, 46.14, -11.39

 

CMYK 0 / 40 / 15 / 9

HEX #E98BC7

RGB 233 139 199

HSL 321.7, 0.68%, 0.73%

LAB 69.41, 43.79, -15.74

 

CMYK 0 / 40 / 26 / 9

HEX #E98BAD

RGB 233 139 173

HSL 338.3, 0.68%, 0.73%

LAB 68.61, 39.95, -2.4

 

CMYK 0 / 40 / 36 / 9

HEX #E98B94

RGB 233 139 148

HSL 354.26, 0.68%, 0.73%

LAB 67.97, 36.75, 10.7

 

CMYK 0 / 40 / 40 / 9

HEX #E98B8B

RGB 233 139 139

HSL 0, 0.68%, 0.73%

LAB 67.76, 35.72, 15.46

 

CMYK 0 / 40 / 15 / 9

HEX #E98BC7

RGB 233 139 199

HSL 321.7, 0.68%, 0.73%

LAB 69.41, 43.79, -15.74

 

CMYK 0 / 40 / 4 / 9

HEX #E98BE0

RGB 233 139 224

HSL 305.74, 0.68%, 0.73%

LAB 70.3, 47.93, -28.24

 

CMYK 7 / 40 / 0 / 9

HEX #D98BE9

RGB 217 139 233

HSL 289.79, 0.68%, 0.73%

LAB 68.82, 44.77, -35.62

 

CMYK 18 / 40 / 0 / 9

HEX #BF8BE9

RGB 191 139 233

HSL 273.19, 0.68%, 0.73%

LAB 66.08, 37.14, -40.1

 

CMYK 29 / 40 / 0 / 9

HEX #A68BE9

RGB 166 139 233

HSL 257.23, 0.68%, 0.73%

LAB 63.72, 30.04, -43.97

 

CMYK 0 / 40 / 15 / 9

HEX #E98BC7

RGB 233 139 199

HSL 321.7, 0.68%, 0.73%

LAB 69.41, 43.79, -15.74

 

CMYK 0 / 48 / 17 / 4

HEX #F480CA

RGB 244 128 202

HSL 321.72, 0.84%, 0.73%

LAB 68.7, 53.28, -18.34

 

CMYK 0 / 40 / 15 / 9

HEX #E98BC7

RGB 233 139 199

HSL 321.7, 0.68%, 0.73%

LAB 69.41, 43.79, -15.74

 

CMYK 0 / 32 / 12 / 13

HEX #DE96C4

RGB 222 150 196

HSL 321.67, 0.52%, 0.73%

LAB 70.4, 33.85, -12.7

 

CMYK 0 / 23 / 9 / 17

HEX #D3A2C1

RGB 211 162 193

HSL 322.04, 0.36%, 0.73%

LAB 71.92, 23.07, -8.89

 

CMYK 0 / 14 / 5 / 22

HEX #C8ADBE

RGB 200 173 190

HSL 322.22, 0.2%, 0.73%

LAB 73.47, 12.68, -5.06

 

CMYK 0 / 2 / 1 / 26

HEX #BCB8BB

RGB 188 184 187

HSL 315, 0.03%, 0.73%

LAB 75.18, 1.96, -1.03

 

CMYK 7 / 40 / 0 / 9

HEX #D88BE9

RGB 216 139 233

HSL 289.15, 0.68%, 0.73%

LAB 68.71, 44.48, -35.8

 

CMYK 0 / 40 / 3 / 9

HEX #E98BE1

RGB 233 139 225

HSL 305.11, 0.68%, 0.73%

LAB 70.33, 48.1, -28.73

 

CMYK 0 / 40 / 14 / 9

HEX #E98BC8

RGB 233 139 200

HSL 321.06, 0.68%, 0.73%

LAB 69.44, 43.94, -16.25

 

CMYK 0 / 40 / 25 / 9

HEX #E98BAF

RGB 233 139 175

HSL 337.02, 0.68%, 0.73%

LAB 68.67, 40.22, -3.43

 

CMYK 0 / 40 / 36 / 9

HEX #E98B96

RGB 233 139 150

HSL 352.98, 0.68%, 0.73%

LAB 68.01, 36.99, 9.65

 

CMYK 0 / 68 / 25 / 14

HEX #DC46A5

RGB 220 70 165

HSL 322, 0.68%, 0.57%

LAB 54.36, 66.68, -19.35

 

CMYK 0 / 54 / 19 / 11

HEX #E269B6

RGB 226 105 182

HSL 321.82, 0.68%, 0.65%

LAB 61.35, 55.88, -18.44

 

CMYK 0 / 40 / 15 / 9

HEX #E98BC7

RGB 233 139 199

HSL 321.7, 0.68%, 0.73%

LAB 69.41, 43.79, -15.74

 

CMYK 0 / 28 / 10 / 6

HEX #F0AED8

RGB 240 174 216

HSL 321.82, 0.69%, 0.81%

LAB 78.32, 30.48, -11.62

 

CMYK 0 / 15 / 6 / 4

HEX #F6D1E8

RGB 246 209 232

HSL 322.7, 0.67%, 0.89%

LAB 87.49, 16.7, -6.49

 

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

CMYK 0 / 18 / 40 / 9

HEX #E9BF8B

RGB 233 191 139

HSL 33.19, 0.68%, 0.73%

LAB 79.87, 8.16, 31.87

 

CMYK 40 / 0 / 2 / 9

HEX #8BE9E4

RGB 139 233 228

HSL 176.81, 0.68%, 0.73%

LAB 86.69, -29.03, -6.35

 

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

CMYK 14 / 0 / 40 / 9

HEX #C8E98B

RGB 200 233 139

HSL 81.06, 0.68%, 0.73%

LAB 88.17, -25.85, 42.12

 

CMYK 40 / 14 / 0 / 9

HEX #8BC8E9

RGB 139 200 233

HSL 201.06, 0.68%, 0.73%

LAB 77.69, -11.23, -22.51

 

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

CMYK 0 / 18 / 40 / 9

HEX #E9BF8B

RGB 233 191 139

HSL 33.19, 0.68%, 0.73%

LAB 79.87, 8.16, 31.87

 

CMYK 40 / 0 / 26 / 9

HEX #8BE9AC

RGB 139 233 172

HSL 141.06, 0.68%, 0.73%

LAB 85.38, -40.92, 21.08

 

CMYK 40 / 22 / 0 / 9

HEX #8BB5E9

RGB 139 181 233

HSL 213.19, 0.68%, 0.73%

LAB 72.51, -1.03, -30.43

 

CMYK 0 / 40 / 15 / 9

HEX #E98CC7

RGB 233 140 199

HSL 321.94, 0.68%, 0.73%

LAB 69.61, 43.27, -15.43

 

CMYK 0 / 6 / 40 / 9

HEX #E9DB8B

RGB 233 219 139

HSL 51.06, 0.68%, 0.73%

LAB 86.92, -6.32, 41.03

 

CMYK 40 / 0 / 26 / 9

HEX #8BE9AC

RGB 139 233 172

HSL 141.06, 0.68%, 0.73%

LAB 85.38, -40.92, 21.08

 

CMYK 40 / 34 / 0 / 9

HEX #8B99E9

RGB 139 153 233

HSL 231.06, 0.68%, 0.73%

LAB 65.09, 14.74, -41.97

 

Description

Color code: HEX #E98CC7 | qconv.com Color code: HEX #E98CC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 140 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 140 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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