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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E47F76 it is the complementary color #1B8089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E47F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E47F76: #E97F71, #FA9184, #FFA397, #FFB5AA and #FFC7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E47F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E47F76: #E47F76, #D36D63, #C25B50, #B1493D and #A0372A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

Complementary color

CMYK 80 / 7 / 0 / 46

HEX #1B8089

RGB 27 128 137

HSL 184.91, 0.67%, 0.32%

LAB 48.86, -24.02, -12.85

 

CMYK 0 / 45 / 52 / 9

HEX #E97F71

RGB 233 127 113

HSL 7, 0.73%, 0.68%

LAB 64.72, 39.37, 25.87

 

CMYK 0 / 42 / 47 / 2

HEX #FA9184

RGB 250 145 132

HSL 6.61, 0.92%, 0.75%

LAB 71.04, 38.23, 24.18

 

CMYK 0 / 36 / 41 / 0

HEX #FFA397

RGB 255 163 151

HSL 6.92, 1%, 0.8%

LAB 75.88, 32.71, 20.49

 

CMYK 0 / 29 / 33 / 0

HEX #FFB5AA

RGB 255 181 170

HSL 7.76, 1%, 0.83%

LAB 80.3, 25.48, 16.35

 

CMYK 0 / 22 / 26 / 0

HEX #FFC7BD

RGB 255 199 189

HSL 9.09, 1%, 0.87%

LAB 84.88, 18.5, 12.65

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 0 / 48 / 53 / 17

HEX #D36D63

RGB 211 109 99

HSL 5.36, 0.56%, 0.61%

LAB 57.74, 39.12, 23.98

 

CMYK 0 / 53 / 59 / 24

HEX #C25B50

RGB 194 91 80

HSL 5.79, 0.48%, 0.54%

LAB 51.3, 40.35, 26.07

 

CMYK 0 / 59 / 66 / 31

HEX #B1493D

RGB 177 73 61

HSL 6.21, 0.49%, 0.47%

LAB 44.87, 41.6, 28.51

 

CMYK 0 / 66 / 74 / 37

HEX #A0372A

RGB 160 55 42

HSL 6.61, 0.58%, 0.4%

LAB 38.5, 42.76, 31.4

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 0 / 37 / 48 / 11

HEX #E49076

RGB 228 144 118

HSL 14.18, 0.67%, 0.68%

LAB 67.83, 29.03, 27.11

 

CMYK 0 / 29 / 48 / 11

HEX #E4A276

RGB 228 162 118

HSL 24, 0.67%, 0.68%

LAB 71.99, 19.42, 32.55

 

CMYK 0 / 21 / 48 / 11

HEX #E4B476

RGB 228 180 118

HSL 33.82, 0.67%, 0.68%

LAB 76.34, 9.83, 38.13

 

CMYK 0 / 13 / 48 / 11

HEX #E4C676

RGB 228 198 118

HSL 43.64, 0.67%, 0.68%

LAB 80.84, 0.38, 43.78

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 0 / 46 / 50 / 91

HEX #180D0C

RGB 24 13 12

HSL 5, 0.33%, 0.07%

LAB 4.59, 4.24, 1.98

 

CMYK 0 / 44 / 48 / 71

HEX #4B2A27

RGB 75 42 39

HSL 5, 0.32%, 0.22%

LAB 21.2, 14.95, 8.53

 

CMYK 0 / 44 / 48 / 51

HEX #7E4641

RGB 126 70 65

HSL 4.92, 0.32%, 0.37%

LAB 36.36, 23.37, 13.51

 

CMYK 0 / 44 / 48 / 31

HEX #B1635C

RGB 177 99 92

HSL 4.94, 0.35%, 0.53%

LAB 50.74, 30.65, 17.84

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 13 / 0 / 48 / 11

HEX #C6E476

RGB 198 228 118

HSL 76.36, 0.67%, 0.68%

LAB 86.41, -26.52, 50.05

 

CMYK 48 / 32 / 0 / 11

HEX #769BE4

RGB 118 155 228

HSL 219.82, 0.67%, 0.68%

LAB 64.08, 6.96, -40.89

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 48 / 0 / 45 / 11

HEX #76E47E

RGB 118 228 126

HSL 124.36, 0.67%, 0.68%

LAB 82.3, -52.2, 40.16

 

CMYK 45 / 48 / 0 / 11

HEX #7E76E4

RGB 126 118 228

HSL 244.36, 0.67%, 0.68%

LAB 55.07, 30.62, -55.12

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 13 / 0 / 48 / 11

HEX #C6E476

RGB 198 228 118

HSL 76.36, 0.67%, 0.68%

LAB 86.41, -26.52, 50.05

 

CMYK 48 / 4 / 0 / 11

HEX #76DCE4

RGB 118 220 228

HSL 184.36, 0.67%, 0.68%

LAB 82.18, -27.63, -13.14

 

CMYK 36 / 48 / 0 / 11

HEX #9376E4

RGB 147 118 228

HSL 255.82, 0.67%, 0.68%

LAB 56.84, 35.72, -52.18

 

CMYK 0 / 44 / 48 / 11

HEX #E47F76

RGB 228 127 118

HSL 4.91, 0.67%, 0.68%

LAB 64.15, 37.95, 22.18

 

CMYK 27 / 0 / 48 / 11

HEX #A6E476

RGB 166 228 118

HSL 93.82, 0.67%, 0.68%

LAB 84.43, -38.25, 47.2

 

CMYK 48 / 4 / 0 / 11

HEX #76DCE4

RGB 118 220 228

HSL 184.36, 0.67%, 0.68%

LAB 82.18, -27.63, -13.14

 

CMYK 21 / 48 / 0 / 11

HEX #B476E4

RGB 180 118 228

HSL 273.82, 0.67%, 0.68%

LAB 60.12, 44.39, -46.77

 

Description

Color code: HEX #E47F76 | qconv.com Color code: HEX #E47F76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 127 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 127 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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