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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E47EDF it is the complementary color #1B8120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E47EDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E47EDF: #E97EDA, #FA90ED, #FFA2FF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E47EDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E47EDF: #E47EDF, #D36CCC, #C25AB9, #B148A6 and #A03693

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

Complementary color

CMYK 79 / 0 / 75 / 49

HEX #1B8120

RGB 27 129 32

HSL 122.94, 0.65%, 0.31%

LAB 47.02, -47.51, 42.12

 

CMYK 0 / 46 / 6 / 9

HEX #E97EDA

RGB 233 126 218

HSL 308.41, 0.71%, 0.7%

LAB 67.51, 53.46, -29.21

 

CMYK 0 / 42 / 5 / 2

HEX #FA90ED

RGB 250 144 237

HSL 307.36, 0.91%, 0.77%

LAB 73.79, 52.75, -29.82

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 0 / 49 / 3 / 17

HEX #D36CCC

RGB 211 108 204

HSL 304.08, 0.54%, 0.63%

LAB 60.72, 53.51, -32.09

 

CMYK 0 / 54 / 5 / 24

HEX #C25AB9

RGB 194 90 185

HSL 305.19, 0.46%, 0.56%

LAB 54.33, 54.09, -31.35

 

CMYK 0 / 59 / 6 / 31

HEX #B148A6

RGB 177 72 166

HSL 306.29, 0.42%, 0.49%

LAB 47.92, 54.49, -30.43

 

CMYK 0 / 66 / 8 / 37

HEX #A03693

RGB 160 54 147

HSL 307.36, 0.5%, 0.42%

LAB 41.56, 54.56, -29.22

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 0 / 45 / 9 / 11

HEX #E37CCE

RGB 227 124 206

HSL 312.23, 0.65%, 0.69%

LAB 65.91, 50.66, -25.04

 

CMYK 0 / 45 / 17 / 11

HEX #E37CBD

RGB 227 124 189

HSL 322.14, 0.65%, 0.69%

LAB 65.29, 47.96, -16.42

 

CMYK 0 / 45 / 24 / 11

HEX #E37CAC

RGB 227 124 172

HSL 332.04, 0.65%, 0.69%

LAB 64.74, 45.47, -7.63

 

CMYK 0 / 45 / 32 / 11

HEX #E37C9B

RGB 227 124 155

HSL 341.94, 0.65%, 0.69%

LAB 64.25, 43.21, 1.31

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 0 / 46 / 4 / 91

HEX #180D17

RGB 24 13 23

HSL 305.45, 0.3%, 0.07%

LAB 4.91, 6.48, -4.12

 

CMYK 0 / 45 / 3 / 71

HEX #4B2949

RGB 75 41 73

HSL 303.53, 0.29%, 0.23%

LAB 22.17, 21.53, -13.28

 

CMYK 0 / 44 / 2 / 51

HEX #7E467B

RGB 126 70 123

HSL 303.21, 0.29%, 0.38%

LAB 38.28, 32.39, -20.03

 

CMYK 0 / 45 / 2 / 31

HEX #B162AD

RGB 177 98 173

HSL 303.04, 0.34%, 0.54%

LAB 53.06, 42.93, -26.55

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 0 / 35 / 45 / 11

HEX #E3947C

RGB 227 148 124

HSL 13.98, 0.65%, 0.69%

LAB 68.73, 27.1, 24.98

 

CMYK 45 / 0 / 17 / 11

HEX #7CE3BD

RGB 124 227 189

HSL 157.86, 0.65%, 0.69%

LAB 83.39, -38.8, 9.31

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 2 / 0 / 45 / 11

HEX #DFE37C

RGB 223 227 124

HSL 62.33, 0.65%, 0.69%

LAB 88.01, -15.76, 49.56

 

CMYK 45 / 2 / 0 / 11

HEX #7CDFE3

RGB 124 223 227

HSL 182.33, 0.65%, 0.69%

LAB 83.23, -28.01, -11.01

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 0 / 35 / 45 / 11

HEX #E3947C

RGB 227 148 124

HSL 13.98, 0.65%, 0.69%

LAB 68.73, 27.1, 24.98

 

CMYK 45 / 0 / 44 / 11

HEX #7CE37F

RGB 124 227 127

HSL 121.75, 0.65%, 0.69%

LAB 82.25, -50, 39.66

 

CMYK 45 / 11 / 0 / 11

HEX #7CCBE3

RGB 124 203 227

HSL 193.98, 0.65%, 0.69%

LAB 77.6, -18.05, -19.47

 

CMYK 0 / 45 / 2 / 11

HEX #E47EDF

RGB 228 126 223

HSL 302.94, 0.65%, 0.69%

LAB 67.08, 52.84, -32.69

 

CMYK 0 / 21 / 45 / 11

HEX #E3B37C

RGB 227 179 124

HSL 32.04, 0.65%, 0.69%

LAB 76.09, 10.54, 34.67

 

CMYK 45 / 0 / 44 / 11

HEX #7CE37F

RGB 124 227 127

HSL 121.75, 0.65%, 0.69%

LAB 82.25, -50, 39.66

 

CMYK 45 / 24 / 0 / 11

HEX #7CACE3

RGB 124 172 227

HSL 212.04, 0.65%, 0.69%

LAB 68.99, -1.5, -32.66

 

Description

Color code: HEX #E47EDF | qconv.com Color code: HEX #E47EDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 126 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 126 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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