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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E45850 it is the complementary color #1BA7AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E45850. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E45850: #E9584B, #FA6A5E, #FF7C71, #FF8E84 and #FFA097

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E45850. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E45850: #E45850, #D3463D, #C2342A, #B12217 and #A01004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

Complementary color

CMYK 85 / 5 / 0 / 31

HEX #1BA7AF

RGB 27 167 175

HSL 183.24, 0.73%, 0.4%

LAB 62.48, -31.23, -14.08

 

CMYK 0 / 62 / 68 / 9

HEX #E9584B

RGB 233 88 75

HSL 4.94, 0.78%, 0.6%

LAB 56.89, 55.33, 37.21

 

CMYK 0 / 58 / 62 / 2

HEX #FA6A5E

RGB 250 106 94

HSL 4.62, 0.94%, 0.67%

LAB 62.88, 54.27, 34.57

 

CMYK 0 / 51 / 56 / 0

HEX #FF7C71

RGB 255 124 113

HSL 4.65, 1%, 0.72%

LAB 67.18, 48.91, 29.67

 

CMYK 0 / 44 / 48 / 0

HEX #FF8E84

RGB 255 142 132

HSL 4.88, 1%, 0.76%

LAB 71.06, 41.6, 24.32

 

CMYK 0 / 37 / 41 / 0

HEX #FFA097

RGB 255 160 151

HSL 5.19, 1%, 0.8%

LAB 75.22, 34.27, 19.58

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 0 / 67 / 71 / 17

HEX #D3463D

RGB 211 70 61

HSL 3.6, 0.63%, 0.53%

LAB 50.18, 54.8, 36.24

 

CMYK 0 / 73 / 78 / 24

HEX #C2342A

RGB 194 52 42

HSL 3.95, 0.64%, 0.46%

LAB 44.37, 55.37, 39.58

 

CMYK 0 / 81 / 87 / 31

HEX #B12217

RGB 177 34 23

HSL 4.29, 0.77%, 0.39%

LAB 38.82, 55.34, 43.06

 

CMYK 0 / 90 / 98 / 37

HEX #A01004

RGB 160 16 4

HSL 4.62, 0.95%, 0.32%

LAB 33.67, 54.3, 45.82

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 0 / 52 / 66 / 11

HEX #E36E4E

RGB 227 110 78

HSL 12.89, 0.73%, 0.6%

LAB 59.92, 43.13, 38.94

 

CMYK 0 / 41 / 66 / 11

HEX #E3874E

RGB 227 135 78

HSL 22.95, 0.73%, 0.6%

LAB 65.13, 30.29, 45.03

 

CMYK 0 / 30 / 66 / 11

HEX #E3A04E

RGB 227 160 78

HSL 33.02, 0.73%, 0.6%

LAB 70.89, 16.98, 51.54

 

CMYK 0 / 19 / 66 / 11

HEX #E3B94E

RGB 227 185 78

HSL 43.09, 0.73%, 0.6%

LAB 77.03, 3.72, 58.24

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 0 / 63 / 67 / 91

HEX #180908

RGB 24 9 8

HSL 3.75, 0.5%, 0.06%

LAB 3.68, 5.38, 2.32

 

CMYK 0 / 61 / 65 / 71

HEX #4B1D1A

RGB 75 29 26

HSL 3.67, 0.49%, 0.2%

LAB 17.69, 21.58, 12.79

 

CMYK 0 / 61 / 65 / 51

HEX #7E312C

RGB 126 49 44

HSL 3.66, 0.48%, 0.33%

LAB 31.38, 33.05, 20.21

 

CMYK 0 / 62 / 65 / 31

HEX #B1443E

RGB 177 68 62

HSL 3.13, 0.48%, 0.47%

LAB 43.99, 44.03, 26.83

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 16 / 0 / 66 / 11

HEX #BEE34E

RGB 190 227 78

HSL 74.9, 0.73%, 0.6%

LAB 85.22, -32.44, 66

 

CMYK 66 / 43 / 0 / 11

HEX #4E82E3

RGB 78 130 227

HSL 219.06, 0.73%, 0.6%

LAB 55.21, 13.39, -54.5

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 66 / 0 / 63 / 11

HEX #4EE355

RGB 78 227 85

HSL 122.82, 0.73%, 0.6%

LAB 80.3, -66.34, 56.39

 

CMYK 63 / 66 / 0 / 11

HEX #554EE3

RGB 85 78 227

HSL 242.82, 0.73%, 0.6%

LAB 42.65, 46.24, -74.79

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 16 / 0 / 66 / 11

HEX #BEE34E

RGB 190 227 78

HSL 74.9, 0.73%, 0.6%

LAB 85.22, -32.44, 66

 

CMYK 66 / 3 / 0 / 11

HEX #4EDCE3

RGB 78 220 227

HSL 182.82, 0.73%, 0.6%

LAB 80.93, -35.18, -14.61

 

CMYK 49 / 66 / 0 / 11

HEX #734EE3

RGB 115 78 227

HSL 254.9, 0.73%, 0.6%

LAB 45.14, 51.01, -70.63

 

CMYK 0 / 61 / 65 / 11

HEX #E45850

RGB 228 88 80

HSL 3.24, 0.73%, 0.6%

LAB 56.14, 53.91, 33.29

 

CMYK 36 / 0 / 66 / 11

HEX #91E34E

RGB 145 227 78

HSL 93.02, 0.73%, 0.6%

LAB 82.65, -48.91, 62.51

 

CMYK 66 / 3 / 0 / 11

HEX #4EDCE3

RGB 78 220 227

HSL 182.82, 0.73%, 0.6%

LAB 80.93, -35.18, -14.61

 

CMYK 30 / 66 / 0 / 11

HEX #A04EE3

RGB 160 78 227

HSL 273.02, 0.73%, 0.6%

LAB 50.06, 59.76, -62.42

 

Description

Color code: HEX #E45850 | qconv.com Color code: HEX #E45850 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 88 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 88 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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