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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E41C98 it is the complementary color #1BE367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E41C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E41C98: #E91C93, #FA2EA6, #FF40B9, #FF52CC and #FF64DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E41C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E41C98: #E41C98, #D30A85, #C20072, #B1005F and #A0004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

Complementary color

CMYK 88 / 0 / 55 / 11

HEX #1BE367

RGB 27 227 103

HSL 142.8, 0.79%, 0.5%

LAB 79.7, -70.67, 47.52

 

CMYK 0 / 88 / 37 / 9

HEX #E91C93

RGB 233 28 147

HSL 325.17, 0.82%, 0.51%

LAB 52.13, 78.78, -11.87

 

CMYK 0 / 82 / 34 / 2

HEX #FA2EA6

RGB 250 46 166

HSL 324.71, 0.95%, 0.58%

LAB 57.11, 81.07, -15.28

 

CMYK 0 / 75 / 27 / 0

HEX #FF40B9

RGB 255 64 185

HSL 321.99, 1%, 0.63%

LAB 60.27, 79.72, -21.4

 

CMYK 0 / 68 / 20 / 0

HEX #FF52CC

RGB 255 82 204

HSL 317.69, 1%, 0.66%

LAB 63.06, 76.29, -27.96

 

CMYK 0 / 61 / 13 / 0

HEX #FF64DF

RGB 255 100 223

HSL 312.39, 1%, 0.7%

LAB 66.29, 72.1, -33.63

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 0 / 95 / 37 / 17

HEX #D30A85

RGB 211 10 133

HSL 323.28, 0.91%, 0.43%

LAB 46.66, 74.86, -12.09

 

CMYK 0 / 100 / 41 / 24

HEX #C20072

RGB 194 0 114

HSL 324.74, 1%, 0.38%

LAB 42.28, 70.35, -7.28

 

CMYK 0 / 100 / 46 / 31

HEX #B1005F

RGB 177 0 95

HSL 327.8, 1%, 0.35%

LAB 38.15, 64.96, -1.79

 

CMYK 0 / 100 / 53 / 37

HEX #A0004C

RGB 160 0 76

HSL 331.5, 1%, 0.31%

LAB 33.97, 59.53, 4

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 0 / 89 / 47 / 11

HEX #E41A78

RGB 228 26 120

HSL 332.08, 0.8%, 0.5%

LAB 50.2, 75.58, 1.46

 

CMYK 0 / 89 / 62 / 11

HEX #E41A57

RGB 228 26 87

HSL 341.88, 0.8%, 0.5%

LAB 49.4, 73.33, 20.52

 

CMYK 0 / 89 / 77 / 11

HEX #E41A35

RGB 228 26 53

HSL 351.98, 0.8%, 0.5%

LAB 48.87, 71.83, 40.21

 

CMYK 0 / 86 / 89 / 11

HEX #E4211A

RGB 228 33 26

HSL 2.08, 0.8%, 0.5%

LAB 49.08, 69.94, 54.17

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 0 / 88 / 33 / 91

HEX #180310

RGB 24 3 16

HSL 322.86, 0.78%, 0.05%

LAB 2.68, 9.04, -2.83

 

CMYK 0 / 88 / 33 / 71

HEX #4B0932

RGB 75 9 50

HSL 322.73, 0.79%, 0.16%

LAB 15.07, 33.61, -8.15

 

CMYK 0 / 88 / 33 / 51

HEX #7E0F54

RGB 126 15 84

HSL 322.7, 0.79%, 0.28%

LAB 27.89, 49.77, -11.08

 

CMYK 0 / 88 / 33 / 31

HEX #B11676

RGB 177 22 118

HSL 322.84, 0.78%, 0.39%

LAB 39.96, 64.32, -13.61

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 0 / 39 / 89 / 11

HEX #E48C1A

RGB 228 140 26

HSL 33.86, 0.8%, 0.5%

LAB 66, 26.05, 66.98

 

CMYK 89 / 0 / 3 / 11

HEX #1AE4DD

RGB 26 228 221

HSL 177.92, 0.8%, 0.5%

LAB 82.34, -45.41, -9.4

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 32 / 0 / 89 / 11

HEX #9AE41A

RGB 154 228 26

HSL 81.98, 0.8%, 0.5%

LAB 83.14, -48.76, 78.2

 

CMYK 89 / 32 / 0 / 11

HEX #1A9AE4

RGB 26 154 228

HSL 201.98, 0.8%, 0.5%

LAB 60.72, -6.18, -46.38

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 0 / 39 / 89 / 11

HEX #E48C1A

RGB 228 140 26

HSL 33.86, 0.8%, 0.5%

LAB 66, 26.05, 66.98

 

CMYK 89 / 0 / 56 / 11

HEX #1AE464

RGB 26 228 100

HSL 141.98, 0.8%, 0.5%

LAB 79.97, -71.46, 49.22

 

CMYK 89 / 50 / 0 / 11

HEX #1A72E4

RGB 26 114 228

HSL 213.86, 0.8%, 0.5%

LAB 49.32, 18.04, -64.61

 

CMYK 0 / 88 / 33 / 11

HEX #E41C98

RGB 228 28 152

HSL 322.8, 0.79%, 0.5%

LAB 51.37, 78.2, -16.09

 

CMYK 0 / 12 / 89 / 11

HEX #E4C91A

RGB 228 201 26

HSL 51.98, 0.8%, 0.5%

LAB 80.93, -6.08, 78.6

 

CMYK 89 / 0 / 56 / 11

HEX #1AE464

RGB 26 228 100

HSL 141.98, 0.8%, 0.5%

LAB 79.97, -71.46, 49.22

 

CMYK 89 / 77 / 0 / 11

HEX #1A35E4

RGB 26 53 228

HSL 231.98, 0.8%, 0.5%

LAB 34.74, 55.67, -88.51

 

Description

Color code: HEX #E41C98 | qconv.com Color code: HEX #E41C98 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 28 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 28 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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