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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3F66D it is the complementary color #1C0992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3F66D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3F66D shade: #E8F668, #F9FF7B, #FFFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3F66D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3F66D shade: #E3F66D, #D2E45A, #C1D247, #B0C034 and #9FAE21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3F66D shade: #E3F66F, #F6E46F, #F6C06F, #F69C6F and #F6776F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3F66D shade: #E3F66F, #BFF66F, #9BF66F, #76F66F and #6FF68C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3F66D shade matches the following richer shades: #E3F66F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3F66D shade: #E3F66F, #DAE97C, #D1DD88, #C8D194 and #BFC4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3F66D shade: #F6C06F, #F6E46F, #E4F66F, #C0F66F and #9CF66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3F66D shade: #D4F122, #DCF348, #E3F66F, #EBF896 and #F2FBBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3F66D shade: #E3F66D, #6FF69C and #D26FF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3F66D shade: #E3F66D, #6FE4F6 and #F66FE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3F66D shade: #E3F66D, #6FF69C, #816FF6 and #F66FC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3F66D shade: #E3F66D, #6FF6C4, #816FF6 and #F66FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 56 / 4

HEX #E3F66D

RGB 227 246 109

HSL 68.32, 0.88%, 0.7%

LAB 93.17, -24.68, 62.56

 

Complementary color

CMYK 81 / 94 / 0 / 43

HEX #1C0992

RGB 28 9 146

HSL 248.32, 0.88%, 0.3%

LAB 18, 49.91, -67.61

 

CMYK 6 / 0 / 58 / 4

HEX #E8F668

RGB 232 246 104

HSL 65.92, 0.89%, 0.69%

LAB 93.48, -23.1, 65.16

 

CMYK 2 / 0 / 52 / 0

HEX #F9FF7B

RGB 249 255 123

HSL 62.73, 1%, 0.74%

LAB 97.26, -19.29, 61.52

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 8 / 0 / 56 / 4

HEX #E3F66D

RGB 227 246 109

HSL 68.32, 0.88%, 0.7%

LAB 93.17, -24.68, 62.56

 

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

CMYK 8 / 0 / 66 / 18

HEX #C1D247

RGB 193 210 71

HSL 67.34, 0.61%, 0.55%

LAB 80.68, -23.64, 64.08

 

CMYK 8 / 0 / 73 / 25

HEX #B0C034

RGB 176 192 52

HSL 66.86, 0.57%, 0.48%

LAB 74.3, -22.93, 64.32

 

CMYK 9 / 0 / 81 / 32

HEX #9FAE21

RGB 159 174 33

HSL 66.38, 0.68%, 0.41%

LAB 67.84, -22.04, 63.82

 

CMYK 8 / 0 / 55 / 4

HEX #E3F66F

RGB 227 246 111

HSL 68.44, 0.88%, 0.7%

LAB 93.18, -24.52, 61.71

 

CMYK 0 / 7 / 55 / 4

HEX #F6E46F

RGB 246 228 111

HSL 52, 0.88%, 0.7%

LAB 89.96, -8.2, 58.4

 

CMYK 0 / 22 / 55 / 4

HEX #F6C06F

RGB 246 192 111

HSL 36, 0.88%, 0.7%

LAB 80.98, 10.23, 47.81

 

CMYK 0 / 37 / 55 / 4

HEX #F69C6F

RGB 246 156 111

HSL 20, 0.88%, 0.7%

LAB 72.57, 29.15, 37.43

 

CMYK 0 / 52 / 55 / 4

HEX #F6776F

RGB 246 119 111

HSL 3.56, 0.88%, 0.7%

LAB 64.91, 47.96, 27.57

 

CMYK 8 / 0 / 55 / 4

HEX #E3F66F

RGB 227 246 111

HSL 68.44, 0.88%, 0.7%

LAB 93.18, -24.52, 61.71

 

CMYK 22 / 0 / 55 / 4

HEX #BFF66F

RGB 191 246 111

HSL 84.44, 0.88%, 0.7%

LAB 90.84, -38.11, 58.4

 

CMYK 37 / 0 / 55 / 4

HEX #9BF66F

RGB 155 246 111

HSL 100.44, 0.88%, 0.7%

LAB 88.94, -50.46, 55.7

 

CMYK 52 / 0 / 55 / 4

HEX #76F66F

RGB 118 246 111

HSL 116.89, 0.88%, 0.7%

LAB 87.44, -61.15, 53.57

 

CMYK 55 / 0 / 43 / 4

HEX #6FF68C

RGB 111 246 140

HSL 132.89, 0.88%, 0.7%

LAB 87.57, -58.94, 40

 

CMYK 8 / 0 / 55 / 4

HEX #E3F66F

RGB 227 246 111

HSL 68.44, 0.88%, 0.7%

LAB 93.18, -24.52, 61.71

 

CMYK 8 / 0 / 55 / 4

HEX #E3F66F

RGB 227 246 111

HSL 68.44, 0.88%, 0.7%

LAB 93.18, -24.52, 61.71

 

CMYK 6 / 0 / 47 / 9

HEX #DAE97C

RGB 218 233 124

HSL 68.26, 0.71%, 0.7%

LAB 89.22, -20.64, 50.95

 

CMYK 5 / 0 / 38 / 13

HEX #D1DD88

RGB 209 221 136

HSL 68.47, 0.56%, 0.7%

LAB 85.53, -16.97, 40.36

 

CMYK 4 / 0 / 29 / 18

HEX #C8D194

RGB 200 209 148

HSL 68.85, 0.4%, 0.7%

LAB 81.85, -12.91, 29.31

 

CMYK 3 / 0 / 18 / 23

HEX #BFC4A1

RGB 191 196 161

HSL 68.57, 0.23%, 0.7%

LAB 77.95, -7.74, 17.02

 

CMYK 0 / 22 / 55 / 4

HEX #F6C06F

RGB 246 192 111

HSL 36, 0.88%, 0.7%

LAB 80.98, 10.23, 47.81

 

CMYK 0 / 7 / 55 / 4

HEX #F6E46F

RGB 246 228 111

HSL 52, 0.88%, 0.7%

LAB 89.96, -8.2, 58.4

 

CMYK 7 / 0 / 55 / 4

HEX #E4F66F

RGB 228 246 111

HSL 68, 0.88%, 0.7%

LAB 93.26, -24.14, 61.81

 

CMYK 22 / 0 / 55 / 4

HEX #C0F66F

RGB 192 246 111

HSL 84, 0.88%, 0.7%

LAB 90.9, -37.75, 58.49

 

CMYK 37 / 0 / 55 / 4

HEX #9CF66F

RGB 156 246 111

HSL 100, 0.88%, 0.7%

LAB 88.98, -50.14, 55.76

 

CMYK 12 / 0 / 86 / 5

HEX #D4F122

RGB 212 241 34

HSL 68.41, 0.88%, 0.54%

LAB 90.33, -32.06, 84.16

 

CMYK 9 / 0 / 70 / 5

HEX #DCF348

RGB 220 243 72

HSL 68.07, 0.88%, 0.62%

LAB 91.59, -28.4, 75.28

 

CMYK 8 / 0 / 55 / 4

HEX #E3F66F

RGB 227 246 111

HSL 68.44, 0.88%, 0.7%

LAB 93.18, -24.52, 61.71

 

CMYK 5 / 0 / 40 / 3

HEX #EBF896

RGB 235 248 150

HSL 67.96, 0.88%, 0.78%

LAB 94.74, -18.73, 45.59

 

CMYK 4 / 0 / 25 / 2

HEX #F2FBBD

RGB 242 251 189

HSL 68.71, 0.89%, 0.86%

LAB 96.63, -12.82, 28.8

 

CMYK 8 / 0 / 56 / 4

HEX #E3F66D

RGB 227 246 109

HSL 68.32, 0.88%, 0.7%

LAB 93.17, -24.68, 62.56

 

CMYK 55 / 0 / 37 / 4

HEX #6FF69C

RGB 111 246 156

HSL 140, 0.88%, 0.7%

LAB 87.82, -56.33, 32.39

 

CMYK 15 / 55 / 0 / 4

HEX #D26FF6

RGB 210 111 246

HSL 284, 0.88%, 0.7%

LAB 63.11, 59.63, -51.8

 

CMYK 8 / 0 / 56 / 4

HEX #E3F66D

RGB 227 246 109

HSL 68.32, 0.88%, 0.7%

LAB 93.17, -24.68, 62.56

 

CMYK 55 / 7 / 0 / 4

HEX #6FE4F6

RGB 111 228 246

HSL 188, 0.88%, 0.7%

LAB 84.75, -28.15, -18.83

 

CMYK 0 / 55 / 7 / 4

HEX #F66FE4

RGB 246 111 228

HSL 308, 0.88%, 0.7%

LAB 66.95, 65.82, -35.49

 

CMYK 8 / 0 / 56 / 4

HEX #E3F66D

RGB 227 246 109

HSL 68.32, 0.88%, 0.7%

LAB 93.17, -24.68, 62.56

 

CMYK 55 / 0 / 37 / 4

HEX #6FF69C

RGB 111 246 156

HSL 140, 0.88%, 0.7%

LAB 87.82, -56.33, 32.39

 

CMYK 48 / 55 / 0 / 4

HEX #816FF6

RGB 129 111 246

HSL 248, 0.88%, 0.7%

LAB 54.75, 40.58, -65.65

 

CMYK 0 / 55 / 18 / 4

HEX #F66FC9

RGB 246 111 201

HSL 320, 0.88%, 0.7%

LAB 65.89, 61.75, -22.04

 

CMYK 8 / 0 / 56 / 4

HEX #E3F66D

RGB 227 246 109

HSL 68.32, 0.88%, 0.7%

LAB 93.17, -24.68, 62.56

 

CMYK 55 / 0 / 20 / 4

HEX #6FF6C4

RGB 111 246 196

HSL 157.78, 0.88%, 0.7%

LAB 88.58, -48.56, 12.98

 

CMYK 48 / 55 / 0 / 4

HEX #816FF6

RGB 129 111 246

HSL 248, 0.88%, 0.7%

LAB 54.75, 40.58, -65.65

 

CMYK 0 / 55 / 35 / 4

HEX #F66FA1

RGB 246 111 161

HSL 337.78, 0.88%, 0.7%

LAB 64.59, 56.58, -1.3

 

Description

Color code: HEX #E3F66D | qconv.com Color code: HEX #E3F66D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 246 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 246 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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