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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2E45A it is the complementary color #2D1BA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2E45A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2E45A shade: #D7E455, #E8F668, #F9FF7B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2E45A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2E45A shade: #D2E45A, #C1D247, #B0C034, #9FAE21 and #8E9C0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2E45A shade: #D2E458, #E4D058, #E4AB58, #E48558 and #E46058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2E45A shade: #D2E458, #ACE458, #86E458, #61E458 and #58E476

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2E45A shade matches the following richer shades: #D2E458 and #DDF449

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2E45A shade: #D2E458, #C6D468, #BAC578, #AFB587 and #A3A597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2E45A shade: #E4AA58, #E4CF58, #D4E458, #AEE458 and #89E458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2E45A shade: #B3C921, #C8DE35, #D2E458, #DBEA7C and #E5EF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2E45A shade: #D2E45A, #58E485 and #BC58E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2E45A shade: #D2E45A, #58D4E4 and #E458D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2E45A shade: #D2E45A, #58E485, #6958E4 and #E458B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2E45A shade: #D2E45A, #58E4AE, #6958E4 and #E4588E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

Complementary color

CMYK 73 / 84 / 0 / 35

HEX #2D1BA5

RGB 45 27 165

HSL 247.83, 0.72%, 0.38%

LAB 23.86, 49.7, -69.5

 

CMYK 6 / 0 / 63 / 11

HEX #D7E455

RGB 215 228 85

HSL 65.45, 0.73%, 0.61%

LAB 87.29, -22.55, 65.94

 

CMYK 6 / 0 / 58 / 4

HEX #E8F668

RGB 232 246 104

HSL 65.92, 0.89%, 0.69%

LAB 93.48, -23.1, 65.16

 

CMYK 2 / 0 / 52 / 0

HEX #F9FF7B

RGB 249 255 123

HSL 62.73, 1%, 0.74%

LAB 97.26, -19.29, 61.52

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

CMYK 8 / 0 / 66 / 18

HEX #C1D247

RGB 193 210 71

HSL 67.34, 0.61%, 0.55%

LAB 80.68, -23.64, 64.08

 

CMYK 8 / 0 / 73 / 25

HEX #B0C034

RGB 176 192 52

HSL 66.86, 0.57%, 0.48%

LAB 74.3, -22.93, 64.32

 

CMYK 9 / 0 / 81 / 32

HEX #9FAE21

RGB 159 174 33

HSL 66.38, 0.68%, 0.41%

LAB 67.84, -22.04, 63.82

 

CMYK 9 / 0 / 91 / 39

HEX #8E9C0E

RGB 142 156 14

HSL 65.92, 0.84%, 0.33%

LAB 61.27, -20.94, 62.08

 

CMYK 8 / 0 / 61 / 11

HEX #D2E458

RGB 210 228 88

HSL 67.71, 0.72%, 0.62%

LAB 86.94, -24.35, 64.24

 

CMYK 0 / 9 / 61 / 11

HEX #E4D058

RGB 228 208 88

HSL 51.43, 0.72%, 0.62%

LAB 83.08, -7.12, 60.47

 

CMYK 0 / 25 / 61 / 11

HEX #E4AB58

RGB 228 171 88

HSL 35.57, 0.72%, 0.62%

LAB 73.76, 12.18, 50.04

 

CMYK 0 / 42 / 61 / 11

HEX #E48558

RGB 228 133 88

HSL 19.29, 0.72%, 0.62%

LAB 64.94, 32.39, 39.66

 

CMYK 0 / 58 / 61 / 11

HEX #E46058

RGB 228 96 88

HSL 3.43, 0.72%, 0.62%

LAB 57.62, 50.81, 30.6

 

CMYK 8 / 0 / 61 / 11

HEX #D2E458

RGB 210 228 88

HSL 67.71, 0.72%, 0.62%

LAB 86.94, -24.35, 64.24

 

CMYK 25 / 0 / 61 / 11

HEX #ACE458

RGB 172 228 88

HSL 84, 0.72%, 0.62%

LAB 84.46, -39, 60.83

 

CMYK 41 / 0 / 61 / 11

HEX #86E458

RGB 134 228 88

HSL 100.29, 0.72%, 0.62%

LAB 82.52, -52.04, 58.13

 

CMYK 57 / 0 / 61 / 11

HEX #61E458

RGB 97 228 88

HSL 116.14, 0.72%, 0.62%

LAB 81.14, -62.28, 56.21

 

CMYK 61 / 0 / 48 / 11

HEX #58E476

RGB 88 228 118

HSL 132.86, 0.72%, 0.62%

LAB 81.22, -60.54, 42.51

 

CMYK 8 / 0 / 61 / 11

HEX #D2E458

RGB 210 228 88

HSL 67.71, 0.72%, 0.62%

LAB 86.94, -24.35, 64.24

 

CMYK 9 / 0 / 70 / 4

HEX #DDF449

RGB 221 244 73

HSL 68.07, 0.89%, 0.62%

LAB 91.93, -28.42, 75.29

 

CMYK 8 / 0 / 61 / 11

HEX #D2E458

RGB 210 228 88

HSL 67.71, 0.72%, 0.62%

LAB 86.94, -24.35, 64.24

 

CMYK 7 / 0 / 51 / 17

HEX #C6D468

RGB 198 212 104

HSL 67.78, 0.56%, 0.62%

LAB 81.89, -20.11, 51.24

 

CMYK 6 / 0 / 39 / 23

HEX #BAC578

RGB 186 197 120

HSL 68.57, 0.4%, 0.62%

LAB 77.12, -15.74, 37.34

 

CMYK 3 / 0 / 25 / 29

HEX #AFB587

RGB 175 181 135

HSL 67.83, 0.24%, 0.62%

LAB 72.17, -9.84, 22.8

 

CMYK 1 / 0 / 8 / 35

HEX #A3A597

RGB 163 165 151

HSL 68.57, 0.07%, 0.62%

LAB 67.23, -3.29, 7

 

CMYK 0 / 25 / 61 / 11

HEX #E4AA58

RGB 228 170 88

HSL 35.14, 0.72%, 0.62%

LAB 73.51, 12.71, 49.76

 

CMYK 0 / 9 / 61 / 11

HEX #E4CF58

RGB 228 207 88

HSL 51, 0.72%, 0.62%

LAB 82.82, -6.61, 60.19

 

CMYK 7 / 0 / 61 / 11

HEX #D4E458

RGB 212 228 88

HSL 66.86, 0.72%, 0.62%

LAB 87.09, -23.55, 64.44

 

CMYK 24 / 0 / 61 / 11

HEX #AEE458

RGB 174 228 88

HSL 83.14, 0.72%, 0.62%

LAB 84.58, -38.26, 60.99

 

CMYK 40 / 0 / 61 / 11

HEX #89E458

RGB 137 228 88

HSL 99, 0.72%, 0.62%

LAB 82.65, -51.09, 58.32

 

CMYK 11 / 0 / 84 / 21

HEX #B3C921

RGB 179 201 33

HSL 67.86, 0.72%, 0.46%

LAB 76.96, -26.78, 72.27

 

CMYK 10 / 0 / 76 / 13

HEX #C8DE35

RGB 200 222 53

HSL 67.81, 0.72%, 0.54%

LAB 84.37, -27.44, 74.05

 

CMYK 8 / 0 / 61 / 11

HEX #D2E458

RGB 210 228 88

HSL 67.71, 0.72%, 0.62%

LAB 86.94, -24.35, 64.24

 

CMYK 6 / 0 / 47 / 8

HEX #DBEA7C

RGB 219 234 124

HSL 68.18, 0.72%, 0.7%

LAB 89.56, -20.74, 51.38

 

CMYK 4 / 0 / 33 / 6

HEX #E5EF9F

RGB 229 239 159

HSL 67.5, 0.71%, 0.78%

LAB 92.08, -15.56, 37.65

 

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

CMYK 61 / 0 / 42 / 11

HEX #58E485

RGB 88 228 133

HSL 139.29, 0.72%, 0.62%

LAB 81.43, -58.19, 35.39

 

CMYK 18 / 61 / 0 / 11

HEX #BC58E4

RGB 188 88 228

HSL 282.86, 0.72%, 0.62%

LAB 55.35, 61.54, -54.29

 

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

CMYK 61 / 7 / 0 / 11

HEX #58D4E4

RGB 88 212 228

HSL 186.86, 0.72%, 0.62%

LAB 78.9, -29.53, -18.17

 

CMYK 0 / 61 / 7 / 11

HEX #E458D4

RGB 228 88 212

HSL 306.86, 0.72%, 0.62%

LAB 60.09, 68.43, -37.41

 

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

CMYK 61 / 0 / 42 / 11

HEX #58E485

RGB 88 228 133

HSL 139.29, 0.72%, 0.62%

LAB 81.43, -58.19, 35.39

 

CMYK 54 / 61 / 0 / 11

HEX #6958E4

RGB 105 88 228

HSL 247.29, 0.72%, 0.62%

LAB 46.42, 43.94, -69.14

 

CMYK 0 / 61 / 19 / 11

HEX #E458B8

RGB 228 88 184

HSL 318.86, 0.72%, 0.62%

LAB 58.91, 64.29, -23.29

 

CMYK 8 / 0 / 61 / 11

HEX #D2E45A

RGB 210 228 90

HSL 67.83, 0.72%, 0.62%

LAB 86.96, -24.21, 63.43

 

CMYK 61 / 0 / 24 / 11

HEX #58E4AE

RGB 88 228 174

HSL 156.86, 0.72%, 0.62%

LAB 82.17, -50.32, 15.31

 

CMYK 54 / 61 / 0 / 11

HEX #6958E4

RGB 105 88 228

HSL 247.29, 0.72%, 0.62%

LAB 46.42, 43.94, -69.14

 

CMYK 0 / 61 / 38 / 11

HEX #E4588E

RGB 228 88 142

HSL 336.86, 0.72%, 0.62%

LAB 57.49, 59.08, -1.04

 

Description

Color code: HEX #D2E45A | qconv.com Color code: HEX #D2E45A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 228 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 228 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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