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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C4B0 it is the complementary color #1C3B4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C4B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C4B0 shade: #E8C4AB, #F9D6BE, #FFE8D1, #FFFAE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C4B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C4B0 shade: #E3C4B0, #D2B29D, #C1A08A, #B08E77 and #9F7C64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C4B0 shade: #E3C4B0, #E3B6B0 and #E3B0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C4B0 shade: #E3C4B0, #E3D2B0, #E3E0B0, #D9E3B0 and #CBE3B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C4B0 shade matches the following richer shades: #E3C4B0, #ECC2A7, #F4C09E and #FDBE96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C4B0 shade: #E3C4B0, #DAC6B8, #D2C8C1, #C9CACA and #C0CBD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C4B0 shade: #E3B0B7, #E3B6B0, #E3C3B0, #E3D1B0 and #E3DFB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C4B0 shade: #CE9673, #D8AD91, #E3C4B0, #EEDBCE and #F9F1ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C4B0 shade: #E3C4B0, #C5E3B0 and #B0B1E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C4B0 shade: #E3C4B0, #B0E3C3 and #C3B0E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C4B0 shade: #E3C4B0, #C5E3B0, #B0CFE3 and #CEB0E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C4B0 shade: #E3C4B0, #B6E3B0, #B0CFE3 and #DDB0E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

Complementary color

CMYK 65 / 25 / 0 / 69

HEX #1C3B4F

RGB 28 59 79

HSL 203.53, 0.48%, 0.21%

LAB 23.47, -4.51, -15.63

 

CMYK 0 / 16 / 26 / 9

HEX #E8C4AB

RGB 232 196 171

HSL 24.59, 0.57%, 0.79%

LAB 81.61, 9.08, 17.3

 

CMYK 0 / 14 / 24 / 2

HEX #F9D6BE

RGB 249 214 190

HSL 24.41, 0.83%, 0.86%

LAB 87.94, 8.61, 16.36

 

CMYK 0 / 9 / 18 / 0

HEX #FFE8D1

RGB 255 232 209

HSL 30, 1%, 0.91%

LAB 93.27, 4.25, 14.02

 

CMYK 0 / 2 / 11 / 0

HEX #FFFAE4

RGB 255 250 228

HSL 48.89, 1%, 0.95%

LAB 98.13, -1.98, 11.13

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 0 / 15 / 25 / 18

HEX #D2B29D

RGB 210 178 157

HSL 23.77, 0.37%, 0.72%

LAB 74.81, 8.36, 15.02

 

CMYK 0 / 17 / 28 / 24

HEX #C1A08A

RGB 193 160 138

HSL 24, 0.31%, 0.65%

LAB 68.25, 8.87, 16.03

 

CMYK 0 / 19 / 32 / 31

HEX #B08E77

RGB 176 142 119

HSL 24.21, 0.27%, 0.58%

LAB 61.57, 9.46, 17.11

 

CMYK 0 / 22 / 37 / 38

HEX #9F7C64

RGB 159 124 100

HSL 24.41, 0.24%, 0.51%

LAB 54.77, 10.14, 18.3

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 0 / 20 / 22 / 11

HEX #E3B6B0

RGB 227 182 176

HSL 7.06, 0.48%, 0.79%

LAB 77.83, 15.34, 9.22

 

CMYK 0 / 22 / 22 / 11

HEX #E3B0B0

RGB 227 176 176

HSL 0, 0.48%, 0.79%

LAB 76.38, 18.55, 7.15

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 0 / 7 / 22 / 11

HEX #E3D2B0

RGB 227 210 176

HSL 40, 0.48%, 0.79%

LAB 84.77, 0.58, 19

 

CMYK 0 / 1 / 22 / 11

HEX #E3E0B0

RGB 227 224 176

HSL 56.47, 0.48%, 0.79%

LAB 88.34, -6.6, 23.94

 

CMYK 4 / 0 / 22 / 11

HEX #D9E3B0

RGB 217 227 176

HSL 71.76, 0.48%, 0.79%

LAB 88.36, -11.78, 23.85

 

CMYK 11 / 0 / 22 / 11

HEX #CBE3B0

RGB 203 227 176

HSL 88.24, 0.48%, 0.79%

LAB 87.37, -16.81, 22.32

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 0 / 18 / 29 / 7

HEX #ECC2A7

RGB 236 194 167

HSL 23.48, 0.64%, 0.79%

LAB 81.4, 11.11, 19.21

 

CMYK 0 / 21 / 35 / 4

HEX #F4C09E

RGB 244 192 158

HSL 23.72, 0.8%, 0.79%

LAB 81.51, 14.09, 24.26

 

CMYK 0 / 25 / 41 / 1

HEX #FDBE96

RGB 253 190 150

HSL 23.3, 0.96%, 0.79%

LAB 81.79, 17.71, 29.01

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 0 / 9 / 16 / 15

HEX #DAC6B8

RGB 218 198 184

HSL 24.71, 0.31%, 0.79%

LAB 81.16, 4.73, 9.55

 

CMYK 0 / 5 / 8 / 18

HEX #D2C8C1

RGB 210 200 193

HSL 24.71, 0.16%, 0.79%

LAB 81.21, 2.27, 4.73

 

CMYK 0 / 0 / 0 / 21

HEX #C9CACA

RGB 201 202 202

HSL 180, 0.01%, 0.79%

LAB 81.25, -0.34, -0.13

 

CMYK 9 / 3 / 0 / 18

HEX #C0CBD2

RGB 192 203 210

HSL 203.33, 0.17%, 0.79%

LAB 81.06, -2.38, -4.78

 

CMYK 0 / 22 / 19 / 11

HEX #E3B0B7

RGB 227 176 183

HSL 351.76, 0.48%, 0.79%

LAB 76.56, 19.59, 3.59

 

CMYK 0 / 20 / 22 / 11

HEX #E3B6B0

RGB 227 182 176

HSL 7.06, 0.48%, 0.79%

LAB 77.83, 15.34, 9.22

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B0

RGB 227 195 176

HSL 22.35, 0.48%, 0.79%

LAB 81.01, 8.43, 13.74

 

CMYK 0 / 8 / 22 / 11

HEX #E3D1B0

RGB 227 209 176

HSL 38.82, 0.48%, 0.79%

LAB 84.52, 1.1, 18.65

 

CMYK 0 / 2 / 22 / 11

HEX #E3DFB0

RGB 227 223 176

HSL 55.29, 0.48%, 0.79%

LAB 88.08, -6.09, 23.58

 

CMYK 0 / 27 / 44 / 19

HEX #CE9673

RGB 206 150 115

HSL 23.08, 0.48%, 0.63%

LAB 66.65, 16.73, 26.73

 

CMYK 0 / 20 / 33 / 15

HEX #D8AD91

RGB 216 173 145

HSL 23.66, 0.48%, 0.71%

LAB 73.89, 11.75, 20.34

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 0 / 8 / 13 / 7

HEX #EEDBCE

RGB 238 219 206

HSL 24.38, 0.48%, 0.87%

LAB 88.59, 4.41, 8.74

 

CMYK 0 / 3 / 5 / 2

HEX #F9F1ED

RGB 249 241 237

HSL 20, 0.5%, 0.95%

LAB 95.65, 2, 2.87

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 13 / 0 / 22 / 11

HEX #C5E3B0

RGB 197 227 176

HSL 95.29, 0.48%, 0.79%

LAB 86.97, -18.93, 21.7

 

CMYK 22 / 22 / 0 / 11

HEX #B0B1E3

RGB 176 177 227

HSL 238.82, 0.48%, 0.79%

LAB 73.69, 10.17, -25.15

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 22 / 0 / 14 / 11

HEX #B0E3C3

RGB 176 227 195

HSL 142.35, 0.48%, 0.79%

LAB 86.06, -22.7, 10.32

 

CMYK 14 / 22 / 0 / 11

HEX #C3B0E3

RGB 195 176 227

HSL 262.35, 0.48%, 0.79%

LAB 74.95, 16.64, -23.09

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 13 / 0 / 22 / 11

HEX #C5E3B0

RGB 197 227 176

HSL 95.29, 0.48%, 0.79%

LAB 86.97, -18.93, 21.7

 

CMYK 22 / 9 / 0 / 11

HEX #B0CFE3

RGB 176 207 227

HSL 203.53, 0.48%, 0.79%

LAB 81.51, -5.98, -13.31

 

CMYK 9 / 22 / 0 / 11

HEX #CEB0E3

RGB 206 176 227

HSL 275.29, 0.48%, 0.79%

LAB 75.9, 20.16, -21.56

 

CMYK 0 / 14 / 22 / 11

HEX #E3C4B0

RGB 227 196 176

HSL 23.53, 0.48%, 0.79%

LAB 81.26, 7.9, 14.09

 

CMYK 20 / 0 / 22 / 11

HEX #B6E3B0

RGB 182 227 176

HSL 112.94, 0.48%, 0.79%

LAB 86.02, -24.09, 20.24

 

CMYK 22 / 9 / 0 / 11

HEX #B0CFE3

RGB 176 207 227

HSL 203.53, 0.48%, 0.79%

LAB 81.51, -5.98, -13.31

 

CMYK 3 / 22 / 0 / 11

HEX #DDB0E3

RGB 221 176 227

HSL 292.94, 0.48%, 0.79%

LAB 77.26, 25.03, -19.36

 

Description

Color code: HEX #E3C4B0 | qconv.com Color code: HEX #E3C4B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 196 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 196 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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