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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E39977 it is the complementary color #1C6688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E39977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E39977: #E89972, #F9AB85, #FFBD98, #FFCFAB and #FFE1BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E39977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E39977: #E39977, #D28764, #C17551, #B0633E and #9F512B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

Complementary color

CMYK 79 / 25 / 0 / 47

HEX #1C6688

RGB 28 102 136

HSL 198.89, 0.66%, 0.32%

LAB 40.45, -9.89, -25.15

 

CMYK 0 / 34 / 51 / 9

HEX #E89972

RGB 232 153 114

HSL 19.83, 0.72%, 0.68%

LAB 70.28, 25.45, 32.57

 

CMYK 0 / 31 / 47 / 2

HEX #F9AB85

RGB 249 171 133

HSL 19.66, 0.91%, 0.75%

LAB 76.65, 24.39, 31.1

 

CMYK 0 / 26 / 40 / 0

HEX #FFBD98

RGB 255 189 152

HSL 21.55, 1%, 0.8%

LAB 81.8, 19.22, 28

 

CMYK 0 / 19 / 33 / 0

HEX #FFCFAB

RGB 255 207 171

HSL 25.71, 1%, 0.84%

LAB 86.42, 12.01, 24.29

 

CMYK 0 / 12 / 25 / 0

HEX #FFE1BE

RGB 255 225 190

HSL 32.31, 1%, 0.87%

LAB 91.16, 5.15, 20.92

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 0 / 36 / 52 / 18

HEX #D28764

RGB 210 135 100

HSL 19.09, 0.55%, 0.61%

LAB 63.3, 25.04, 30.65

 

CMYK 0 / 39 / 58 / 24

HEX #C17551

RGB 193 117 81

HSL 19.29, 0.47%, 0.54%

LAB 56.74, 26.3, 32.34

 

CMYK 0 / 44 / 65 / 31

HEX #B0633E

RGB 176 99 62

HSL 19.47, 0.48%, 0.47%

LAB 50.1, 27.73, 34.21

 

CMYK 0 / 49 / 73 / 38

HEX #9F512B

RGB 159 81 43

HSL 19.66, 0.57%, 0.4%

LAB 43.4, 29.35, 36.24

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 0 / 26 / 48 / 11

HEX #E3A977

RGB 227 169 119

HSL 27.78, 0.66%, 0.68%

LAB 73.57, 15.37, 34.05

 

CMYK 0 / 18 / 48 / 11

HEX #E3BB77

RGB 227 187 119

HSL 37.78, 0.66%, 0.68%

LAB 77.99, 5.82, 39.69

 

CMYK 0 / 10 / 48 / 11

HEX #E3CD77

RGB 227 205 119

HSL 47.78, 0.66%, 0.68%

LAB 82.55, -3.55, 45.37

 

CMYK 0 / 2 / 48 / 11

HEX #E3DF77

RGB 227 223 119

HSL 57.78, 0.66%, 0.68%

LAB 87.21, -12.66, 51.05

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 0 / 30 / 48 / 91

HEX #17100C

RGB 23 16 12

HSL 21.82, 0.31%, 0.07%

LAB 5.23, 2.23, 2.9

 

CMYK 0 / 32 / 47 / 71

HEX #4A3227

RGB 74 50 39

HSL 18.86, 0.31%, 0.22%

LAB 23.28, 9.26, 11.34

 

CMYK 0 / 33 / 47 / 51

HEX #7D5442

RGB 125 84 66

HSL 18.31, 0.31%, 0.37%

LAB 39.74, 14.77, 17.41

 

CMYK 0 / 32 / 48 / 31

HEX #B0775C

RGB 176 119 92

HSL 19.29, 0.35%, 0.53%

LAB 55.27, 19.15, 23.88

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 24 / 0 / 48 / 11

HEX #ADE377

RGB 173 227 119

HSL 90, 0.66%, 0.68%

LAB 84.56, -35.2, 46.97

 

CMYK 48 / 43 / 0 / 11

HEX #7782E3

RGB 119 130 227

HSL 233.89, 0.66%, 0.68%

LAB 57.5, 21.57, -50.72

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 48 / 0 / 33 / 11

HEX #77E397

RGB 119 227 151

HSL 137.78, 0.66%, 0.68%

LAB 82.43, -47.51, 27.76

 

CMYK 33 / 48 / 0 / 11

HEX #9777E3

RGB 151 119 227

HSL 257.78, 0.66%, 0.68%

LAB 57.38, 35.9, -50.74

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 24 / 0 / 48 / 11

HEX #ADE377

RGB 173 227 119

HSL 90, 0.66%, 0.68%

LAB 84.56, -35.2, 46.97

 

CMYK 48 / 15 / 0 / 11

HEX #77C2E3

RGB 119 194 227

HSL 198.33, 0.66%, 0.68%

LAB 74.86, -14.56, -23.67

 

CMYK 24 / 48 / 0 / 11

HEX #AD77E3

RGB 173 119 227

HSL 270, 0.66%, 0.68%

LAB 59.55, 41.72, -47.17

 

CMYK 0 / 33 / 48 / 11

HEX #E39977

RGB 227 153 119

HSL 18.89, 0.66%, 0.68%

LAB 69.79, 23.93, 29.12

 

CMYK 38 / 0 / 48 / 11

HEX #8DE377

RGB 141 227 119

HSL 107.78, 0.66%, 0.68%

LAB 82.88, -46.01, 44.51

 

CMYK 48 / 15 / 0 / 11

HEX #77C2E3

RGB 119 194 227

HSL 198.33, 0.66%, 0.68%

LAB 74.86, -14.56, -23.67

 

CMYK 10 / 48 / 0 / 11

HEX #CD77E3

RGB 205 119 227

HSL 287.78, 0.66%, 0.68%

LAB 63.11, 50.54, -41.32

 

Description

Color code: HEX #E39977 | qconv.com Color code: HEX #E39977 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 153 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 153 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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