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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E38F7ACE it is the complementary color #1C7085CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E38F7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E38F7ACE shade: #E88F75CE, #F9A188CE, #FFB39BCE, #FFC5AECE and #FFD7C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E38F7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E38F7ACE shade: #E38F7ACE, #D27D67CE, #C16B54CE, #B05941CE and #9F472ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E38F7ACE shade: #E28E78 and #E27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E38F7ACE shade: #E28E78, #E2AA78, #E2C778, #E1E278 and #C5E278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E38F7ACE shade matches the following richer shades: #E28E78, #F0866B and #FD7E5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E38F7ACE shade: #E28E78, #D59586, #C89D93, #BBA5A0 and #AEADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E38F7ACE shade: #E2789C, #E2787F, #E28E78, #E2AA78 and #E2C678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E38F7ACE shade: #D45434, #DB7156, #E28E78, #EAAA9A and #F1C7BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E38F7ACE shade: #E38F7A, #B8E278 and #788EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E38F7ACE shade: #E38F7A, #78E28E and #8E78E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E38F7ACE shade: #E38F7A, #B8E278, #78CDE2 and #A378E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E38F7ACE shade: #E38F7A, #98E278, #78CDE2 and #C378E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 37 / 9

HEX #E38F7ACE

RGBA 227 143 122 0.81

HSLA 12, 0.65%, 0.68%, 0.81

LABA 67.56, 29.56, 24.52, 0.81

 

Complementary color

CMYK 64 / 13 / 0 / 39

HEX #1C7085CE

RGBA 28 112 133 0.81

HSLA 192, 0.65%, 0.32%, 0.81

LABA 43.55, -16.71, -18.56, 0.81

 

CMYK 0 / 31 / 40 / 7

HEX #E88F75CE

RGBA 232 143 117 0.81

HSLA 13.57, 0.71%, 0.68%, 0.81

LABA 68.08, 31.02, 28.08, 0.81

 

CMYK 0 / 29 / 37 / 2

HEX #F9A188CE

RGBA 249 161 136 0.81

HSLA 13.27, 0.9%, 0.75%, 0.81

LABA 74.45, 29.94, 26.56, 0.81

 

CMYK 0 / 24 / 32 / 0

HEX #FFB39BCE

RGBA 255 179 155 0.81

HSLA 14.4, 1%, 0.8%, 0.81

LABA 79.54, 24.79, 23.34, 0.81

 

CMYK 0 / 18 / 26 / 0

HEX #FFC5AECE

RGBA 255 197 174 0.81

HSLA 17.04, 1%, 0.84%, 0.81

LABA 84.09, 17.59, 19.5, 0.81

 

CMYK 0 / 13 / 20 / 0

HEX #FFD7C1CE

RGBA 255 215 193 0.81

HSLA 21.29, 1%, 0.88%, 0.81

LABA 88.79, 10.72, 16.05, 0.81

 

CMYK 0 / 30 / 37 / 9

HEX #E38F7ACE

RGBA 227 143 122 0.81

HSLA 12, 0.65%, 0.68%, 0.81

LABA 67.56, 29.56, 24.52, 0.81

 

CMYK 0 / 33 / 41 / 14

HEX #D27D67CE

RGBA 210 125 103 0.81

HSLA 12.34, 0.54%, 0.61%, 0.81

LABA 61.09, 30.69, 26.11, 0.81

 

CMYK 0 / 36 / 46 / 20

HEX #C16B54CE

RGBA 193 107 84 0.81

HSLA 12.66, 0.47%, 0.54%, 0.81

LABA 54.55, 31.95, 27.9, 0.81

 

CMYK 0 / 40 / 51 / 25

HEX #B05941CE

RGBA 176 89 65 0.81

HSLA 12.97, 0.46%, 0.47%, 0.81

LABA 47.95, 33.33, 29.94, 0.81

 

CMYK 0 / 45 / 58 / 30

HEX #9F472ECE

RGBA 159 71 46 0.81

HSLA 13.27, 0.55%, 0.4%, 0.81

LABA 41.33, 34.83, 32.27, 0.81

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 0 / 47 / 47 / 11

HEX #E27878

RGB 226 120 120

HSL 0, 0.65%, 0.68%

LAB 62.47, 40.99, 18.73

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 0 / 25 / 47 / 11

HEX #E2AA78

RGB 226 170 120

HSL 28.3, 0.65%, 0.68%

LAB 73.72, 14.53, 33.69

 

CMYK 0 / 12 / 47 / 11

HEX #E2C778

RGB 226 199 120

HSL 44.72, 0.65%, 0.68%

LAB 80.94, -0.76, 42.86

 

CMYK 0 / 0 / 47 / 11

HEX #E1E278

RGB 225 226 120

HSL 60.57, 0.65%, 0.68%

LAB 87.85, -14.85, 51.31

 

CMYK 13 / 0 / 47 / 11

HEX #C5E278

RGB 197 226 120

HSL 76.42, 0.65%, 0.68%

LAB 85.82, -25.74, 48.37

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 0 / 44 / 55 / 6

HEX #F0866B

RGB 240 134 107

HSL 12.18, 0.82%, 0.68%

LAB 67, 37.93, 32.34

 

CMYK 0 / 50 / 63 / 1

HEX #FD7E5E

RGB 253 126 94

HSL 12.08, 0.98%, 0.68%

LAB 66.99, 45.9, 39.73

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 0 / 30 / 37 / 16

HEX #D59586

RGB 213 149 134

HSL 11.39, 0.48%, 0.68%

LAB 67.55, 22.2, 17.59

 

CMYK 0 / 22 / 27 / 22

HEX #C89D93

RGB 200 157 147

HSL 11.32, 0.33%, 0.68%

LAB 68.39, 14.49, 11.33

 

CMYK 0 / 12 / 14 / 27

HEX #BBA5A0

RGB 187 165 160

HSL 11.11, 0.17%, 0.68%

LAB 69.48, 7.17, 5.51

 

CMYK 0 / 1 / 1 / 32

HEX #AEADAD

RGB 174 173 173

HSL 0, 0.01%, 0.68%

LAB 70.8, 0.36, 0.12

 

CMYK 0 / 47 / 31 / 11

HEX #E2789C

RGB 226 120 156

HSL 339.62, 0.65%, 0.68%

LAB 63.34, 45.03, -0.6

 

CMYK 0 / 47 / 44 / 11

HEX #E2787F

RGB 226 120 127

HSL 356.04, 0.65%, 0.68%

LAB 62.62, 41.69, 14.94

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 0 / 25 / 47 / 11

HEX #E2AA78

RGB 226 170 120

HSL 28.3, 0.65%, 0.68%

LAB 73.72, 14.53, 33.69

 

CMYK 0 / 12 / 47 / 11

HEX #E2C678

RGB 226 198 120

HSL 44.15, 0.65%, 0.68%

LAB 80.69, -0.24, 42.55

 

CMYK 0 / 60 / 75 / 17

HEX #D45434

RGB 212 84 52

HSL 12, 0.65%, 0.52%

LAB 52.49, 48.73, 43.75

 

CMYK 0 / 48 / 61 / 14

HEX #DB7156

RGB 219 113 86

HSL 12.18, 0.65%, 0.6%

LAB 59.47, 39.1, 33.76

 

CMYK 0 / 37 / 47 / 11

HEX #E28E78

RGB 226 142 120

HSL 12.45, 0.65%, 0.68%

LAB 67.18, 29.5, 25.09

 

CMYK 0 / 27 / 34 / 8

HEX #EAAA9A

RGB 234 170 154

HSL 12, 0.66%, 0.76%

LAB 75.19, 21.43, 17.53

 

CMYK 0 / 17 / 22 / 5

HEX #F1C7BC

RGB 241 199 188

HSL 12.45, 0.65%, 0.84%

LAB 83.54, 13.23, 11.08

 

CMYK 0 / 37 / 46 / 11

HEX #E38F7A

RGB 227 143 122

HSL 12, 0.65%, 0.68%

LAB 67.56, 29.56, 24.52

 

CMYK 19 / 0 / 47 / 11

HEX #B8E278

RGB 184 226 120

HSL 83.77, 0.65%, 0.68%

LAB 84.97, -30.62, 47.13

 

CMYK 47 / 37 / 0 / 11

HEX #788EE2

RGB 120 142 226

HSL 227.55, 0.65%, 0.68%

LAB 60.63, 14.41, -45.19

 

CMYK 0 / 37 / 46 / 11

HEX #E38F7A

RGB 227 143 122

HSL 12, 0.65%, 0.68%

LAB 67.56, 29.56, 24.52

 

CMYK 47 / 0 / 37 / 11

HEX #78E28E

RGB 120 226 142

HSL 132.45, 0.65%, 0.68%

LAB 82.02, -48.36, 31.82

 

CMYK 37 / 47 / 0 / 11

HEX #8E78E2

RGB 142 120 226

HSL 252.45, 0.65%, 0.68%

LAB 56.76, 32.77, -51.22

 

CMYK 0 / 37 / 46 / 11

HEX #E38F7A

RGB 227 143 122

HSL 12, 0.65%, 0.68%

LAB 67.56, 29.56, 24.52

 

CMYK 19 / 0 / 47 / 11

HEX #B8E278

RGB 184 226 120

HSL 83.77, 0.65%, 0.68%

LAB 84.97, -30.62, 47.13

 

CMYK 47 / 9 / 0 / 11

HEX #78CDE2

RGB 120 205 226

HSL 191.89, 0.65%, 0.68%

LAB 77.96, -20.27, -18.41

 

CMYK 28 / 47 / 0 / 11

HEX #A378E2

RGB 163 120 226

HSL 264.34, 0.65%, 0.68%

LAB 58.71, 38.24, -48.01

 

CMYK 0 / 37 / 46 / 11

HEX #E38F7A

RGB 227 143 122

HSL 12, 0.65%, 0.68%

LAB 67.56, 29.56, 24.52

 

CMYK 33 / 0 / 47 / 11

HEX #98E278

RGB 152 226 120

HSL 101.89, 0.65%, 0.68%

LAB 83.14, -41.9, 44.47

 

CMYK 47 / 9 / 0 / 11

HEX #78CDE2

RGB 120 205 226

HSL 191.89, 0.65%, 0.68%

LAB 77.96, -20.27, -18.41

 

CMYK 14 / 47 / 0 / 11

HEX #C378E2

RGB 195 120 226

HSL 282.45, 0.65%, 0.68%

LAB 62.11, 47.03, -42.42

 

Description

Color code: HEX #E38F7ACE | qconv.com Color code: HEX #E38F7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 143 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 143 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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