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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E38F43 it is the complementary color #1C70BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E38F43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E38F43: #E88F3E, #F9A151, #FFB364, #FFC577 and #FFD78A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E38F43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E38F43: #E38F43, #D27D30, #C16B1D, #B0590A and #9F4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

Complementary color

CMYK 85 / 40 / 0 / 26

HEX #1C70BC

RGB 28 112 188

HSL 208.5, 0.74%, 0.42%

LAB 46.27, 3.9, -46.69

 

CMYK 0 / 38 / 73 / 9

HEX #E88F3E

RGB 232 143 62

HSL 28.59, 0.79%, 0.58%

LAB 67.39, 27.27, 55.35

 

CMYK 0 / 35 / 67 / 2

HEX #F9A151

RGB 249 161 81

HSL 28.57, 0.93%, 0.65%

LAB 73.69, 25.71, 53.94

 

CMYK 0 / 30 / 61 / 0

HEX #FFB364

RGB 255 179 100

HSL 30.58, 1%, 0.7%

LAB 78.71, 19.89, 50.71

 

CMYK 0 / 23 / 53 / 0

HEX #FFC577

RGB 255 197 119

HSL 34.41, 1%, 0.73%

LAB 83.19, 11.92, 46.75

 

CMYK 0 / 16 / 46 / 0

HEX #FFD78A

RGB 255 215 138

HSL 39.49, 1%, 0.77%

LAB 87.82, 4.3, 43.07

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 0 / 40 / 77 / 18

HEX #D27D30

RGB 210 125 48

HSL 28.52, 0.64%, 0.51%

LAB 60.41, 27.12, 53.59

 

CMYK 0 / 45 / 85 / 24

HEX #C16B1D

RGB 193 107 29

HSL 28.54, 0.74%, 0.44%

LAB 53.96, 29.01, 54.42

 

CMYK 0 / 49 / 94 / 31

HEX #B0590A

RGB 176 89 10

HSL 28.55, 0.89%, 0.36%

LAB 47.49, 31.13, 54.04

 

CMYK 0 / 55 / 100 / 38

HEX #9F4700

RGB 159 71 0

HSL 26.79, 1%, 0.31%

LAB 41.02, 33.43, 51.23

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 0 / 26 / 70 / 11

HEX #E3A944

RGB 227 169 68

HSL 38.11, 0.74%, 0.58%

LAB 72.97, 11.63, 58.3

 

CMYK 0 / 14 / 70 / 11

HEX #E3C344

RGB 227 195 68

HSL 47.92, 0.74%, 0.58%

LAB 79.49, -2.03, 64.95

 

CMYK 0 / 3 / 70 / 11

HEX #E3DD44

RGB 227 221 68

HSL 57.74, 0.74%, 0.58%

LAB 86.24, -15.17, 71.63

 

CMYK 9 / 0 / 70 / 11

HEX #CEE344

RGB 206 227 68

HSL 67.92, 0.74%, 0.58%

LAB 86.24, -26.68, 71.09

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 0 / 39 / 70 / 91

HEX #170E07

RGB 23 14 7

HSL 26.25, 0.53%, 0.06%

LAB 4.62, 2.56, 4.09

 

CMYK 0 / 36 / 70 / 71

HEX #4A2F16

RGB 74 47 22

HSL 28.85, 0.54%, 0.19%

LAB 22.11, 9.43, 20.79

 

CMYK 0 / 37 / 70 / 51

HEX #7D4F25

RGB 125 79 37

HSL 28.64, 0.54%, 0.32%

LAB 38, 15.18, 32.12

 

CMYK 0 / 37 / 70 / 31

HEX #B06F34

RGB 176 111 52

HSL 28.55, 0.54%, 0.45%

LAB 52.78, 20.47, 42.5

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 47 / 0 / 70 / 11

HEX #79E344

RGB 121 227 68

HSL 100, 0.74%, 0.58%

LAB 81.52, -57.26, 64.8

 

CMYK 65 / 70 / 0 / 11

HEX #4F44E3

RGB 79 68 227

HSL 244.15, 0.74%, 0.58%

LAB 40.15, 51.12, -78.91

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 70 / 0 / 37 / 11

HEX #44E38E

RGB 68 227 142

HSL 147.92, 0.74%, 0.58%

LAB 80.81, -59.79, 29.93

 

CMYK 37 / 70 / 0 / 11

HEX #8E44E3

RGB 142 68 227

HSL 267.92, 0.74%, 0.58%

LAB 46.22, 60.85, -68.74

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 47 / 0 / 70 / 11

HEX #79E344

RGB 121 227 68

HSL 100, 0.74%, 0.58%

LAB 81.52, -57.26, 64.8

 

CMYK 70 / 33 / 0 / 11

HEX #4499E3

RGB 68 153 227

HSL 207.92, 0.74%, 0.58%

LAB 61.27, -1.8, -44.9

 

CMYK 23 / 70 / 0 / 11

HEX #AE44E3

RGB 174 68 227

HSL 280, 0.74%, 0.58%

LAB 50.31, 66.98, -61.92

 

CMYK 0 / 37 / 70 / 11

HEX #E38F43

RGB 227 143 67

HSL 28.5, 0.74%, 0.58%

LAB 66.81, 25.45, 52.27

 

CMYK 68 / 0 / 70 / 11

HEX #49E344

RGB 73 227 68

HSL 118.11, 0.74%, 0.58%

LAB 80.05, -68.88, 62.82

 

CMYK 70 / 33 / 0 / 11

HEX #4499E3

RGB 68 153 227

HSL 207.92, 0.74%, 0.58%

LAB 61.27, -1.8, -44.9

 

CMYK 3 / 70 / 0 / 11

HEX #DD44E3

RGB 221 68 227

HSL 297.74, 0.74%, 0.58%

LAB 57.13, 76.65, -50.63

 

Description

Color code: HEX #E38F43 | qconv.com Color code: HEX #E38F43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 143 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 143 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 70 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 70% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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