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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E35AA7 it is the complementary color #1CA558. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E35AA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E35AA7 shade: #E85AA2, #F96CB5, #FF7EC8, #FF90DB and #FFA2EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E35AA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E35AA7 shade: #E35AA7, #D24894, #C13681, #B0246E and #9F125B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E35AA7 shade: #E359A7, #E35982, #E3595C and #E35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E35AA7 shade: #E359A7, #E359CC, #D559E3, #B059E3 and #8B59E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E35AA7 shade matches the following richer shades: #E359A7 and #F34AA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E35AA7 shade: #E359A7, #D369A5, #C479A3, #B488A1 and #A4989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E35AA7 shade: #D559E3, #E359CC, #E359A7, #E35983 and #E3595E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E35AA7 shade: #C8227F, #DD3694, #E359A7, #E97DB9 and #EFA0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E35AA7 shade: #E35AA7, #E3B059 and #59DEE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E35AA7 shade: #E35AA7, #A7E359 and #59A7E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E35AA7 shade: #E35AA7, #E3B059, #59E395 and #598CE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E35AA7 shade: #E35AA7, #E3DA59, #59E395 and #5962E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 26 / 11

HEX #E35AA7

RGB 227 90 167

HSL 326.28, 0.71%, 0.62%

LAB 58.45, 60.88, -14.2

 

Complementary color

CMYK 83 / 0 / 47 / 35

HEX #1CA558

RGB 28 165 88

HSL 146.28, 0.71%, 0.38%

LAB 59.76, -52.25, 30.21

 

CMYK 0 / 61 / 30 / 9

HEX #E85AA2

RGB 232 90 162

HSL 329.58, 0.76%, 0.63%

LAB 59.05, 61.72, -10.33

 

CMYK 0 / 57 / 27 / 2

HEX #F96CB5

RGB 249 108 181

HSL 328.94, 0.92%, 0.7%

LAB 65.12, 61.28, -11.86

 

CMYK 0 / 51 / 22 / 0

HEX #FF7EC8

RGB 255 126 200

HSL 325.58, 1%, 0.75%

LAB 69.72, 57.35, -15.55

 

CMYK 0 / 44 / 14 / 0

HEX #FF90DB

RGB 255 144 219

HSL 319.46, 1%, 0.78%

LAB 73.75, 51.38, -19.97

 

CMYK 0 / 36 / 7 / 0

HEX #FFA2EE

RGB 255 162 238

HSL 310.97, 1%, 0.82%

LAB 78.04, 45.33, -23.81

 

CMYK 0 / 60 / 26 / 11

HEX #E35AA7

RGB 227 90 167

HSL 326.28, 0.71%, 0.62%

LAB 58.45, 60.88, -14.2

 

CMYK 0 / 66 / 30 / 18

HEX #D24894

RGB 210 72 148

HSL 326.96, 0.61%, 0.55%

LAB 52.37, 61.08, -12.5

 

CMYK 0 / 72 / 33 / 24

HEX #C13681

RGB 193 54 129

HSL 327.63, 0.56%, 0.48%

LAB 46.39, 60.86, -10.38

 

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

CMYK 0 / 89 / 43 / 38

HEX #9F125B

RGB 159 18 91

HSL 328.94, 0.8%, 0.35%

LAB 35.12, 58.03, -4.11

 

CMYK 0 / 61 / 26 / 11

HEX #E359A7

RGB 227 89 167

HSL 326.09, 0.71%, 0.62%

LAB 58.29, 61.31, -14.44

 

CMYK 0 / 61 / 43 / 11

HEX #E35982

RGB 227 89 130

HSL 342.17, 0.71%, 0.62%

LAB 57.16, 57.09, 5.51

 

CMYK 0 / 61 / 59 / 11

HEX #E3595C

RGB 227 89 92

HSL 358.7, 0.71%, 0.62%

LAB 56.34, 53.89, 26.63

 

CMYK 0 / 61 / 61 / 11

HEX #E35959

RGB 227 89 89

HSL 0, 0.71%, 0.62%

LAB 56.28, 53.69, 28.29

 

CMYK 0 / 61 / 26 / 11

HEX #E359A7

RGB 227 89 167

HSL 326.09, 0.71%, 0.62%

LAB 58.29, 61.31, -14.44

 

CMYK 0 / 61 / 10 / 11

HEX #E359CC

RGB 227 89 204

HSL 310, 0.71%, 0.62%

LAB 59.74, 66.53, -33.44

 

CMYK 6 / 61 / 0 / 11

HEX #D559E3

RGB 213 89 227

HSL 293.91, 0.71%, 0.62%

LAB 58.82, 66.83, -48.01

 

CMYK 22 / 61 / 0 / 11

HEX #B059E3

RGB 176 89 227

HSL 277.83, 0.71%, 0.62%

LAB 53.94, 58.07, -56.07

 

CMYK 39 / 61 / 0 / 11

HEX #8B59E3

RGB 139 89 227

HSL 261.74, 0.71%, 0.62%

LAB 49.71, 49.78, -63.1

 

CMYK 0 / 61 / 26 / 11

HEX #E359A7

RGB 227 89 167

HSL 326.09, 0.71%, 0.62%

LAB 58.29, 61.31, -14.44

 

CMYK 0 / 70 / 30 / 5

HEX #F34AA9

RGB 243 74 169

HSL 326.27, 0.88%, 0.62%

LAB 58.8, 71.75, -14.57

 

CMYK 0 / 61 / 26 / 11

HEX #E359A7

RGB 227 89 167

HSL 326.09, 0.71%, 0.62%

LAB 58.29, 61.31, -14.44

 

CMYK 0 / 50 / 22 / 17

HEX #D369A5

RGB 211 105 165

HSL 326.04, 0.55%, 0.62%

LAB 58.67, 48.78, -12.94

 

CMYK 0 / 38 / 17 / 23

HEX #C479A3

RGB 196 121 163

HSL 326.4, 0.39%, 0.62%

LAB 59.94, 35.16, -10.08

 

CMYK 0 / 24 / 11 / 29

HEX #B488A1

RGB 180 136 161

HSL 325.91, 0.23%, 0.62%

LAB 61.55, 20.86, -6.71

 

CMYK 0 / 7 / 3 / 36

HEX #A4989F

RGB 164 152 159

HSL 325, 0.06%, 0.62%

LAB 64.04, 5.69, -2.08

 

CMYK 6 / 61 / 0 / 11

HEX #D559E3

RGB 213 89 227

HSL 293.91, 0.71%, 0.62%

LAB 58.82, 66.83, -48.01

 

CMYK 0 / 61 / 10 / 11

HEX #E359CC

RGB 227 89 204

HSL 310, 0.71%, 0.62%

LAB 59.74, 66.53, -33.44

 

CMYK 0 / 61 / 26 / 11

HEX #E359A7

RGB 227 89 167

HSL 326.09, 0.71%, 0.62%

LAB 58.29, 61.31, -14.44

 

CMYK 0 / 61 / 42 / 11

HEX #E35983

RGB 227 89 131

HSL 341.74, 0.71%, 0.62%

LAB 57.19, 57.19, 4.96

 

CMYK 0 / 61 / 59 / 11

HEX #E3595E

RGB 227 89 94

HSL 357.83, 0.71%, 0.62%

LAB 56.37, 54.03, 25.51

 

CMYK 0 / 83 / 37 / 22

HEX #C8227F

RGB 200 34 127

HSL 326.39, 0.71%, 0.46%

LAB 45.57, 68.17, -10.26

 

CMYK 0 / 76 / 33 / 13

HEX #DD3694

RGB 221 54 148

HSL 326.23, 0.71%, 0.54%

LAB 52, 70.25, -12.87

 

CMYK 0 / 61 / 26 / 11

HEX #E359A7

RGB 227 89 167

HSL 326.09, 0.71%, 0.62%

LAB 58.29, 61.31, -14.44

 

CMYK 0 / 46 / 21 / 9

HEX #E97DB9

RGB 233 125 185

HSL 326.67, 0.71%, 0.7%

LAB 66.13, 48.79, -12.83

 

CMYK 0 / 33 / 15 / 6

HEX #EFA0CC

RGB 239 160 204

HSL 326.58, 0.71%, 0.78%

LAB 74.73, 35.6, -10.44

 

CMYK 0 / 60 / 26 / 11

HEX #E35AA7

RGB 227 90 167

HSL 326.28, 0.71%, 0.62%

LAB 58.45, 60.88, -14.2

 

CMYK 0 / 22 / 61 / 11

HEX #E3B059

RGB 227 176 89

HSL 37.83, 0.71%, 0.62%

LAB 74.89, 9.17, 50.83

 

CMYK 61 / 2 / 0 / 11

HEX #59DEE3

RGB 89 222 227

HSL 182.17, 0.71%, 0.62%

LAB 81.79, -34.41, -13.29

 

CMYK 0 / 60 / 26 / 11

HEX #E35AA7

RGB 227 90 167

HSL 326.28, 0.71%, 0.62%

LAB 58.45, 60.88, -14.2

 

CMYK 26 / 0 / 61 / 11

HEX #A7E359

RGB 167 227 89

HSL 86.09, 0.71%, 0.62%

LAB 83.9, -40.31, 59.71

 

CMYK 61 / 26 / 0 / 11

HEX #59A7E3

RGB 89 167 227

HSL 206.09, 0.71%, 0.62%

LAB 65.99, -6.27, -37.45

 

CMYK 0 / 60 / 26 / 11

HEX #E35AA7

RGB 227 90 167

HSL 326.28, 0.71%, 0.62%

LAB 58.45, 60.88, -14.2

 

CMYK 0 / 22 / 61 / 11

HEX #E3B059

RGB 227 176 89

HSL 37.83, 0.71%, 0.62%

LAB 74.89, 9.17, 50.83

 

CMYK 61 / 0 / 34 / 11

HEX #59E395

RGB 89 227 149

HSL 146.09, 0.71%, 0.62%

LAB 81.42, -54.78, 27.26

 

CMYK 61 / 38 / 0 / 11

HEX #598CE3

RGB 89 140 227

HSL 217.83, 0.71%, 0.62%

LAB 58.44, 9.29, -49.33

 

CMYK 0 / 60 / 26 / 11

HEX #E35AA7

RGB 227 90 167

HSL 326.28, 0.71%, 0.62%

LAB 58.45, 60.88, -14.2

 

CMYK 0 / 4 / 61 / 11

HEX #E3DA59

RGB 227 218 89

HSL 56.09, 0.71%, 0.62%

LAB 85.6, -12.5, 62.76

 

CMYK 61 / 0 / 34 / 11

HEX #59E395

RGB 89 227 149

HSL 146.09, 0.71%, 0.62%

LAB 81.42, -54.78, 27.26

 

CMYK 61 / 57 / 0 / 11

HEX #5962E3

RGB 89 98 227

HSL 236.09, 0.71%, 0.62%

LAB 47.5, 34.91, -66.88

 

Description

Color code: HEX #E35AA7 | qconv.com Color code: HEX #E35AA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 90 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 90 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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