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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0246E it is the complementary color #4FDB91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0246E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0246E shade: #B52469, #C6367C, #D7488F, #E85AA2 and #F96CB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0246E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0246E shade: #B0246E, #9F125B, #8E0048, #7D0035 and #6C0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0246E shade: #B2246F, #B22449 and #B22424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0246E shade: #B2246F, #B22495, #A824B2, #8224B2 and #5C24B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0246E shade matches the following richer shades: #B2246F, #C31370 and #D40271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0246E shade: #B2246F, #A0366E, #8F476D, #7E586C and #6C6A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0246E shade: #A824B2, #B22496, #B22470, #B2244A and #B22424

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0246E shade: #6D1644, #901D5A, #B2246F, #D42C85 and #DB4E98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0246E shade: #B0246E, #B28324 and #24A8B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0246E shade: #B0246E, #70B224 and #2470B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0246E shade: #B0246E, #B28324, #24B266 and #2454B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0246E shade: #B0246E, #B2AD24, #24B266 and #2429B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

Complementary color

CMYK 64 / 0 / 34 / 14

HEX #4FDB91

RGB 79 219 145

HSL 148.29, 0.66%, 0.58%

LAB 78.68, -54.32, 25.57

 

CMYK 0 / 80 / 42 / 29

HEX #B52469

RGB 181 36 105

HSL 331.45, 0.67%, 0.43%

LAB 41.38, 60.75, -3.26

 

CMYK 0 / 73 / 37 / 22

HEX #C6367C

RGB 198 54 124

HSL 330.83, 0.57%, 0.49%

LAB 47.1, 61.66, -6.18

 

CMYK 0 / 67 / 33 / 16

HEX #D7488F

RGB 215 72 143

HSL 330.21, 0.64%, 0.56%

LAB 53.02, 61.9, -8.47

 

CMYK 0 / 61 / 30 / 9

HEX #E85AA2

RGB 232 90 162

HSL 329.58, 0.76%, 0.63%

LAB 59.05, 61.72, -10.33

 

CMYK 0 / 57 / 27 / 2

HEX #F96CB5

RGB 249 108 181

HSL 328.94, 0.92%, 0.7%

LAB 65.12, 61.28, -11.86

 

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

CMYK 0 / 89 / 43 / 38

HEX #9F125B

RGB 159 18 91

HSL 328.94, 0.8%, 0.35%

LAB 35.12, 58.03, -4.11

 

CMYK 0 / 100 / 49 / 44

HEX #8E0048

RGB 142 0 72

HSL 329.58, 1%, 0.28%

LAB 29.96, 54.98, 0.35

 

CMYK 0 / 100 / 58 / 51

HEX #7D0035

RGB 125 0 53

HSL 334.56, 1%, 0.25%

LAB 25.61, 49.37, 6.51

 

CMYK 0 / 100 / 69 / 58

HEX #6C0022

RGB 108 0 34

HSL 341.11, 1%, 0.21%

LAB 21.22, 43.75, 13.13

 

CMYK 0 / 80 / 38 / 30

HEX #B2246F

RGB 178 36 111

HSL 328.31, 0.66%, 0.42%

LAB 41.02, 60.59, -7.63

 

CMYK 0 / 80 / 59 / 30

HEX #B22449

RGB 178 36 73

HSL 344.37, 0.66%, 0.42%

LAB 39.93, 57.28, 14.8

 

CMYK 0 / 80 / 80 / 30

HEX #B22424

RGB 178 36 36

HSL 0, 0.66%, 0.42%

LAB 39.33, 55.42, 36.75

 

CMYK 0 / 80 / 38 / 30

HEX #B2246F

RGB 178 36 111

HSL 328.31, 0.66%, 0.42%

LAB 41.02, 60.59, -7.63

 

CMYK 0 / 80 / 16 / 30

HEX #B22495

RGB 178 36 149

HSL 312.25, 0.66%, 0.42%

LAB 42.61, 65.23, -28.57

 

CMYK 6 / 80 / 0 / 30

HEX #A824B2

RGB 168 36 178

HSL 295.77, 0.66%, 0.42%

LAB 42.46, 67.58, -46.26

 

CMYK 27 / 80 / 0 / 30

HEX #8224B2

RGB 130 36 178

HSL 279.72, 0.66%, 0.42%

LAB 36.41, 60.56, -56.33

 

CMYK 48 / 80 / 0 / 30

HEX #5C24B2

RGB 92 36 178

HSL 263.66, 0.66%, 0.42%

LAB 31.23, 54.55, -64.99

 

CMYK 0 / 80 / 38 / 30

HEX #B2246F

RGB 178 36 111

HSL 328.31, 0.66%, 0.42%

LAB 41.02, 60.59, -7.63

 

CMYK 0 / 90 / 43 / 24

HEX #C31370

RGB 195 19 112

HSL 328.3, 0.82%, 0.42%

LAB 43.12, 68.34, -4.77

 

CMYK 0 / 99 / 47 / 17

HEX #D40271

RGB 212 2 113

HSL 328.29, 0.98%, 0.42%

LAB 45.95, 73.98, -0.83

 

CMYK 0 / 80 / 38 / 30

HEX #B2246F

RGB 178 36 111

HSL 328.31, 0.66%, 0.42%

LAB 41.02, 60.59, -7.63

 

CMYK 0 / 66 / 31 / 37

HEX #A0366E

RGB 160 54 110

HSL 328.3, 0.5%, 0.42%

LAB 39.98, 49.16, -8.89

 

CMYK 0 / 50 / 24 / 44

HEX #8F476D

RGB 143 71 109

HSL 328.33, 0.34%, 0.42%

LAB 40.33, 35.23, -8.02

 

CMYK 0 / 30 / 14 / 51

HEX #7E586C

RGB 126 88 108

HSL 328.42, 0.18%, 0.42%

LAB 42, 19.01, -5.15

 

CMYK 0 / 2 / 1 / 58

HEX #6C6A6B

RGB 108 106 107

HSL 330, 0.01%, 0.42%

LAB 45.02, 0.98, -0.29

 

CMYK 6 / 80 / 0 / 30

HEX #A824B2

RGB 168 36 178

HSL 295.77, 0.66%, 0.42%

LAB 42.46, 67.58, -46.26

 

CMYK 0 / 80 / 16 / 30

HEX #B22496

RGB 178 36 150

HSL 311.83, 0.66%, 0.42%

LAB 42.66, 65.37, -29.1

 

CMYK 0 / 80 / 37 / 30

HEX #B22470

RGB 178 36 112

HSL 327.89, 0.66%, 0.42%

LAB 41.05, 60.69, -8.2

 

CMYK 0 / 80 / 58 / 30

HEX #B2244A

RGB 178 36 74

HSL 343.94, 0.66%, 0.42%

LAB 39.95, 57.35, 14.2

 

CMYK 0 / 80 / 80 / 30

HEX #B22424

RGB 178 36 36

HSL 0, 0.66%, 0.42%

LAB 39.33, 55.42, 36.75

 

CMYK 0 / 80 / 38 / 57

HEX #6D1644

RGB 109 22 68

HSL 328.28, 0.66%, 0.26%

LAB 24.46, 41.37, -5.87

 

CMYK 0 / 80 / 38 / 44

HEX #901D5A

RGB 144 29 90

HSL 328.17, 0.66%, 0.34%

LAB 33.02, 51.42, -6.91

 

CMYK 0 / 80 / 38 / 30

HEX #B2246F

RGB 178 36 111

HSL 328.31, 0.66%, 0.42%

LAB 41.02, 60.59, -7.63

 

CMYK 0 / 79 / 37 / 17

HEX #D42C85

RGB 212 44 133

HSL 328.21, 0.66%, 0.5%

LAB 48.87, 69.24, -8.73

 

CMYK 0 / 64 / 31 / 14

HEX #DB4E98

RGB 219 78 152

HSL 328.51, 0.66%, 0.58%

LAB 54.84, 61.71, -11

 

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

CMYK 0 / 26 / 80 / 30

HEX #B28324

RGB 178 131 36

HSL 40.14, 0.66%, 0.42%

LAB 57.87, 9.44, 54.61

 

CMYK 80 / 6 / 0 / 30

HEX #24A8B2

RGB 36 168 178

HSL 184.23, 0.66%, 0.42%

LAB 63.01, -30.03, -14.95

 

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

CMYK 37 / 0 / 80 / 30

HEX #70B224

RGB 112 178 36

HSL 87.89, 0.66%, 0.42%

LAB 66.07, -42.52, 60.26

 

CMYK 80 / 37 / 0 / 30

HEX #2470B2

RGB 36 112 178

HSL 207.89, 0.66%, 0.42%

LAB 45.88, 0.81, -41.49

 

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

CMYK 0 / 26 / 80 / 30

HEX #B28324

RGB 178 131 36

HSL 40.14, 0.66%, 0.42%

LAB 57.87, 9.44, 54.61

 

CMYK 80 / 0 / 43 / 30

HEX #24B266

RGB 36 178 102

HSL 147.89, 0.66%, 0.42%

LAB 64.3, -53.54, 28.75

 

CMYK 80 / 53 / 0 / 30

HEX #2454B2

RGB 36 84 178

HSL 219.72, 0.66%, 0.42%

LAB 37.72, 18.83, -54.58

 

CMYK 0 / 80 / 38 / 31

HEX #B0246E

RGB 176 36 110

HSL 328.29, 0.66%, 0.42%

LAB 40.6, 59.97, -7.66

 

CMYK 0 / 3 / 80 / 30

HEX #B2AD24

RGB 178 173 36

HSL 57.89, 0.66%, 0.42%

LAB 69.1, -13.18, 64.67

 

CMYK 80 / 0 / 43 / 30

HEX #24B266

RGB 36 178 102

HSL 147.89, 0.66%, 0.42%

LAB 64.3, -53.54, 28.75

 

CMYK 80 / 77 / 0 / 30

HEX #2429B2

RGB 36 41 178

HSL 237.89, 0.66%, 0.42%

LAB 27.23, 46.17, -71.76

 

Description

Color code: HEX #B0246E | qconv.com Color code: HEX #B0246E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 36 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 36 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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