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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E32FD2 it is the complementary color #1CD02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E32FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E32FD2: #E82FCD, #F941E0, #FF53F3, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E32FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E32FD2: #E32FD2, #D21DBF, #C10BAC, #B00099 and #9F0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

Complementary color

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

CMYK 0 / 80 / 12 / 9

HEX #E82FCD

RGB 232 47 205

HSL 308.76, 0.8%, 0.55%

LAB 55.68, 81.63, -40.31

 

CMYK 0 / 74 / 10 / 2

HEX #F941E0

RGB 249 65 224

HSL 308.15, 0.94%, 0.62%

LAB 61.05, 83.06, -42.45

 

CMYK 0 / 67 / 5 / 0

HEX #FF53F3

RGB 255 83 243

HSL 304.19, 1%, 0.66%

LAB 64.9, 81.44, -46.93

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 0 / 86 / 9 / 18

HEX #D21DBF

RGB 210 29 191

HSL 306.3, 0.76%, 0.47%

LAB 49.91, 79.08, -41.6

 

CMYK 0 / 94 / 11 / 24

HEX #C10BAC

RGB 193 11 172

HSL 306.92, 0.89%, 0.4%

LAB 45.02, 75.74, -38.37

 

CMYK 0 / 100 / 13 / 31

HEX #B00099

RGB 176 0 153

HSL 307.84, 1%, 0.35%

LAB 40.46, 71.15, -34.39

 

CMYK 0 / 100 / 16 / 38

HEX #9F0086

RGB 159 0 134

HSL 309.43, 1%, 0.31%

LAB 36.16, 65.46, -29.74

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 0 / 79 / 19 / 11

HEX #E230B6

RGB 226 48 182

HSL 314.83, 0.75%, 0.54%

LAB 53.66, 77.1, -30.27

 

CMYK 0 / 79 / 33 / 11

HEX #E23098

RGB 226 48 152

HSL 324.94, 0.75%, 0.54%

LAB 52.45, 73.57, -14.48

 

CMYK 0 / 79 / 46 / 11

HEX #E2307A

RGB 226 48 122

HSL 335.06, 0.75%, 0.54%

LAB 51.48, 70.67, 2.06

 

CMYK 0 / 79 / 59 / 11

HEX #E2305D

RGB 226 48 93

HSL 344.83, 0.75%, 0.54%

LAB 50.77, 68.5, 18.64

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 0 / 78 / 9 / 91

HEX #170515

RGB 23 5 21

HSL 306.67, 0.64%, 0.05%

LAB 3.11, 8.82, -5.32

 

CMYK 0 / 80 / 8 / 71

HEX #4A0F44

RGB 74 15 68

HSL 306.1, 0.66%, 0.17%

LAB 16.58, 34.05, -18.58

 

CMYK 0 / 79 / 7 / 51

HEX #7D1A74

RGB 125 26 116

HSL 305.45, 0.66%, 0.3%

LAB 30.3, 51.11, -28.11

 

CMYK 0 / 80 / 7 / 31

HEX #B024A3

RGB 176 36 163

HSL 305.57, 0.66%, 0.42%

LAB 42.97, 66.81, -36.45

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 0 / 56 / 79 / 11

HEX #E26330

RGB 226 99 48

HSL 17.19, 0.75%, 0.54%

LAB 57.37, 46.7, 51.41

 

CMYK 79 / 0 / 25 / 11

HEX #30E2AA

RGB 48 226 170

HSL 161.12, 0.75%, 0.54%

LAB 80.7, -56.14, 15.21

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 7 / 0 / 79 / 11

HEX #D3E230

RGB 211 226 48

HSL 65.06, 0.75%, 0.54%

LAB 86.23, -25.03, 77.45

 

CMYK 79 / 7 / 0 / 11

HEX #30D3E2

RGB 48 211 226

HSL 185.06, 0.75%, 0.54%

LAB 77.7, -34.77, -19

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 0 / 56 / 79 / 11

HEX #E26330

RGB 226 99 48

HSL 17.19, 0.75%, 0.54%

LAB 57.37, 46.7, 51.41

 

CMYK 79 / 0 / 72 / 11

HEX #30E23F

RGB 48 226 63

HSL 125.06, 0.75%, 0.54%

LAB 79.26, -72.79, 63.66

 

CMYK 79 / 22 / 0 / 11

HEX #30B0E2

RGB 48 176 226

HSL 196.85, 0.75%, 0.54%

LAB 67.4, -17.29, -34.79

 

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 0 / 33 / 79 / 11

HEX #E29830

RGB 226 152 48

HSL 35.06, 0.75%, 0.54%

LAB 68.63, 19.41, 62.08

 

CMYK 79 / 0 / 72 / 11

HEX #30E23F

RGB 48 226 63

HSL 125.06, 0.75%, 0.54%

LAB 79.26, -72.79, 63.66

 

CMYK 79 / 46 / 0 / 11

HEX #307AE2

RGB 48 122 226

HSL 215.06, 0.75%, 0.54%

LAB 51.88, 13.97, -59.33

 

Description

Color code: HEX #E32FD2 | qconv.com Color code: HEX #E32FD2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 47 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 47 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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