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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD02D it is the complementary color #E32FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD02D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD02D shade: #21D028, #32E23B, #43F44E, #54FF61 and #65FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD02D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD02D shade: #1CD02D, #0BBE1A, #00AC07, #009A00 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD02D shade: #1CCE2D, #3BCE1C, #6BCE1C, #9CCE1C and #CCCE1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD02D shade: #1CCE2D, #1CCE5D, #1CCE8D, #1CCEBD and #1CB0CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD02D shade matches the following richer shades: #1CCE2D and #09E11E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD02D shade: #1CCE2D, #2FBB3C, #42A84C, #55965B and #68836B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD02D shade: #6CCE1C, #3DCE1C, #1CCE2B, #1CCE5B and #1CCE8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD02D shade: #12861D, #17AA25, #1CCE2D, #31E342 and #55E863

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD02D shade: #1CD02D, #1C9CCE and #CE1C55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD02D shade: #1CD02D, #2B1CCE and #CE2B1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD02D shade: #1CD02D, #1C9CCE, #CE1CC0 and #CE4F1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD02D shade: #1CD02D, #1C66CE, #CE1CC0 and #CE841C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

Complementary color

CMYK 0 / 79 / 7 / 11

HEX #E32FD2

RGB 227 47 210

HSL 305.67, 0.76%, 0.54%

LAB 55.09, 81.33, -44.16

 

CMYK 84 / 0 / 81 / 18

HEX #21D028

RGB 33 208 40

HSL 122.4, 0.73%, 0.47%

LAB 73.28, -70.7, 65.02

 

CMYK 78 / 0 / 74 / 11

HEX #32E23B

RGB 50 226 59

HSL 123.07, 0.75%, 0.54%

LAB 79.26, -72.85, 65.05

 

CMYK 73 / 0 / 68 / 4

HEX #43F44E

RGB 67 244 78

HSL 123.73, 0.89%, 0.61%

LAB 85.22, -74.41, 64.49

 

CMYK 67 / 0 / 62 / 0

HEX #54FF61

RGB 84 255 97

HSL 124.56, 1%, 0.66%

LAB 89.05, -73.25, 61.23

 

CMYK 60 / 0 / 55 / 0

HEX #65FF74

RGB 101 255 116

HSL 125.84, 1%, 0.7%

LAB 89.65, -67.78, 53.81

 

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

CMYK 94 / 0 / 86 / 25

HEX #0BBE1A

RGB 11 190 26

HSL 125.03, 0.89%, 0.39%

LAB 67.26, -67.86, 62.95

 

CMYK 100 / 0 / 96 / 33

HEX #00AC07

RGB 0 172 7

HSL 122.44, 1%, 0.34%

LAB 61.24, -63.98, 60.98

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 86 / 0 / 78 / 19

HEX #1CCE2D

RGB 28 206 45

HSL 125.73, 0.76%, 0.46%

LAB 72.61, -70.27, 62.93

 

CMYK 71 / 0 / 86 / 19

HEX #3BCE1C

RGB 59 206 28

HSL 109.55, 0.76%, 0.46%

LAB 72.99, -67.2, 67.81

 

CMYK 48 / 0 / 86 / 19

HEX #6BCE1C

RGB 107 206 28

HSL 93.37, 0.76%, 0.46%

LAB 74.41, -55.67, 69.6

 

CMYK 24 / 0 / 86 / 19

HEX #9CCE1C

RGB 156 206 28

HSL 76.85, 0.76%, 0.46%

LAB 76.86, -38.51, 72.65

 

CMYK 1 / 0 / 86 / 19

HEX #CCCE1C

RGB 204 206 28

HSL 60.67, 0.76%, 0.46%

LAB 80.22, -18.82, 76.79

 

CMYK 86 / 0 / 78 / 19

HEX #1CCE2D

RGB 28 206 45

HSL 125.73, 0.76%, 0.46%

LAB 72.61, -70.27, 62.93

 

CMYK 86 / 0 / 55 / 19

HEX #1CCE5D

RGB 28 206 93

HSL 141.91, 0.76%, 0.46%

LAB 73.01, -65.34, 44.14

 

CMYK 86 / 0 / 32 / 19

HEX #1CCE8D

RGB 28 206 141

HSL 158.09, 0.76%, 0.46%

LAB 73.75, -56.71, 20.81

 

CMYK 86 / 0 / 8 / 19

HEX #1CCEBD

RGB 28 206 189

HSL 174.27, 0.76%, 0.46%

LAB 74.87, -44.79, -3.34

 

CMYK 86 / 15 / 0 / 19

HEX #1CB0CE

RGB 28 176 206

HSL 190.11, 0.76%, 0.46%

LAB 66.33, -25.61, -25.46

 

CMYK 86 / 0 / 78 / 19

HEX #1CCE2D

RGB 28 206 45

HSL 125.73, 0.76%, 0.46%

LAB 72.61, -70.27, 62.93

 

CMYK 96 / 0 / 87 / 12

HEX #09E11E

RGB 9 225 30

HSL 125.83, 0.92%, 0.46%

LAB 78.46, -77.38, 71.99

 

CMYK 86 / 0 / 78 / 19

HEX #1CCE2D

RGB 28 206 45

HSL 125.73, 0.76%, 0.46%

LAB 72.61, -70.27, 62.93

 

CMYK 75 / 0 / 68 / 27

HEX #2FBB3C

RGB 47 187 60

HSL 125.57, 0.6%, 0.46%

LAB 66.88, -61.04, 51.84

 

CMYK 61 / 0 / 55 / 34

HEX #42A84C

RGB 66 168 76

HSL 125.88, 0.44%, 0.46%

LAB 61.38, -48.8, 38.49

 

CMYK 43 / 0 / 39 / 41

HEX #55965B

RGB 85 150 91

HSL 125.54, 0.28%, 0.46%

LAB 56.58, -33.71, 24.79

 

CMYK 21 / 0 / 18 / 49

HEX #68836B

RGB 104 131 107

HSL 126.67, 0.11%, 0.46%

LAB 52.1, -14.75, 9.84

 

CMYK 48 / 0 / 86 / 19

HEX #6CCE1C

RGB 108 206 28

HSL 93.03, 0.76%, 0.46%

LAB 74.45, -55.36, 69.65

 

CMYK 70 / 0 / 86 / 19

HEX #3DCE1C

RGB 61 206 28

HSL 108.88, 0.76%, 0.46%

LAB 73.04, -66.85, 67.86

 

CMYK 86 / 0 / 79 / 19

HEX #1CCE2B

RGB 28 206 43

HSL 125.06, 0.76%, 0.46%

LAB 72.6, -70.4, 63.52

 

CMYK 86 / 0 / 56 / 19

HEX #1CCE5B

RGB 28 206 91

HSL 141.24, 0.76%, 0.46%

LAB 72.99, -65.62, 45.05

 

CMYK 86 / 0 / 33 / 19

HEX #1CCE8A

RGB 28 206 138

HSL 157.08, 0.76%, 0.46%

LAB 73.69, -57.36, 22.31

 

CMYK 87 / 0 / 78 / 47

HEX #12861D

RGB 18 134 29

HSL 125.69, 0.76%, 0.3%

LAB 48.6, -50.56, 44.77

 

CMYK 86 / 0 / 78 / 33

HEX #17AA25

RGB 23 170 37

HSL 125.71, 0.76%, 0.38%

LAB 60.84, -60.63, 54.05

 

CMYK 86 / 0 / 78 / 19

HEX #1CCE2D

RGB 28 206 45

HSL 125.73, 0.76%, 0.46%

LAB 72.61, -70.27, 62.93

 

CMYK 78 / 0 / 71 / 11

HEX #31E342

RGB 49 227 66

HSL 125.73, 0.76%, 0.54%

LAB 79.6, -72.72, 62.95

 

CMYK 63 / 0 / 57 / 9

HEX #55E863

RGB 85 232 99

HSL 125.71, 0.76%, 0.62%

LAB 82.13, -65.1, 52.46

 

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

CMYK 86 / 24 / 0 / 19

HEX #1C9CCE

RGB 28 156 206

HSL 196.85, 0.76%, 0.46%

LAB 60.32, -15.11, -34.76

 

CMYK 0 / 86 / 59 / 19

HEX #CE1C55

RGB 206 28 85

HSL 340.79, 0.76%, 0.46%

LAB 45.09, 67.4, 15.21

 

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

CMYK 79 / 86 / 0 / 19

HEX #2B1CCE

RGB 43 28 206

HSL 245.06, 0.76%, 0.46%

LAB 28.9, 61.07, -85.5

 

CMYK 0 / 79 / 86 / 19

HEX #CE2B1C

RGB 206 43 28

HSL 5.06, 0.76%, 0.46%

LAB 45.54, 61.48, 48.64

 

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

CMYK 86 / 24 / 0 / 19

HEX #1C9CCE

RGB 28 156 206

HSL 196.85, 0.76%, 0.46%

LAB 60.32, -15.11, -34.76

 

CMYK 0 / 86 / 7 / 19

HEX #CE1CC0

RGB 206 28 192

HSL 304.72, 0.76%, 0.46%

LAB 49.2, 78.65, -43.34

 

CMYK 0 / 62 / 86 / 19

HEX #CE4F1C

RGB 206 79 28

HSL 17.19, 0.76%, 0.46%

LAB 50.45, 48.08, 52.68

 

CMYK 87 / 0 / 78 / 18

HEX #1CD02D

RGB 28 208 45

HSL 125.67, 0.76%, 0.46%

LAB 73.25, -70.85, 63.54

 

CMYK 86 / 50 / 0 / 19

HEX #1C66CE

RGB 28 102 206

HSL 215.06, 0.76%, 0.46%

LAB 44.53, 17.3, -59.86

 

CMYK 0 / 86 / 7 / 19

HEX #CE1CC0

RGB 206 28 192

HSL 304.72, 0.76%, 0.46%

LAB 49.2, 78.65, -43.34

 

CMYK 0 / 36 / 86 / 19

HEX #CE841C

RGB 206 132 28

HSL 35.06, 0.76%, 0.46%

LAB 61.4, 21.01, 61.62

 

Description

Color code: HEX #1CD02D | qconv.com Color code: HEX #1CD02D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 208 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 208 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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