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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E316EB it is the complementary color #1CE914. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E316EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E316EB shade: #E816E6, #F928F9, #FF3AFF, #FF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E316EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E316EB shade: #E316EB, #D204D8, #C100C5, #B000B2 and #9F009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E316EB shade: #E314EB, #EB14B9, #EB147F, #EB1445 and #EB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E316EB shade: #E314EB, #A914EB, #6F14EB, #3514EB and #1414EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E316EB shade matches the following richer shades: #E314EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E316EB shade: #E314EB, #CF29D6, #BC3EC1, #A952AD and #966798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E316EB shade: #6E14EB, #A714EB, #E014EB, #EB14BC and #EB1483

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E316EB shade: #990E9F, #BE11C5, #E314EB, #E73AEE and #EC60F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E316EB shade: #E316EB, #EB3514 and #14EB8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E316EB shade: #E316EB, #EBE014 and #14EBE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E316EB shade: #E316EB, #EB3514, #1FEB14 and #14CAEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E316EB shade: #E316EB, #EB7514, #1FEB14 and #148AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 91 / 0 / 8

HEX #E316EB

RGB 227 22 235

HSL 297.75, 0.84%, 0.5%

LAB 54.97, 89.36, -58.51

 

Complementary color

CMYK 88 / 0 / 91 / 9

HEX #1CE914

RGB 28 233 20

HSL 117.75, 0.84%, 0.5%

LAB 81.06, -78.89, 75.92

 

CMYK 0 / 91 / 1 / 9

HEX #E816E6

RGB 232 22 230

HSL 300.57, 0.83%, 0.5%

LAB 55.53, 89.45, -54.76

 

CMYK 0 / 84 / 0 / 2

HEX #F928F9

RGB 249 40 249

HSL 300, 0.95%, 0.57%

LAB 60.34, 92.43, -57.55

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 3 / 91 / 0 / 8

HEX #E316EB

RGB 227 22 235

HSL 297.75, 0.84%, 0.5%

LAB 54.97, 89.36, -58.51

 

CMYK 3 / 98 / 0 / 15

HEX #D204D8

RGB 210 4 216

HSL 298.3, 0.96%, 0.43%

LAB 50.39, 85.44, -55.25

 

CMYK 2 / 100 / 0 / 23

HEX #C100C5

RGB 193 0 197

HSL 298.78, 1%, 0.39%

LAB 46.14, 80.27, -51.28

 

CMYK 1 / 100 / 0 / 30

HEX #B000B2

RGB 176 0 178

HSL 299.33, 1%, 0.35%

LAB 41.91, 74.7, -47.06

 

CMYK 0 / 100 / 0 / 38

HEX #9F009F

RGB 159 0 159

HSL 300, 1%, 0.31%

LAB 37.62, 69.02, -42.74

 

CMYK 3 / 91 / 0 / 8

HEX #E314EB

RGB 227 20 235

HSL 297.77, 0.84%, 0.5%

LAB 54.9, 89.59, -58.63

 

CMYK 0 / 91 / 21 / 8

HEX #EB14B9

RGB 235 20 185

HSL 313.95, 0.84%, 0.5%

LAB 53.67, 84.33, -31.88

 

CMYK 0 / 91 / 46 / 8

HEX #EB147F

RGB 235 20 127

HSL 330.14, 0.84%, 0.5%

LAB 51.49, 78.54, -0.75

 

CMYK 0 / 91 / 71 / 8

HEX #EB1445

RGB 235 20 69

HSL 346.33, 0.84%, 0.5%

LAB 50.21, 75, 32.74

 

CMYK 0 / 91 / 91 / 8

HEX #EB1414

RGB 235 20 20

HSL 0, 0.84%, 0.5%

LAB 49.75, 73.72, 57.67

 

CMYK 3 / 91 / 0 / 8

HEX #E314EB

RGB 227 20 235

HSL 297.77, 0.84%, 0.5%

LAB 54.9, 89.59, -58.63

 

CMYK 28 / 91 / 0 / 8

HEX #A914EB

RGB 169 20 235

HSL 281.58, 0.84%, 0.5%

LAB 45.54, 81.14, -74.22

 

CMYK 53 / 91 / 0 / 8

HEX #6F14EB

RGB 111 20 235

HSL 265.4, 0.84%, 0.5%

LAB 37.62, 74.94, -87.53

 

CMYK 77 / 91 / 0 / 8

HEX #3514EB

RGB 53 20 235

HSL 249.21, 0.84%, 0.5%

LAB 32.38, 71.58, -96.39

 

CMYK 91 / 91 / 0 / 8

HEX #1414EB

RGB 20 20 235

HSL 240, 0.84%, 0.5%

LAB 30.99, 70.83, -98.75

 

CMYK 3 / 91 / 0 / 8

HEX #E314EB

RGB 227 20 235

HSL 297.77, 0.84%, 0.5%

LAB 54.9, 89.59, -58.63

 

CMYK 3 / 91 / 0 / 8

HEX #E314EB

RGB 227 20 235

HSL 297.77, 0.84%, 0.5%

LAB 54.9, 89.59, -58.63

 

CMYK 3 / 81 / 0 / 16

HEX #CF29D6

RGB 207 41 214

HSL 297.57, 0.68%, 0.5%

LAB 51.5, 79.51, -52.35

 

CMYK 3 / 68 / 0 / 24

HEX #BC3EC1

RGB 188 62 193

HSL 297.71, 0.51%, 0.5%

LAB 49.48, 65.91, -43.67

 

CMYK 2 / 53 / 0 / 32

HEX #A952AD

RGB 169 82 173

HSL 297.36, 0.36%, 0.5%

LAB 48.87, 48.77, -33.16

 

CMYK 1 / 32 / 0 / 40

HEX #966798

RGB 150 103 152

HSL 297.55, 0.19%, 0.5%

LAB 50.04, 27.36, -19.18

 

CMYK 53 / 91 / 0 / 8

HEX #6E14EB

RGB 110 20 235

HSL 265.12, 0.84%, 0.5%

LAB 37.51, 74.85, -87.73

 

CMYK 29 / 91 / 0 / 8

HEX #A714EB

RGB 167 20 235

HSL 281.02, 0.84%, 0.5%

LAB 45.24, 80.88, -74.73

 

CMYK 5 / 91 / 0 / 8

HEX #E014EB

RGB 224 20 235

HSL 296.93, 0.84%, 0.5%

LAB 54.39, 89.11, -59.47

 

CMYK 0 / 91 / 20 / 8

HEX #EB14BC

RGB 235 20 188

HSL 313.12, 0.84%, 0.5%

LAB 53.81, 84.69, -33.41

 

CMYK 0 / 91 / 44 / 8

HEX #EB1483

RGB 235 20 131

HSL 329.02, 0.84%, 0.5%

LAB 51.61, 78.87, -2.99

 

CMYK 4 / 91 / 0 / 38

HEX #990E9F

RGB 153 14 159

HSL 297.52, 0.84%, 0.34%

LAB 37.1, 66.3, -43.64

 

CMYK 4 / 91 / 0 / 23

HEX #BE11C5

RGB 190 17 197

HSL 297.67, 0.84%, 0.42%

LAB 46.15, 78.18, -51.28

 

CMYK 3 / 91 / 0 / 8

HEX #E314EB

RGB 227 20 235

HSL 297.77, 0.84%, 0.5%

LAB 54.9, 89.59, -58.63

 

CMYK 3 / 76 / 0 / 7

HEX #E73AEE

RGB 231 58 238

HSL 297.67, 0.84%, 0.58%

LAB 58.22, 83.47, -54.97

 

CMYK 2 / 60 / 0 / 5

HEX #EC60F1

RGB 236 96 241

HSL 297.93, 0.84%, 0.66%

LAB 63.79, 71.83, -47.74

 

CMYK 3 / 91 / 0 / 8

HEX #E316EB

RGB 227 22 235

HSL 297.75, 0.84%, 0.5%

LAB 54.97, 89.36, -58.51

 

CMYK 0 / 77 / 91 / 8

HEX #EB3514

RGB 235 53 20

HSL 9.21, 0.84%, 0.5%

LAB 52.13, 66.96, 59.19

 

CMYK 91 / 0 / 41 / 8

HEX #14EB8A

RGB 20 235 138

HSL 152.93, 0.84%, 0.5%

LAB 82.59, -68.01, 34.2

 

CMYK 3 / 91 / 0 / 8

HEX #E316EB

RGB 227 22 235

HSL 297.75, 0.84%, 0.5%

LAB 54.97, 89.36, -58.51

 

CMYK 0 / 5 / 91 / 8

HEX #EBE014

RGB 235 224 20

HSL 56.93, 0.84%, 0.5%

LAB 87.5, -14.72, 84.86

 

CMYK 91 / 0 / 5 / 8

HEX #14EBE0

RGB 20 235 224

HSL 176.93, 0.84%, 0.5%

LAB 84.46, -47.83, -7.84

 

CMYK 3 / 91 / 0 / 8

HEX #E316EB

RGB 227 22 235

HSL 297.75, 0.84%, 0.5%

LAB 54.97, 89.36, -58.51

 

CMYK 0 / 77 / 91 / 8

HEX #EB3514

RGB 235 53 20

HSL 9.21, 0.84%, 0.5%

LAB 52.13, 66.96, 59.19

 

CMYK 87 / 0 / 91 / 8

HEX #1FEB14

RGB 31 235 20

HSL 116.93, 0.84%, 0.5%

LAB 81.71, -79.21, 76.47

 

CMYK 91 / 14 / 0 / 8

HEX #14CAEB

RGB 20 202 235

HSL 189.21, 0.84%, 0.5%

LAB 75.07, -29.43, -27.87

 

CMYK 3 / 91 / 0 / 8

HEX #E316EB

RGB 227 22 235

HSL 297.75, 0.84%, 0.5%

LAB 54.97, 89.36, -58.51

 

CMYK 0 / 50 / 91 / 8

HEX #EB7514

RGB 235 117 20

HSL 27.07, 0.84%, 0.5%

LAB 62.03, 40.69, 65.96

 

CMYK 87 / 0 / 91 / 8

HEX #1FEB14

RGB 31 235 20

HSL 116.93, 0.84%, 0.5%

LAB 81.71, -79.21, 76.47

 

CMYK 91 / 41 / 0 / 8

HEX #148AEB

RGB 20 138 235

HSL 207.07, 0.84%, 0.5%

LAB 56.41, 5.54, -57.12

 

Description

Color code: HEX #E316EB | qconv.com Color code: HEX #E316EB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 22 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 22 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 91 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 91% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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